AAA Day in the LIfE of the 137 SS Mystic ~ September 10, 2013 ~ Temple Mount Menorah ~ Trishakti ~ Proof that OM = Swastika = ShoStik … the Temple IS Man

UPDATE November 21, 2018

Trishakti Trident linked to Atlantis 22,000 BCE taken from Mystic Test Book O.H. Richmond highlighted in yellow

Are the Original Sacred Seven a reference to the Seven Rishis
who we know are associated with the seven stars of the modern Big Dipper?
[…however note there is an eighth star that requires good eyesight to see without any aid]

The above image, yellow highlights added by me comes out the following text published in 1919.

“The publication of this work was, we might say, forced upon us by the demand, before even a page of manuscript was prepared for the press. The demand was caused by members of the temple, who recognized the necessity of a printed text book, from which they could study the meanings of the cards and their indications under the seven planets.”
-From the Introduction to “The Mystic Test Book, or The Magic of the Cards” by Olney H. Richmond

The Mystic Test Book

UPDATE Sept. 20, 2018

New Zealand & Paracas Trident in Peru – Ramayana Connection

source: in peru with text

UPDATE April 10, 2018

The coincidence has been my guide and guru ever since my epiphany at age 47.

Earlier this year my daughter Emma took a trip to South America, and Peru was one of the countries on her itinerary, and by chance not design she and her friend Catherine took a similar route that I did back in 2006.
However she took a tour while in Peru that I did not due to time constraints.
She had a couple of months to tour around, I only had two weeks with the intent of getting to Machu Picchu as the primary destination.

On Wednesday February 28th at 9:19 PM she sent me four images she had taken on her trip to Ballestas Islands.

[btw we were both born on a Wednesday ~ Wotan’s day ~ and our surname Wedekind/Widukind is linked to House of Odin or Wotan]

This one is similar to the one she sent me.El Candelabra PERU from a boat

The following conversation took place between my daughter Emma and ME+me after receiving the four images via i-phone.
March 1 7:27 AM
ME+me: Very beautiful, the scenes are very nice, and you rrr beautiful, the one picture on the side of the hill of a trident looking thing, I have seen that what is it called?
Emma: I think it is called La Candelria or something because it looks like a candle?
It’s near Ballestas islands so you can google that.
ME+me: It looks like a lot of things, a candle, a menorah, a trident as mentioned, I went online it is called El Candelabra and very little of it is known, some believe it is connected to the Nazca Lines, or to help the sailors navigate, etc. etc.
Emma: Yeah it is very interesting

Hindu Trishakti contains the trisul, Om, and swastika symbols

ME+me: In my humble opinion it has more to do with the trident idea next to the ocean, recall the god Poseidon or Neptune have a trident. The trident in India is called a trisul and it is one of the three most important symbols next OM and the swastika. You have seen it in my house called a Tri-Shakti.
Emma: Yeah it looks like a trident rather than a candle to me too!

ME+me: I just went through my blog , my notes so to speak, and take a look at what I found, if the Chinese were to sail toward the east toward the rising sun, what might they leave behind?
Emma: Ahh I see, interesting
ME+me: Emma thank you for the image, one day you will realize you and me have unfinished business in someway which is hard to explain, IMHO it can only be explained by what is consciousness?
Two years ago when I was shown by coincidence again, what the swastika had evolved to in Bengal India, a new narrative was emerging which coincides with what is taking place in the world today in north Africa, to be explained later …

[I then sent her this image of the swastika aka shostik in Bengal on March 1, 11:47 AM]
Bengali ShoStik aka SwaStik

Friday March 1, 5:09 PM
Emma: Interesting!! I’ll take a look at that link later 🙂


Saturday March 3 8:58 AM
ME+me: Good morning sweetie, this morning I grabbed a book out of my library and opened it up to this page, WTF?
It was the first one I reached for, I was not looking for this image, however the most bizarre coincidences that have occurred between you and me are an indication to me that you may have a vital role to play, I do not want to put any pressure on you, but clearly as Albert Einstein once said, “the coincidence is gods way of remaining anonymous, but it appears this theoretical god has placed itself between you and me as a guide to bring us closer together?
And hopefully one day you, Rachel and me can become one voice, one heart, one mind and grow together …
Please understand Emma that Peru was instrumental in my epiphany, so keep your heart open, and your mind, and who knows maybe Peru will work its magic on you and Catherine too …
As it has for so many other people who are on a quest but do not know it.
Emma: Good morning daddy! That’s crazy about you opening that book to that page.
Weird ‘coincidence’ for sure!!
Now before I continue I do want to point out an obvious association to the Aztec ‘photon’ Cross.

Mixtec calendar from the Codex Féjérvary-Mayer

What is interesting about this Aztec Cross/calendar is that three arms are ‘symmetrical’ i.e. we see each tree has 3 + 3 ‘fruits’ except the arm in the south which is asymmetrical i.e. 3 + 2
There is much still to be said about Tezcatlipoca crucified in the center, note the yellow offset cross with four diagonal lines emanating from his body towards the four corners and the broken horizontal line indicated by his two arms.

Now compare the 3 + 2 idea with El Candelabra below which displays an intentional asymmetry too.

El Candelabra PERU 3 vs 2 asymmetry1
Compare what has been highlighted by me with the sketch Graham Hancock made below

It seems Graham Hancock and ME+me are on a similar path or quest in this lifetime.
However as I have tried to point out to Graham over the years is that he is missing a vital clue to unlocking the mysteries.
The 12,000+ year old swastika is that idea that he does not wish to be associated with, yet it defines my journey, yet the timeline he promotes for most of his theories evolve around 10,000 BCE, which is the same timeline the swastika can be placed onto.

image on left: sketch made by Graham Hancock ignoring the intentional asymmetry
and the rectangular base!
image on right: Spring Temple Buddha the world’s tallest statue!

As you can see something got lost in translation when Graham Hancock sketched the El Candelabra omitting the obvious asymmetry.
At this time I am not going to comment on whether the El Candelabra is in fact a ‘mirror image’ of the Southern Cross or not as he speculates.

But I will comment on what Graham says regarding the north-south orientation of El Candelabra.

“The Candelabra was intended by its designers to be seen from the north. Indeed, there is no other perspective from which it may be satisfactorily viewed: the observer must face south towards the sloping escarpment on which it is carved.”
-page 258

Thus Graham’s quote explains why I placed the world’s biggest statue today at 502 feet of the Spring Temple Buddha beside the El Candelabra.
Because the Spring Temple Buddha also faces south with his back to the north.

And it is the north-south orientation that we should be focusing on.
One more important fact that needs to be shared at this time.
The Chinese have a reverence for the north, the polestar in fact. They have four houses to represent all of the northern constellations, and it was not until the 11th century that they added a fifth house to account for the southern constellations.

Graham does mention that Crux or the Southern Cross was not recognized by European sailors until the 16th century.
The location of El Candelabra is south of the equator.

Although the exact age of the Candelabra geoglyph is unknown, archaeologists have found pottery around the site dating back to around 200 B.C. This pottery likely belonged to the Paracas people, although whether they were involved in the creation of the geoglyph is not known. The reason for the Candelabra’s creation is also unknown, although it is most likely a representation of the trident, a lightning rod of the god Viracocha, who was seen in mythology throughout South America. It has been suggested that the Candelabra was built as a sign to sailors, or even as a symbolic representation of a hallucinogenic plant called Jimsonweed.


Viracocha was one of the most important deities in the Inca pantheon and seen as the creator of all things, or the substance from which all things are created, and intimately associated with the sea.[2] Viracocha created the universe, sun, moon, and stars, time (by commanding the sun to move over the sky)[3] and civilization itself. Viracocha was worshipped as god of the sun and of storms. He was represented as wearing the sun for a crown, with thunderbolts in his hands, and tears descending from his eyes as rain.

However there is one more important quote that needs to be inserted at this time illustrating what the Meso-american mindset and cosmology was ‘reflecting’ in the Americas north/south and central.

“Realizing this I perceived how, with the origin of the swastika, I had found the origin of the set of primeval ideas which had governed the human race from its infancy and which, in Mexican and Central American civilizations, ultimately developed into their ingenious system of government and social organization”
– Zelia Nuttall

page 16:

And IF we rotate the Aztec Codex Féjérvary-Mayer upside down and crop part of the image … does it match El Candelabra?
Yes apparently so … right down to the ‘rectangle’ that we see at the base!

aztec cosmogram reversed1El Candelabra PERU 3 vs 2 asymmetry1

And what if the RECTANGLE is Golden? You know what I Mean?

Aztec Cosmogram and Sri Yantra

A variety of popular myths have arisen: one attributes it to José de San Martín; another suggests it is a Masonic symbol (see Freemasonry); and yet another that sailors created it as a sign which they could view at sea for landfall. Some believe it represents the motif known as a Mesoamerican world tree.

If I was a betting man, the motif known as the World Tree would be the safe bet.

Now we can proceed with the rest of the blog and how it all fits a bigger picture that Graham is just not seeing in regards to the 12,000+ year old World TEACHER a.k.a. the SwaStik ShoStik helping to define the Temple is Man.

viracochaBengali_Swastika shostik

Inca Viracocha and the Bengali ShoStik SwaStik

UPDATE January 6, 2018

UPDATE September 16, 2015

I recently asked Jack Powers another of my faKebook associates the following question.

IF Mars represents the 5×5, Jupiter is the 4×4, Saturn is the 3×3, why do so few people attempt to discuss the 2×2 Uranus 1×1 Neptune?

The following statement I came across today answers the question I posed Jack and is profound, considering those magic square grids were based on the ability to see planets with the naked eye.

Scientists understand so little about the formation of Uranus and Neptune that Levison states, “…the possibilities concerning the formation of Uranus and Neptune are almost endless.”

Watch the brief video, Neptune and Uranus ‘switch’ orbits!

How does the NICE model fit into the 4 Ages Model and what is being recovered by the 137 SS Mystic?

UPDATE April 16, 2015

Ralph aka Raphael presents …

Ralph Camera: A Visible/Infrared Imager for the New Horizons Pluto/Kuiper Belt Mission

New Horizons was 115 million km from Pluto (larger sphere)
when its Ralph camera captured the view

The above image/lead was shared with me by fBf Monique Vecchione-Gebeline yesterday. It was tongue in cheek.
(fBf = fakeBook friend), I saw it this morning.

But the encounter is set to be the major space event of 2015. It will complete the reconnaissance of the “classical nine” planets of our Solar System; New Horizon’s flyby will mean every one has been visited at least once by a space probe.

However, not since Voyager 2 passed Neptune in the late 1980s has a new world been revealed up close in the same way as will occur in mid-July.

Ralph: A Visible/Infrared Imager for the New Horizons Pluto/Kuiper Belt Mission

New Horizons, a flyby mission to the Pluto/Charon system and the Kuiper Belt, is the first in NASA’s New Frontiers line of moderate-scale planetary missions and is the first mission to explore Pluto and its moons Charon, Nix and Hydra. Launched on January 19, 2006, it is scheduled for a closest approach of about 10,000 km on July 14, 2015. The scientific rationale for New Horizons and the overall mission planning are described in detail in several papers in this issue

Here is what I also noted.

  • The probe ‘Ralph’ coincidentally was launched on the date of Karl’s birthday.
  • Karl is Ralph’s father, my father, he would have been 82 on January 19, 2006.
  • the New Horizons ‘Ralph’ was launched just prior to firefighter ‘Ralph’ set out on his pilgrimage to Peru in 2006.
    Ralph the firefighter was also seeking new horizons and by coincidence it was exactly one month later on February 19th 2006 at 1:37 pm that ‘Ralph’ found himself in the Novice’s Cloister of the Santa Catalina Monastery taking pictures about to be launched.

The One picture that my third eye did not want me to miss I was about to capture.
The One picture that was worth ten thousand words.
The One picture that would alter my destiny forever.
The One picture that has the potential to alter the destiny of the altar called earth.

At 13:43:30 on February 19, 2006 the Canon G2 camera records that I took the One picture you see here;

Rosetta Fractal Mandala

Some time later due to realizing my journey and quest were one and the same thing, I would baptize this image the Rosetta Fractal Mandala, a direct reference to the Rosetta Stone which lead to the breakthrough needed for the interpretation of the Egyptian hieroglyphs.

The Rosetta Fractal Mandala accomplishes a similar task, its also helps to bridge two languages and geometry is one of them.

But to really appreciate all of the profound probing connections and coincidences between the New Horizons flyby probe ‘Ralph’ and the 137 SS Mystic ‘Ralph’, and Karl and Charles, and Neptune, and Pluto, the reader will need to continue reading.

Apparently the 137 SS Mystic ‘Ralph’ already completed his archetypal ‘flyby’ mission some time ago, and the proof is to be found in this blog.

There really is not much more that I can say at this time.

~ end of UPDATE ~

The Chinese word, or character, for medicine actually comes from the character for music.

Music Medicine and Math

Q: Could you give us a brief history of Chinese music?

GY: From excavated instruments, we know that Chinese music dates back over 9,000 years. Over time, four genres developed: folk, literati, religious, and court music.

During the Han Dynasty (206 B.C.E.-220 C.E.), the court established an imperial bureau known as yuefu, which took charge of musical education as well as collecting ancient folk music and poems. Culture exchange with western Asia back then also introduced new instruments to the Han. This led to even more advances in Chinese music.

Then, during the Tang Dynasty, Emperor Xuanzong (reign 712-756), who was a talented musician himself, created and personally supervised the Pear Garden imperial music academy. The institutions he created trained professional performers, and contributed immensely to the development of Chinese music.

Feel free to listen to this relaxing OM chant while reading this blog.

The above text was taken from this book.

September 10, 2013

UPDATE December 14, 2014


Umm el–Q/Kanatir (The Mother of the Arch) is a site located on the upper reaches of the Wadi Samekh, 5 mi. [8.5 km.] east of the Sea of Galilee on the Golan Heights. In recent years a synagogue, that was discovered in 1884, has been surveyed, excavated, and is in the process of reconstruction.

The village—ancient name not known—was constructed in the fourth or fifth century AD and was destroyed by the devastating earthquake of AD 749.

It boasts one of the best-preserved ancient synagogues in the land—90% of the remains (collapsed) were still in-situ after the earthquake of AD 749.  It is in the process of being reconstructed by Yehoshua Dray and his colleagues.

In addition, remnants of a flax processing installation have been discovered by the spring in the village.
For a map and brief commentary on Umm el-Qanatir click here.

I think this image, text, and the accompanying link speak for themselves.

But just in case you fail to see the obvious let me point it out.
Obvious evidence is critical to this blog.

  • 3-prong trident in the South
  • 7-prong menorah in the North
  • Shofar horns on either side East and West

Also two opposite rotating swastikas can be seen on this stone.

UPDATE July 28, 2014

Came across this entry today that I written back in 2009, which is a further confirmation of ALL the information I will be presenting in this blog.


Om Yoga: Its Theory and Practice

by Swami Nirmalananda Giri

note: the text below are excerpts taken from the full chapter.

The amount of material in the authoritative scriptures of India and the words of realized saints regarding Om, is truly surprising. Here I have arranged extracts from the scriptures as well as from Vyasa and Shankara, the two greatest authorities on the scriptures, to give an overview of the whole subject of Om in its various aspects.

Om is God (Brahman)

“Om is Brahman, the Primeval Being.” (Brihadaranyaka Upanishad 5.1.1)

“That [Om] is the quintessence of the essences, the Supreme, the highest.” (Chandogya Upanishad 1.1.3)

“I will tell you briefly of that Goal which all the Vedas with one voice propound, which all the austerities speak of, and wishing for Which people practice discipline: It is Om.” (Katha Upanishad 1. 2.15-17)

“Om is the Supreme Brahman.” (Svetasvatara Upanishad 1:7)

“The real nature of Brahman is identical with the Pranava.” (Svetasvatara Upanishad 2:8)

“God is the Syllable Om.” (Svetasvatara Upanishad 4:17)

“Om is Brahman.” (Taittiriya Upanishad 1.8.1)

“Brahman is the Truth that is indicated as ‘Om.’” (Yoga Vashishtha 6:1:30)

“The monosyllable Om is the highest Brahman.” (Manu Smriti 2:83,87)

UPDATE April 5, 2014

Proof that OM is equivalent to Swastika – author Rim sim
According to Yajurveda Swastika is the symbolic representation of om in Hinduism
Swastika – Wikipedia, the free encyclopedia

The above addition posted today compliments the following blog posted in Sept. 2013.

~ end of UPDATE ~

I went fishing on fakebook err I mean facebook today for more evidence of what has been placed in plain sight yet is being ignored by the world at large.

Ancient Golden Treasure Found at Foot of Temple Mount

Sep. 9, 2013 — In summer excavations at the foot of the Temple Mount, Hebrew University of Jerusalem archaeologist Dr. Eilat Mazar made a stunning discovery: two bundles of treasure containing thirty-six gold coins, gold and silver jewelry, and a gold medallion with the menorah (Temple candelabrum) symbol etched into it.

Also etched into the 10-cm medallion are a shofar (ram’s horn) and a Torah scroll.

But I happened to notice the common denominators linking east to west immediately.

IF you rotate this symbol so the menorah is at the bottom I can not help to see the profound similarities between this Temple Mount Medallion and the Hindu symbol referred to as the Trishakti.

Temple Mount Medallion next to Trishakti

In India the three most auspicious signs are those of  “SWASTIKA – OM and TRISHUL

Hence if all these three signs are displayed together on the out side of main door, it is supposed to be very lucky and also protects the people living inside the house from all types of evil eyes.

This sign is known as the Trishakti.

And IF you dare to compare the symbolism we see that both the Temple Mount medallion and the Trishakti have a 3-pronged trident at the top, and a symbol representing SOUND in the middle, i.e. the OM symbol vs. the Shofar Horn (…and the Torah Scroll which issuing the SOUND of the ‘word’?)

So can we link the swastika to the 7 armed Menorah?

Yet I have another question … why are there two Menorahs one with 7 arms and the other 9 arms?

image L: top of Wat Arun main tower 7 prong with vajra thunderbolt similar to menorah
image R: Trisula brought as offerings to Guna Devi, near Dharamsala. Himachal Pradesh

The reason I ask is because the Maya associated the number 7 with earth and the number 9 with heaven and the number 13 with the underworld.

And also because 9 + 7 = 16.

I mentioned 16 as being important in yesterday’s entry.

The idea/theory that I have been working on suggests we gather material objects in our life to help us ‘rEMEMber’ our roots. Like the carpet I bought in Greece back in 1985 that I now refer to as a Magic Carpet. Would you like to go for a ride?

3D  wood carved mandala next to an animated rotating MNEME bowl dated about 4500 BC

But what I want to put onto the evidence table for discussion is this object a 3D mandala that I purchased in a retail store called ‘WINNERS’.
For some reason it spoke to me silently, i.e. I ‘liked’ it and want to ‘share’ it now.
This purchase was in fact an unconscious decision, made by me at the time, then one day I realized why it spoke to ME.

21st century heART work next to the handcrafted MNEME bowl Samarra Iraq 4500 BCE

It had a resemblance to what I had called the MNEME bowl dated to 5000 BCE.

But instead of just four E it was possible to find eight E on the modern heART work.
Four of the E are turned inward and four of the E are turned outward.
But then it occurred to my inner child to do this next, place the Trishakti over the 3D mandala and ask …


Please note: as we go through the four rotations N > E > W > S, only the swastika in the center does not appear to ‘move’. Clearly both the OM symbol and the trisula shapes have been ‘altered’.

Try reversing the Trishakti to see what happens.
i.e. Placing the trisula in the center and the swastika on the periphery.
But we notice the same thing will occur and that in effect is one of its special f/x offered by the mystic cross, the swastika.

The paradox surrounding the swastika and it is easily demonstrated is that even though it represents ‘movement’ and ‘motion’ and ‘rotation’, in the example I just gave you, it appears to be immovable.


Recall that the swastika is still a symbol for the sun in some countries/CULTures.

So to place it into the center of the model of the solar system like I did above is not a stretch of my imagination.
What I found interesting is that the sign for the planet Neptune is in fact the pitchfork, trident, trisula. (see below)

4.1 Orbital resonances

Neptune’s orbit has a profound impact on the region directly beyond it, known as the Kuiper belt. The Kuiper belt is a ring of small icy worlds, similar to the asteroid belt but far larger, extending from Neptune’s orbit at 30 AU out to about 55 AU from the Sun.[97] Much in the same way that Jupiter’s gravity dominates the asteroid belt, shaping its structure, so Neptune’s gravity dominates the Kuiper belt. Over the age of the Solar System, certain regions of the Kuiper belt became destabilised by Neptune’s gravity, creating gaps in the Kuiper belt’s structure. The region between 40 and 42 AU is an example.

The most heavily populated resonance in the Kuiper belt, with over 200 known objects,[99] is the 2:3 resonance. Objects in this resonance complete 2 orbits for every 3 of Neptune, and are known as plutinos because the largest of the known Kuiper belt objects, Pluto, is among them.[100] Although Pluto crosses Neptune’s orbit regularly, the 2:3 resonance ensures they can never collide.

The spacecraft Voyager 2 verified the existence of a magnetic field surrounding Neptune and discovered that the field was offset from the centre and tilted in a manner similar to the field around Uranus.

So the analogy if there is one is that in the proximity of 37.19 AU (4000 times the range of the sun light mill motor) we find the largest object in the Kuiper Belt called Pluto, which has a 2:3 resonance relationship with Neptune…does that mean they are exchanging data or inPHOmation?

What the above link will illustrate is that the nano light mill motor’s range of influence when compared to our own solar system with the sun as the hub ends in the vicinity of between Neptune and Pluto.

I must admit that the 2:3 resonance rings a bell with a theory called;

The Eternal Story of the W and Z

And the best part is that the OM symbol placed between the swastika symbol representing the Sun and the symbol for Neptune suggests that our solar system is filled with sounds.

And all of the above then can be placed alongside this idea here, a very old idea based on the dispute is the influence of god greater at the center or the periphery?

Gravity Is A Push Not A Pull?

Walter C. Wright proposed that ‘gravity is a push’ and I happened to notice how some of his ideas line up with the trishakti.
Is his theory correct or does it form part of the ongoing synthesis that continues onward and forward as more inPHO is recovered?
The future will be revealed is a safe prediction to make.

source of text: Gravity Is A Push by Walter C. Wright – Scribd

But then again everything I present, these could just all be coincidences.

The Temple Of Man by R. Schwaller

The Temple Of Man by R. Schwaller is a match for the Periodic Table of Elements and the 64 Codons of our DNA.

73 or 37

Two numbers that can be associated with consciousness and the collective unconscious.
Because the first seven words of Genesis when interpreted using Hebrew clearly spells that out.

73 x 37 = 2701

2B continued because the swastika has also been identified as being equivalent to those two gravitational B-modes.

After updating this blog yesterday 5/4/2014, I awoke this morning and realized the gift Rim Sim had shared with ME via ThE NET.

The following ‘proof’ supplied by Rim Sim that OM and the swastika are both primeval and part of the same imprint identified as RED and BLUE b-mode gravitation waves has made me realize something else.

Rim Sim or RS has just supplied me and ME with another profound link, allowing ME-me to make the following claim.

The following information supplied by RS allows us now to place the ‘swastika‘ and the ‘Rotas Square‘ side by side in a brand new light.

Lauburu – the foundation for the Seed of Life

Basque Lauburu ~ Swastika

Mr. Mujica believes that the Lauburu symbolizes mankind, made up of four elements: Form, Life, Sensibility and Conscience. 

  • Form: symbolizes a passive quality and serves as a vessel for the other three; philosophically they are called Maria, Mari, Maya and Miriam. It is Mother Nature in a solid Form. Form serves as a tool.
  • Life: symbolizes strength or the spirit that we possess, also known as Iehova.
  • Sensibility: symbolizes Christ and in our evolutionary state it symbolizes love and human equilibrium. Sensibility guides us towards strength which acts through wishes and the conscience tells the individual how one should behave to achieve those wishes or emotions.
  • Conscience: symbolizes the Father.

selah V


Post a comment or leave a trackback: Trackback URL.


  • Pat  On April 8, 2014 at 5:43 am

    Hi ,
    your post on the energetic forum bought me here ……i havent read all the thread, and only just browsed thru here and enjoyed the ride.
    Thanks for the TRIGGER, it jogged my memory and im sure i will understand it fully when i need to
    In return i offer you this in relation to your ? on “Kuniper belt orbital resonance”
    It came from a good Source
    You and i both have physical family ,as do Planets,one of the ways that Planets do things ie ” things like…communicate.. transfer divinities ,energies..assistance … ” is by what is called “RIBBONS” they probably do a lot more than that im sure…..
    I did read somewhere a few months ago about someone in the scientific community somewhere had seen these, they did not use the word ribbons but something very much like it …stay well

  • Doug  On August 24, 2014 at 8:31 am

    2/3 Donuts

  • raphael  On March 18, 2016 at 1:31 pm

    Figure 22, a dipinto from Magna Graecia (c. fourth century), shows the early cursive stage of the Yevanic type. Figure 23 (15th century), while resembling the Sephardic type in certain respects and Oriental types in others, is independent of either. The similarities are due to convergent developments, growing from the same original forms. The most characteristic letters are alef, dalet, he, zayin, tav; he and tav appear in double forms, one being more highly cursive than the other. A characteristic feature of this script is the rightward blob at the end of dalet and zayin.

  • raphael  On December 7, 2016 at 5:58 pm
    Hopewell Mound Menorah

  • raphael  On January 6, 2018 at 3:16 pm

  • raphael  On April 26, 2018 at 11:00 am

    Rectangle … what if the rectangle is golden?


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