BLACK WHITE RED are the ‘magnetic’ strings that connect the SWASTIKA to ATLANTIS and pi


Red Pyramid 2613-2589 BCE

The Red Pyramid, also called the North Pyramid, is the largest of the three major pyramids located at the Dahshur necropolis. Named for the rusty reddish hue of its stones, it is also the third largest Egyptian pyramid, after those of Khufu and Khafra at Giza. At the time of its completion, it was the tallest man-made structure in the world. It is also believed to be the world’s first successful attempt at constructing a “true” smooth-sided pyramid. Local residents refer to the Red Pyramid as el-haram el-watwat, meaning the Bat Pyramid.
The Red Pyramid was not always red. It used to be cased with white Tura limestone, but only a few of these now remain at the pyramid’s base on the corner. During the Middle Ages much of the white Tura limestone was taken for buildings in Cairo, revealing the reddish limestone.

Black Pyramid 2055-1650 BC

King Amenemhat III built the Black pyramid during the Middle Kingdom of Egypt (2055-1650 BC)

White Pyramid 1929 BC to 1895 BC

Located in the pyramid field at Dahshur, the White Pyramid of Amenemhat II is now nothing more than a pile of rubble, having been heavily quarried for stone. The remaining limestone rubble has given rise to its modern name.
Nubkhaure Amenemhat II was the third pharaoh of the Twelfth Dynasty of Ancient Egypt. Not much is known about his reign. He ruled Egypt for 35 years from 1929 BC to 1895 BC

UPDATE Dec. 2, 2012

Black white red bring to mind the three colors constantly evoked in the Pharonic symbolique”

-R.A. Schwaller De Lubicz

For more details refer to these pages:

  • On Becoming – page 201-202
  • The Symbols of the Phases – page 202-204
  • The Colors and the Centers of the Myth – page 204-206

Among the best-marked race-characters are the following:–

The colour of the skin has always been held as specially distinctive. The coloured race-portraits of ancient Egypt remain to prove the permanence of complexion during a lapse of a hundred generations, distinguishing coarsely but clearly the types of the red-brown Egyptian, the yellow-brown Canaanite, the comparatively fair Libyan, and the Negro.

(see Wilkinson, Ancient Eg.; Bruhsch, Geogr. Inschr. Altagypt. Denkm, vol. ii.)

UPDATE Aug. 27, 2012

John Anthony West is the host.
(comments regarding this broadcast to follow)

Four Horsemen of the Apocalypse


For the Freemason connection showing how these 3 colors black, white, red, and yellow are in fact part of a rite and ritual when laying the cornerstone of a new temple linking the word  OWS to COWS and suggesting we are being lead, go here:  

In this heavily illustrated book, all in color, Michael Poynder proves that 5000 years ago the subtle energies that bind all living things were widely understood by an enlightened neolithic priesthood. Stone age man had an instinctive understanding of the magnetic currents that run through the Earth and bind all nature. He used dowsing and rock art to interpret and record this knowledge of metaphysics. The author’s radical decoding of these ancient Earth energies from 3000 BC and their integral connection to the enigmatic and mysterious legacy of that time, the I Ching, will have a profound effect on the way we view our ancestors. The I Ching is the written, spiritual language of the Stone Age. The 64 hexagrams allied to the 64 codons of the DNA allow us even now to access in a flash of opened consciousness the universality of ‘past’, ‘present’ and ‘future’, as time and space momentarily combine. Then we can ask the eternal question: What is God? and Who am I?

At the bottom of page 62 in the above link, in the last paragraph the colors:

BLACK WHITE RED …are mentioned essentially in a discussion about which colors are associated with magnetic lines running through the earth.

Nature picked those colors for us.

The red color is because of the iron, the black is from carbon and the white is due to the alkali content of calcium.
And in addition to blue associated with aluminum, these are the basic elements that contribute each in their own way to the magnetic connections that naturally occur on our planet.

Please read Chapter 4 starting on page 61 for a detailed explanation:
Earth Energy Lines and their Origin

Would an Atlantis in heaven or on earth past, present, or future, be in some way connected to magnetism and perhaps those colors black, white, red, and blue too?
This might be a clue to why the color blue is often associated with the coming messiahs offered by many beliefs as prophecy.
What if the messiah is a ‘frequency,vibration’ or what if it is also a deeper understanding of the forces of nature?
How reality seems to oscillate between fear and love?


I feel we have a great match for all I have been ranting and raving about since being thunderstruck by a bolt of ZeuS LSD 25 Lightning.


LSD the Lucky 4 Leaf Clover and the New Atlantis

It has been a 7 year trip for ME and me as I have been gathering all of the ‘LSD MEme‘ evidence from long long ago that seems to get passed forward through SpaceTime, in addition to our ‘genetic’ information.

Due to its ancient Aryan/Indian origins, in the mid-nineteenth century German nationalists began to use the swastika as a representation of a long Germanic/Aryan history.

“In red we see the social idea of the movement, in white the nationalistic idea, in the swastika the mission of the struggle for the victory of the Aryan man, and, by the same token, the victory of the idea of creative work, which as such always has been and always will be anti-Semitic“.
-Adolf Hitler


Why do I suggest we all share in a MEme Dream that science can help to explain?
Because science has concluded that our visual system hones in on BLACK WHITE and RED first.

Alchemy & MEMEs = EYESIGHT preference for BLACK WHITE RED!
page 105 from the above book by Stan Gooch we find this quote:
Neanderthal botany-biology-psychology-philosophy (whose greatest flowering I think to be the I-Ching) was a considerable achievement.
It was not backed up by, nor set in, what we would call hard or objective technology. For whereas modern man builds cities of stone, it appears the Neanderthal was content to build cities of dreams.
Nice fit.
What I mean is we have a nice series of  ‘coincidences’ that we can match up the work of Stan Gooch (The Dream Culture of the Neanderthals) and to the work of Michael Persinger and now also to the insights of Michael Poynder who is building on the work of many others like John Michell.

ALL of the aforementioned default to using the 12,000+ year old swastika as a mandala to meditate on and invoking the inner mediator, and higher self guide and guru.
Is the swastika the in-yer-face interface that folks should meditate on?
In order to mediate with their shadow mediator called santa satan, who likes to enter through the back door or come down your chimney?
Is that why we should meditate, to mediate?
To locate our shadow adversary mediator and learn how to play devil’s advocate as part of the learning process….is there something wrong with shadow boxing?
WHAT IF a symbol (i.e. the nano super-hero swastika that has been revealed by 21st century science in fact…) represents so much more than we realize or can see, its real true value and meaning has been obfuscated, twisted about, its truth veiled since pre-Christian times of course…


Continue reading this blog and you decide if the obvious has been hidden in plain view.
What are the connections/associations between ALL of the following, keeping in mind a thought, WHAT IF the world is unified in ways we have yet to DISCOVER or should I say RECOVER and apply to what we should know?

The other day I suggested we could place pi as that ONE IDEA that we can place between Science and Religion.
Science = pi = Religion
pi could be a metaphysical bridge
two sides of the same coin

Animal Magnetism: Do Cows Have A Compass?

Talk about animal magnetism, cows seem to have a built-in compass.
No bull: Somehow, cattle seem to know how to find north and south, say researchers who studied satellite photos of thousands of cows around the world.
Most cattle that were grazing or resting tended to align their bodies in a north-south direction, a team of German and Czech researchers reports in Tuesday’s issue of Proceedings of the National Academy of Sciences.
And the finding held true regardless of what continent the cattle were on, according to the study led by Hynek Burda and Sabine Begall of the faculty of biology at the University of Duisburg-Essen in Germany.

“The magnetic field of the Earth has to be considered as a factor,” the scientists said.

This challenges scientists to find out why and how these animals align to the magnetic field, Begall said in an interview via e-mail.
“Of course, the question arises whether humans show also such a spontaneous behavior,” she said, adding, what “consequences does it have for their health.”

The study sent Tina Hinchley, who with her husband Duane operates a dairy farm in Cambridge, Wis., to take a new look at an aerial photo taken of their farm a few years ago.

“The cows that were in the pasture were all over the place … about two-thirds were north-south,” Hinchley said.

Two-thirds is close to what the researchers found in their look at 8,510 cattle in 308 pastures. In the study, 60 percent to 70 percent of cattle were oriented north-south, which Begall termed a “highly significant deviation from random distribution.”

And on page 62 of Lost Science of the Stone Age we find the following two quotes:

“We noticed the sheep on Dartmoor always seemed to walk a narrow path across the moor, wiggling along their own little track head to tail like a line of blind soldiers.”

“After much experiment the line was established as having Serial 3 with its colors regularly appearing as redblack (blue) and white.
This was an exciting discovery as we remembered that in mystical lore …
redblack and white are always associated with magic and the moon

AHA we find the image below on page 64.
All of the lines as drawn in these models are suggesting there exists a pi relationship when discussing magnetism, a relationship between circumference and diameter is clear in these images.

i.e. the straight white line that runs through the center in a relationship to either the red line or the black line on the circumference or the circle, but note the red line which is a circle has a larger circumference.

And to the reader, can you see the swastika stylized in the center?

Who can’t find humor in the fact that people/sheeple behave like sheep, err blind soldiers being lead along a magnetic black and red track, err and why not….?


And it is not surprising that Itzhak Bentov arrived at a very similar ‘cosmic egg’ model.

“This desire resulted in the process of creation, symbolized by the swastika within the creative center, representing a four-dimensional rotating universe.

It is interesting to note that if you merge your consciousness with that of the Creator, you discover within Him a rotating swastika.

In other words, swastika stands for both the Creator and the Creation – they are inseparable

“In other words, swastika stands for both the Creator and the Creation – they are inseparable”

go to 1:37 

And I must say the pi relationship that we see in magnetism re: para and diamagnetic lines looks so much like a KEY loop too.

The treasure hunt continues…

What does this red white and blue KEY open?

Genius vs. Madness

Will Tesla’s notes (image below) be any help in solving this swirly twirly pi-in-the-sky magnetic mystery of the Ages?

Dikenga Kongo Cosmogram

There are many ways to look at Tendwa Nza KongoDikenga, or Yowa,the symbol some call  the Kongo Cosmogram. It is ancient and the foundation of many systems of philosophy and culture. It can be found in the Americas as the Medicine Wheel and in the Mandala’s of  Tibetan Buddhism as well as in the hermetic system of the Tarot. The Kongo Cosmogram  is  a universal glyph, a  map of  the crossroad between the spiritual and material worlds.

KALA– (Ki-kongo name- black like charcoal)

LUVEMBA-(KiKongo name, white or grey like the elders hair)

TU-KULA ( Ki-kongo name, red like camwood paste- make-up)

MUSONI (Kikongo Name- to mark, or encode associated with the color yellow)

37:31 till the end of video…

Thank you Carmen Boulter for your insights.

We learn that Dahshur had a black and red Pyramid and the Bent Pyramid was white!

This is worth repeating.
The Bent pyramid was white.
Because recall the straight white line that passes through the center of our magnetic modEL below is also white,
But is it straight?

Einstein taught us that the STRAIGHT LINE would be BENT.
And Jay Harman has demonstrated that nature which is efficient does not like to use straight lines.
In other words a straight line between points A and B is not how nature likes to operate.

Maybe the BENT pyramid was designed by the Einstein or One-stone genius of his day who knew how to measure bends based on angles?

Ein – One
Stein – Stone

Do you rEMEMber Onestone err I mean Einstein’s prediction about the light from a distant star during an eclipse would be bent around our sun due to the mass of the sun?

His prediction along with a correct measurement, (others had made the same prediction before), made Einstein world famous the next day.
Well what is not obvious to folks and the volk is that ole Al Einstein instead of using the word ‘sun’ could have said ‘sol’ or even said ‘the light would be bent around the pagan solar sun symbolized by the swastika with its magnetic charms, attraction and repulsion.


And we know that the WHITE LINE in the middle of the magnetic field BENDS around the center.

The reason for the magnetic field is to nurture the SEED of course, a SEED that looks very much like Solomon’s Knot:

You see that is exactly what makes the swastika so special.
The asymmetrical chiral swastika is  ‘G’eometrically blessed based on the fact because of its architecture it has the magical super hero ability to bend/polarize light and can be linked to the b-mode and e-mode polarized gravity waves too.
And well without getting into it on this particular blog  polarization is so important in the world of light/physics, playing a very important role in nano technologies.

Discussed in the book Lost Science of the Stone Age are three colors.
The same three colors associated with the pyramids at Dahshur and Giza, which same three colors coincidently matches Plato’s description of the building blocks used to build the mythical ‘Atlantis’:

“All this including the zones and the bridge, which was the sixth part of a stadium in width, they surrounded by a stone wall on every side, placing towers and gates on the bridges where the sea passed in.

The stone which was used in the work they quarried from underneath the centre island, and from underneath the zones, on the outer as well as the inner side.

One kind was white, another black, and a third red, and as they quarried, they at the same time hollowed out double docks, having roofs formed out of the native rock. Some of their buildings were simple, but in others they put together different stones, varying the colour to please the eye, and to be a natural source of delight.”


Please keep in mind that these discussions regarding the global universality of the swastika should really start around 10,000 B.C.



[Image: MezinUkraine10000BCbirdhats.jpg]

10,000 – Swastika – Wan – Mang Ziou – Lei Wen

  1. 10,000 BCE is the EARLIEST swastika on record traced to the Ukraine. (see image and link above)
  2. 10,000 BCE  is the same approximate time line as Plato’s destruction of Atlantis.
  3. 10,000 BCE is the approximate time line as the theory proposed by Robert Bauvel and other archeao-astronomers linking the intention of the Great Pyramid’s architecture to a celestial alignment that took place about 10,000 BCE.
  4. The infamy of the swastika known by many names throughout the NEOlithic pre-literate world, during a time when books did not exist, memetics did (and still do), a time in our history that relied on symbols to act as mnemonics and mediators between ‘tribes’.  It is clear from the commonality of so many symbols that the wisdom was attained via a geometric language via the right brain. (ask 21st century advertising industry if I speak bullshit) 
  5. In China the swastika is known as the Wan and the Lei Wen. It has a value of 10,000.

“Signs and Symbols rule the world not phrases and laws”

Symbols are images that are worth thousands of words, containing wisdom accumulated, pregnant with meaning yet to be given birth.

MANY many sources including secret societies and long established religions, suggest it is an emblem that hints at an underlying universality.
Wait I forgot to add something to the above that is most important.

Today as we explore the profound intimate connections between color, frequencies, vibrations, and SOUND.

I want to suggest a quantum string theory might lead to a KNOT (node) or WEAVE theory eventually.

Did MoSeS cross the RED sea or the REED see?
Reeds are used in basket making. Reeds remind me of grids, matrices and hermetic magic squares.
MoSeS was placed in a basket in order to assist his escape as an infant from being put to death by the Egyptians.

And how does Moses floating down the Nile correspond to Krishna?

In Hinduism, the leaf of the banyan tree is said to be the resting place for the God Krishna, who, after consuming all the universe during the time of destruction, absorbs everything created and turns himself to a child as small as he could fit into the tiny leaf of the banyan tree and keeps floating in the void space, until he himself decides to recreate everything back out from him. Parallels have been drawn between this story and thepulsating theory in modern physics which hypothesizes that the universe expands and contracts in a series of Big Bangs and Big Crunches.

…interesting thing about Banyan trees is that they are part of the ‘fig’ and ‘vine’ family.

Observing patterns is important in life. Our well being depends on it. Our relationships and destructive patterns demand we pay attention to the patterns. The changing seasons and weather demand we pay attention to the patterns.

At the heart of quantum physics is recognizing the patterns and  being able to make predictions, suggesting the science is credible.

Let Murray Gell-Mann explain on TED Tv the role of patterns and simplicity? And then I will show you the simple pattern I have locked onto involving 3 colors?And in doing so I will show you the beauty in this beast, the swastika.


FACT of life: We can track/follow these 3 colors along with the swastika (source unknown) from 10,000 B.C. onwards.
Thousands of years of HER-story preceded but eventually succumbed to and evolved into Christianity with Jesus as its main flag bearer.

SO we have Atlantis, the Swastika, the Atlantis Cross, the Great Pyramid and 3 particular colors all connected to that time period of approx. 10,000 B.C.?

How many other artifacts, colors and numbers (i.e. re: stadia) can we trace to the Atlantis tale, giving us in fact more evidence on whether we should interpret Plato’s narrative as a LITERAL story or more importantly one to be respected on its FIGURATIVE merits too?

Would Plato’s narrative regarding Altantis still be valid today in the 21st century?
YES, I feel Plato was a bridge between the old world oral traditions that were giving way to writing. The archetypal symbolic language that has proved it transcends TIME and SPACE.  And this language of archetype also discusses MOTION too.

[Image: 140px-Nazi_Swastika.svg.png][Image: atlantiscross.jpg]

Swastika and the Atlantis Cross


… as mentioned are the ‘building blocks’ used in Atlantis.

What if the concept of an ‘Atlantis’ is to be considered as not only from whence we came, but also where we are headed too?

Back to the future?

What if Atlantis is a SEED which has been planted in the fertile mind of man?
Atlantis represents perfection, a golden age that passed, but it also represents hope and onward to the future.
Atlantis is the carrot, the reason to get up in the morning and apply perfection to your life, a goal to give us ALL something to shoot for?

Would I be the first to suggest the four rivers in Eden represent either the cross or the human mind both having as its source the swastika meme dream?

TELL ME SOMETHING and this should be quite OBVIOUS, however it is lost on me that there appears to be no official spokesperson for the transition state between the neolithic oral cultures and the birth of civilization associated with ‘writing’ and the development of the alphabet.
We seem to go directly from myths (various gods performing miracles or acts that defy nature) right into a LITERAL nonsense about the son of god performing miracles that seem to defy nature.

And modern man no longer performs miracles, we cannot defy laws of nature, we can seem to only defile nature.

Which CULTure is posited between the old world ORAL TRADITIONS practiced by the neolithic societies and the beginning of modern society we embrace today based on the ‘theory called Jesus’?
Who are the ORAL TRADITION SPOKESPERSONS that must have played a role in our society long ago.
I mean is it not obvious that the ORATORS of long ago were not only philosophers but these men and women were in fact people who were carrying forward the ORAL traditions of their pagan ancestors?

The name of the game is passing on information. Our genes do it. But how do we pass on wisdom and knowledge accumulated which is not passed on using DNA?

Plato is speaking the language of archetype that is clear to me.
Maybe on another blog we can *dissect* his entire story about Atlantis?
It is rife with numerical associations still used today by those who study gematria, numerology,
Qabalah etc.

But it is the colors that the story teller Plato used that rings my ding-a-ling.

BLACK WHITE RED are also associated with the 3 Norns the weavers of fate in Norse mythology.
I have a theory about strings AND knots (nodes)…. Angel

BLACK WHITE RED are also found in the Book of Enoch as representing 3 bulls.

Before I took thy mother Edna, I saw in a vision on my bed, and behold a bull came forth from the earth, and that bull was white; and after it came forth a heifer, and along with this (latter) came forth two bulls, one of them black and 4 the other red.

chapter 85 of the Book of Enoch.

Are you ready to see how we connect the colors BLACK WHITE RED to the numbers 85 and its ‘reverse’ 58, associated in most profound manner to phi, and finally to the head of St. John the Baptist found in Amiens Cathedral, a former Templar church?

’13′ the Knights Templar and HEAD 58 = St. John the Baptist

St. John the Baptist & Knights Templar were aeon-pagan NAZIs?

But why 58 and 85?
How about 5:8 and 8:5?
How about .625 and 1.6?

YES what we have here is yet another reference to Phi and its reciprocal phi.

I shall not be denied as I plough the field of dreams and nightmares, toward the truth using those 3 bulls to help steer me through the bullshit leaving a clear path for those who follow to sow the SEED.

Why do all Semitic alphabets (including the Runes) begin with a letter that means ox, steer, bull?
Why does Dr. Temple Grandin, the woman who thinks like a cow, appear to me as a ‘godsend’?
Watch the first video below, Temple Grandin gets straight to the point of what is lacking in our worldly consciousness today.

Some of you are wondering WHY am I trying to associate autism to the swastika?
Because there is another piece of valuable evidence that we can associate to the inherent geometry of the asymmetrical swastika.

The ever evolving awakening asymmetrical brain that assists our asymmetrical LEFT and RIGHT hands in creating and building what the mind projects.

It is not surprising or a fluke of nature that most of the building blocks the creator (you and me) need to employ to call ourselves a creator/builder in our earthly domain are asymmetrical.

Is it a coincidence or part of the design that the asymmetric properties of matter and anti-matter can be associated to the clockwise swastika and its anti or counterclockwise mirror image?

Keeping in mind the coincidence we were given an asymmetrical brain with which to figure things out. Because as somebody once noted, only an asymmetrical human could ever have figured out that the four forces of physics are asymmetrical.

FACT: from the smallest invisible building blocks up to larger scales like our own galaxy, everything is described/defined as
asymmetric or as broken symmetry.

The fact our BRAIN has its functions divided asymmetrically, suggests the brain has broken symmetry. Thus clearly something inside our asymmetrical brains is broken and needs to be fixed?

“WHY the World Needs All Kinds of Minds”

And then a classic…The Woman Who Thinks Like a Cow

Truly I feel the answers to many of our ‘woe is me mantras’ can be found in a video called The Women Who Thinks Like a Cow.
Answers are supplied by Dr. Temple Grandin an autistic woman who beat the odds.

Keep this in mind too.


All of the above suggests the EXODUS took place in the collective MIND, as we crossed the corpus callosum, the REED see.
Learning a new way to communicate using the LEFT side of the MIND where we find the speech center.

Moving away from symbols and signs as a form of communication progressing toward writing.
Were our Neolithic ancestors more influenced by the RIGHT Brain than we are today?

I would think yes….

Watch the videos and see if you can find the answer…who is leading us down the ‘cosmic chute’?
Perhaps toward Marko Rodin’s cosmic blender recognizable by the numbers 2 and 5?

Am I the only one that sees the sublime artistry of the creator bleeding through using color?
note that this illusion, the gospel god-spell that we are under was given birth in the Age of Taurus (the bull, the steer) circa 4000 BC – 2000 BC.

Taurus was the vernal equinox holder that time, and this Taurus bullshit cycle is about to come to a fitting end in the Age of Aquarius.
A new age assisted by the divine bovine messenger the women who thinks like a cow?
By coincidence Temple Grandin was born in the same year that Israel was resurrected, i.e. 1947?

MOOve along now?
Do we need more INPUT from the healing holistic RIGHT BRAIN and its accompanying perspectives?
Has there been too much LEFT BRAIN noise, expressed as righteous chatter, interference in our lives?
Do you want to know how to pull back the veils of patriarchal BS?

Praise At the link below you will find extra reading about the ATLANTIS Cross.
For those inspired, who wish to learn more about how/why science and religion seem to be ‘merging’ in the 21st century, the Age of Aquarius, as predicted.

[Image: atlantiscross.jpg]Image

What happens when we compare the 3 stations on each arm of the Atlantis Cross (left image) to the energy distribution in an atom, to the Bush Barrow Lozenge or to the 3 stations/zodiac signs we find on each arm of the Greek Zodiac Cross (right image)?

Does the Atlantis cross look like a magnifying glass?
What happens if we place it the magnifying glass over the SWASTIKA?
Go ahead SherLOCK, you have been given the KEY to our skeleton closet.

Open it.

But do not reach into your closet and pull out a NAZI uniform or KKK costume and put it on.
Bad choice, Shakespeare (who wrote 37 archetypal scripts) offered so many more choices/costumes to don and using your imagination allow yourself to get lost in your own ME-low-drama.


I must here call attention to an ingenious theory brought forward, in 1891, by M. E. Harroy, director of the Ecole moyenne de Verviers, at the Archæological and Historical Congress of Brussels, to account for the origin of the gammadion, and its connection with the equilateral cross.

He believes he has discovered, in the arrangement of certain cromlechs, indications which would point to their having formed a sort of astronomical dial, as exact as it was primitive. For its construction he only requires three stones.

FIG.  31.

At twenty paces from a point of observation, A, let us place, he says, a stone, B, in the direction in which the sun rises on the 21st of June; then at the same distancfrom A place a second stone, C, in the direction in which the sun rises on the 21st of December.

The line B C will point north and south; A E east, and A E´ west. A B, A E, A C, and A E, will give the directions in which the sun rises on the 21st of June, the 21st of September, the 21st of December, and the 21st of March respectively; A C´, A E´, A B´, and A E´, the directions in which it will set on the same dates. This cross, illustrating the course of the sun, will naturally become the symbol of the luminary, and four strokes might have been added to the extremities of the lines in order to give “the notion of impulsion of the rotatory movement of the regulating orb.”

I will draw attention to the fact that, as the points B and C approach or go further apart, according to the latitude, this figure can only depict a cross in a fairly narrow zone of the terrestrial globe, and that, consequently, the explanation of M. Harroy is solely applicable to our latitudes. Even here, moreover, however simple the reasoning processes are which might have led to the construction of this natural observatory, there remains to be proved satisfactorily that such an idea was ever entertained and put into practice by our prehistoric ancestors.

I have admitted above that the gammadion, in so far as it was a symbol of the astronomical movement, may have been applied to the revolutions or even to the phases of the moon. The fact is all the more plausible since the equilateral cross seems itself to have been employed to symbolize lunar as well as solar radiation; if we may judge from a Mithraic image, where the points of the Crescent supporting the bust of the lunar goddess are each surmounted by an equilateral cross. In this manner the frequent attribution of the gammadion to lunar goddesses, such as the different forms of the Asiatic Artemis, might also be accounted for.


re: BLACK WHITE RED are the strings that connect the SWASTIKA to ATLANTIS

In alchemy The Great Work (Latin: Magnum opus) is a term which originated in medieval European alchemy which refers to the successful completion of the transmutation of base matter into gold or the creation of the philosopher’s stone.
It has subsequently been used as a metaphor for spiritual transformation in the Hermetic tradition.
The Great Work originally had four stages:
  1. nigredo (-putrefactio) blackening(-putrefaction) corruption, dissolution, individuation, see also Suns in alchemy – Sol Niger
  2. albedo, whitening: purification, burnout of impurity; the moon, female
  3. citrinitas, yellowing: spiritualisation, enlightenment; the sun, male;
  4. rubedo, reddening: unification of man with god, unification of the limited with the unlimited.

After the 15th century, many writers tended to compress citrinitas into rubedo and consider only three stages.

However, it is in citrinitas that the Chemical Wedding takes place, generating the Philosophical Mercury without which the Philosopher’s Stone, triumph of the Work, could never be accomplished.

UPDATE August 17, 2010



Chemists Make Molecular Rings in Shape of King Solomon’s Knot!

THE MODEL – zodiac precession cycle leads to the formation of Solomon’s knot

This image shows the path of the electron or the sun. :o

That’s it, it is so simple!
You can use this model for making predictions.:clapper:

:think:  HOW do we make predictions using this modEL?

  • see #12? 
    that is the Age of Pisces
  • see #11?
    that is the Age of Aquarius

IF that was an electron dropping a valance or orbit it would release photons of light as it gets closer to the center of the modEL surrounded by 1, 4, 7, 10.
Because the center is a ‘lower energy’ state based on a minimum entropy state.
So what would our sun do IF it follows the same rules as an electron i.e. electrons need to emit or absorb photons (light) to move UP or DOWN energy levels.

  • take a look at #1 the Age of Aries in the inner ring.
    How it climbed out to the 3rd valance to reach the AGE of Pisces.

This clearly suggests the past 2000 years of growth was associated with the receiving or absorption of ‘light’, i.e. absorbing photons not emitting them.

Occam’s GOLDEN RULE, the simplest explanations are the best.

OK now to add to our esoteric knowledge of music, shall we take a trip in the Allosphere?

This video tour lasts only 6 min 25 seconds.
Another great TED Tv presentation.
Leading edge lectures that reach the common man.  

4:00 minutes we find out how to predict when a photon will be released, accompanied by the electron dropping a valance, using SOUND.
why is that significant?


The 4 Ages Model predicts just that kind of an event.

note in the model as we move from #12 to #11 on the Greek Zodiacal Cross.


So the archetypes that keep manifesting clearly suggest a simple 4 AGES Model that is based on a center sweet spot a.k.a. the SS surrounded by 3 concentric rings.

Further to the above model, it must be noted how very easily we can show how the mnemonic structure, i.e. the Greek Zodiacal Cross which weaves itself into sacred Solomon’s Knot, also illustrates that SOUND plays a role in the quantum world.

Linked to how an electron ascends and descends these concentric rings/valances.

Photons and phonons assist electrons in moving UP and DOWN energy levels.
All we need to do is figure out if our Sun is more analogous to the electron or its anti-particle the positron.

And how difficult is it to find significant references to SOUND and *god*?
At this point I want to suggest that the Greek Cross, and the square cross formed by the words TENET in the Sator Square represent ‘gravity’, the 3 other forces interact with each other in each of the four quadrants, divided by the gravity cross, more on this later.
The ALLOSPHERE experience clearly illustrates how SOUND, electrons, photons, and gravity are all inter-related.
And TRUTH, which of course must form a big part of the underlying foundation that we cannot see or fully comprehend, called ‘JUST IS’ also suggests Plato’s description of Atlantis with concentric circles, once taken apart and looked at more closely, might fit rather well into P.T Barnums 3 Ring Circus.
So what happens if we now merge the great work of Ernest G. McClain with ALL OF THE ABOVE?
Who is E. G. M. and what are his insights regarding SOUND?
Musical Adventures in Ancient MythologyErnest G. McClain is Professor Emeritus of Music, Brooklyn College of the City University of New York, retired since 1982 and living presently in Washington, D.C.. Clarinetist, band director, author of three books mentioned above and more than thirty related essays in various professional journals, his degrees from Oberlin, Northwestern, and Columbia are in Music Education. He chooses to make these newer essays freely accessible to anyone who finds them useful, with appropriate acknowledgement. Particular attention is given to graphics essential to understanding ancient habits of thought, for mythological narrative often proves to be verbal commentary on matrix arithmetic, and many stories are best understood as straightforward musical allegory. Questions are encouraged and will be answered periodically as time and energy permits. It should be understood that the author is neither a mathematician nor a linguist, working mainly from secondary sources available in English translation as an interested observer on current developments in other disciplines. Attention is on arithmetical details not likely to be understood except by musicologists.The interpretations offered here should be considered speculative adventures of ideas in the spirit fostered by Alfred North Whitehead in his book of that title, for they concern matters which preclude certainty about the intentions of early authors. After more than three decades of work in this area it seems plausible to propose that most of the numerology in ancient mythology÷and all theology in advanced civilizations–is musically inspired and disciplined. Thus interpretation falls into the general category of Pythagorean studies for it pursues a plausible numerical logic based on the quantification of tuning theory. Foundations appear to have been laid down in the fourth millennium BC before the invention of writing, so that for five thousand years musicians have employed essentially the same fossil science. A fairly primitive arithmetic is handled with great ingenuity, ironic humor, endless word play, and considerable arithmetical elegance. Decoding is great fun when it appears convincing, and a pocket calculator takes all the labor out of ancient multiplication, so that many of these adventures become accessible to children. And because much ancient literature has never been studied carefully from a musical perspective, this adventure is just beginning.


This book that EGM wrote in 1976 was an inspiration to many truth seekers looking for a common heritage via the SOUND tracks we left behind, tracks that belonged to the herd of Pythagoreans, sound ‘tracks’ that others and time itself have dusted over.

Unfortunately that link is missing the MAIN page/chart that I wanted to share with you.
Chart 45 is a MANDALA.
And the MANDALA is an important archetypal and architectural blueprint/mnemonic.

Attached below are the two pages missing in that link posted above that discusses how Atlantis, math, myth, music ALL COLLIDE and speak languages that share in profound concepts.

Worlds collide but so do WAVEFORMS that we cannot see, it is happening ALL the time, we are just oblivious to the sounds of silence.
In the quantum realm exist ‘whitecaps’ too!

The hills really are alive with the SOUND of MUSIC…but these slow moving masses of earth, note not glacial ice, simply cannot be heard by us.

Unless we have eruptions or earthquakes or landslides, then we hear the hills come alive with the SOUND of mother nature.







Post #52

The same cosmological PATTERNS keep re-emerging.

So now we can see how the above 4 AGES Model can be profoundly connected to Atlantis, Precession of the Equinoxes, and how an electron jumps valances associated with SOUNDs that we cannot hear, do you follow?

The Egyptian flag consists of three bands of colors from the Arab Liberation flag –redwhite, and black—with the golden eagle of Saladin on the white band.
On the Egyptian flag, black represents oppression, red represents the bloody struggle against oppression, and white is symbolic of a bright future.
Eric P. Dollard
Portrayed positively and coincidentally portrayed as a black/white/red negative.


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  • AUM  On April 10, 2014 at 1:54 pm

    Hey Ralph,

    You should get Jain 108’s Book of Phi – Volume 8
    The True Value of Pi = JainPi = 3.144605511029693144…


  • raphael  On October 11, 2015 at 1:31 am

    venn diagram base 10 and base 12

    10 Suns and 12 Movements found in China linked to Stems and Branches

  • raphael  On April 12, 2016 at 9:15 pm

    The Swastika represents the Heart of the Buddha Shakyamuni, resignation of spirit, all happiness that humanity desires, mind, infinity, all, many, 10,000.

    Blue Swastika stands for infinite celestial virtues.
    Red Swastika stands for infinite sacred virtues of the Heart of Buddha.
    Yellow Swastika stands for infinite prosperity.
    Green Swastika stands for infinite virtues of agriculture.

  • raphael  On January 17, 2017 at 2:03 pm

    Color Symbology

    Some colors of interest in the Mapuche culture (blue, white, black, red and green) and their corresponding symbology follow.

    White ( ayon ) and blue – in three ranges, violet ( Kallfu ), strong blue and light blue ( lifkán ) – represent the four natural colors of the sky and clouds, says Grebe. She thinks they are the best colors and ritual colors par excellence, because they are strongly associated with the four platforms of good, Mapu wenu . White and blue flags are present in the machi and nguillatún , but they are often seen in everyday life as well, for example in the clothes and painting rooms (Grebe 1972: 59).

    Ancan is of the opinion that blue stands out in the color scale for its specific character: according to him, blue is one of the few colors, perhaps the only one, which is univocally positive. Ancan affirms the direct association of the blue with the sky and the divinity. In addition, he says, color symbolizes the positive force present in nature, especially in water, and everything good in general. By its purely positive connotations, the blue has gained a very special meaning in the Mapuche culture. It is a ‘sacred’ color (Ancán 1993).

    While Grebe seems to confer on the target the same symbolic value as the blue, Ancan notes that white, contrary to the other color, also has its negative side. The ambivalent white connotes positivity when symbolizes the clarity of light and life, but negativity when it is associated with the phosphorescent light of certain wekufe (evil spirits).

    The black ( Kuru ) and red ( KELU ) are associated with cosmic evil platforms. The black color symbolizes night and darkness, witchcraft, evil spirits and death. The red, in turn, symbolizes the struggle and warmongering, the flowing blood. Both colors also have positive connotations. When red means the blood of menstruation, it represents life; Red is also the color of the copihue (flower of the field, used in ceremonies). The black can symbolize power, especially loncos (community leaders), the preferred color of their clothing. In combination with white, black means balance and stability (Grebe 1972: 61-62; Ancan 1993).

    Green ( Karu ). Grebe, Grebe says, “symbolizes nature in all its splendor and exuberance (sic)” (1972: 61). It is the natural color of vegetation, of the germination of the earth and of fertility. It is the color of the mother earth, of the earth itself. It seems that the green for the Mapuche has mostly positive connotations. During my research I have discovered no evidence of a possible ambivalence in this color.


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