Category Archives: MAGIC SQUARES and Magicians

2100 CE ~ The World TEACHER appears ~ R.A. Schwaller de Lubicz ~ The Temple Of Man ~ Joseph Davidovits ~ 137 the KEY ~ MBG a.k.a. Master Builder’s Grid ~ “The Shadow knows” what Graham Hancock, Robert Bauval, Robert Schoch, Andrew Collins, Nassim Haramein, Aaron Cheak, Fehmi Krasniqi, Ralph Ellis and countless other storytellers do not! ~ The OFFSET CROSS and the “twist at the end of the tale” – aMeN aMuN

UPDATE February 23, 2024

ShoStik and The Temple of Man

The TEMPLE OF MAN

Let the faithful then come into this building: they will be subject to the effect of this occult influence, as vegetation is subect to the influences of telluric magnetism.
Is not Amun – who is amenti, the setting sun, the amen, of all accomplishment, and the mysterious Fire (of Arie) of all vital impulses, the cause of vital movement? He will be both Amun-Jupiter, lunar, the sun of “mysterious spaces,” then Amun-Ra, and then again Min-Amun, the ithyphallic Min.  Does he not come, as Amun the Father, but typically lunar, to generate in Mut the dauphin Khonsu, this black Cadmus, who in the Thebes of Greece is symbolized by the swastika?
~ Rene Schwaller de Lubicz
The Temple Of Man
page 358

The above quote is why/where I stole the reference to Amen and Amun in the title of this blog entry.
It is in reference to the ‘twist at the end of the tale’.
All good mysteries always have a twist at the end you never saw coming … and the twist at the end of this narrative is supplied by the chiral swastika.
The above quote was made by Rene Schwaller de Lubicz and it is taken from his magnum opus The Temple Of Man published in French in 1957 (the year I was born*).
The English version was not published until 1996.

Btw 1996 was the year I separated from my wife and the year I made a deal with my ‘higher self’ to show me the truth which would not arrive for another 8 years*
*What if there are no coicidences and everything is connected?

UPDATE December 14, 2022

Came across this image on faKebook today.
We can file it under: “Out of the mouth of babes and sucklings hast thou ordained strength”

Great Pyramid Reflexions Shadows Atoms and Dreams

UPDATE July 29, 2022

Came across this paper today written by David Kenworthy on Academia. Here is an excerpt, The first paragraph.

The ALOAM Paper 37. The Giza Great Pyramid Square Royal Cubit Reconciled to the Findings of Dash, Berriman and Thom. DTK 19/07/2022.
Survey of the base of the Great Pyramid
from the above paper.
‘The Great Pyramid is approximately 230.4 meters to a side.’
Was Dash aware of the significance of 230.4 from a metrological perspective?
2304 / 2 = 1152 / 2 = 576 / 2 = 288 / 2 = 144 (12×12)
So I am going to focus on the significance of the number ‘144
So I took part in the discussion and here is my response based on these three images.
Schwaller plate 64 Temple of Man 5X5 MBG PITAGORAS' RIGHT TRIANGLE THEOREM Proof
1 CHIRAL MBG 5x5 grid Pythagorean 345
Planetary ~ 3×3 (Saturn) grid inside a 5×5 (Mars) grid inside a 7×7 (Venus) grid
chiral Jacob Bronowski ASCENT OF MAN Music of the Spheres MBG YELLOW 345
Hello David shall we continue to build on your work? … i.e. reconciling the work of Glen Dash with the Great Pyramid’s 230.4 meters to a side with the insights of Rene Schwaller de Lubicz**, John Michell and the 16 wind compass ROSE which can be placed onto the 5×5 Sator/Rotas ‘Templar’ magic square which has been identified with Giza Plateau formerly called Rosetau* or RoSTa a.k.a. RoTaS (RST forms the 8 fold grid plus the ‘a’ alpha and ‘o’ omega create the more complex 16 fold grid ~ together we end up with John Michell’s New Jerusalem grid.
New Jerusalem John Michell TAO of ATO letters RST RooTS
*Rosetau = Rose Cross = myth of ChristianRosenkreuz (which translates as Christ ROSE-cross)
** btw Rene Schwaller in his monumental magnum opus The Temple of Man had identified various lengths for the cubit. The cubit to be used depended on the application intended.
‘Sweet 16’
2304/144 = 16
What does the bible ^^^say about 144?
5×5 grid yields 16 squares on perimeter accomodating the 16 letters RoTaSaToRoTaSaTo
4×4 = 16 is important at least the Vatican thought so.
i.e. the 16 wind compass rose in St. Peter’s Square
Again note how the letters RST comprise an eight pointed STaR.
St Peters Square NEW JERUSALEM PHOTON blueprint CROPPED 16 directions SQUARING the CIRCLE 4 Lampposts RoTaS NZ

Below are other examples from my files fulfilling what Carl Jung suggested; out of the collective unconscious emerges ‘universal archetypes’ ‘dynamic symbol’ ‘individual complex’. Hence a merging of what appears to be many different ideas with the ONE source.

New Jerusalem John Michell template FOURIER Transform

RST ~ ‘as above so below’ … Fourier TRanSfoRm

New Jerusalem John Michell TAO of ATO NZ yellow astron

RST ~ ‘as above so below’ … STaR naRRaTiveS

New Jerusalem John Michell template Egyptian NeTeR = god

RST ~ NeTeR or NeTeRS

New Jerusalem John Michell TAO of ATO PaSToR eN + yellow

RST ~ PaSToR (note the EN)

New Jerusalem John Michell TAO of ATO Gobekli Tepe formerly PoRTaSaR

RST ~ Gobekli Tepe formerly PoRTaSaR (note the EN)

New Jerusalem John Michell TAO of ATO Orans Orant Orante text

New Jerusalem John Michell SoCRaTeS

New Jerusalem John Michell Rudolf Steiner SoRaT 8 fold

Ed Leedskalnin Crosswise and Lengthwise aka 2D photon NEW JERUSALEM template

The mystery surrounding the Coral Castle?

Jung quote Squaring of the Circle Archetype of wholeness 2D CHIRAL 4 corner sockets RST

What is consciousness?

What was it that the Knights Templar found beneath the ruins of Solomon’s Temple? Was it a vast amount of buried treasure? Was it the location of the Ark of the Covenant? Or was it, as some firmly believe to this day, the Holy Grail?

So here is a question regarding the 5×5 Rotas/Sator palindrome also called the magic square of Mars also called the (Knights) Templar Square.
Why is it associated with the Knights Templar? Is it because it is associated with the ‘compass’ in addition to an algorithm that sets the world into motion and commotion full of human emotion? Would a ‘compass’ be in some way associated to the ‘treasure’ the Knights Templar found in the Temple of Solomon?

Regarding King Solomon and Solomon’s Knot … why is it we can find the 12,000+ year old swastika idea at the heart of Solomon’s Knot and the eastern Endless Knot?

Solomon's Molecular Knot1

Solomons knot infinity yin yang evolution of Labyrinth

Solomon’s Temple was said to be Phoenician in design. A magnificent, white marble and gold-covered building, the temple contained three chambers consisting of an outer vestibule, the main chamber and the ‘Holy of Holies’.

What if the three chambers are ROTAS … PER … N?

EUCLID Signet of Melchizedek PHOTON geometry RoTaS RTS and N and PER

But why why why is PER so important?

Because PER addresses ‘what is consciousness’?

The next image is taken from Karl Friston’s I AM THEREFORE I THINK lecture illustrating the MaRKoV blanket aligned with RoTaS PeR N algorithm/idea.

Karl Friston I AM THEREFORE I THINK lecture MaRKoV blanket aligns 4 AGES ModEL aligns with RoTaS PeR N

Head St John Baptist in Amiens Cathedral on 5x5 grid PER is the plate and head (1)

UPDATE March 29, 2022

A fantastic video taken by a drone of the Great Pyramid apex finally found me, allowing us to reveal the OFFSET CROSS to be found, a most valuble clue to not only how the GP was constructed but to an ever emergent truth to be revealed in due course … hinting at a ‘course in miracles’ of course (pun intended of course) to be revealed by the 205 + 9 courses that were estimated to complete the GP plus the capstone.

New Perspectives On The Great Pyramid TWIST OFFSET CROSS in Great Pyramid MBG CROP discovery

While watching the video I took screen shots and at 4:07 yours truly paused the video and the OFFSET CROSS is revealed to me as we see in the next image screen shot. But I already knew what to look for.

New Perspectives On The Great Pyramid TWIST OFFSET CROSS in Great Pyramid MBG CROP

The MBG or Master Builders Grid highlighted in yellow is confirmed by the explanation in this great video about the Great Pyramid summit.
Am I first to ascend this ‘summit’ with a mystical vision regarding what Rene Schwaller de Lubicz called the MBG Master Builders Grid a.k.a. 2D CHIRAL swastika/offset cross? The following blog suggests yes indeed I am. Others i.e. the storytellers blinded by a cognitive programming clearly do not see it due to WW2 shadows still haunting their perspective and perception of what cannot be hidden, what mother nature and father time gave birth to. A twist at the end of our unified tale.

New Perspectives On The Great Pyramid TWIST OFFSET CROSS in Great Pyramid MBG CHIRAL CROP PERIMETER

New Perspectives On The Great Pyramid TWIST OFFSET CROSS in Great Pyramid MBG CHIRAL CROP PERIMETER CARDINAL directions

New Perspectives On The Great Pyramid TWIST OFFSET CROSS in Great Pyramid MBG CHIRAL CROP 5-10 degrees

New Perspectives On The Great Pyramid TWIST OFFSET CROSS in Great Pyramid MBG CHIRAL CROP yes I saw the pattern

New Perspectives On The Great Pyramid TWIST OFFSET CROSS in Great Pyramid MBG CHIRAL CROP yes I saw the TWISTING pattern

As the images that I will be presenting in this blog illustrate, images which are not found in that YouTube video, it is very clear that mystic me saw what nobody else has seen or comprehended in the modern age regarding the 12,000+ year old 2D CHIRAL World TEACHER a.k.a. the swastika idea which gave birth to the idea Rene Schwaller de Lubicz called MBG.
Following is more evidence found elsewhere already gathered by mystic vision, something many storytellers bound by their ignorance a.k.a. cognitive programming are lacking in the modern age.

In addition to the work of H.D. Bui Imaging the Cheops Pyramid found here can we overlook the insights of Bernard I. Pietsch?

New Perspectives On The Great Pyramid Pt. 1 Ancient Data Base scribd TWIST OFFSET CROSS in Great Pyramid2

excerpt taken from New Perspectives On The Great Pyramid by Bernard I. Pietsch

Uploaded by Bernard I. Pietsch on Mar 29, 2009

New Perspectives On The Great Pyramid Pt. 1: Ancient Data Base

New Perspectives On The Great Pyramid Pt. 2: The Well Tempered Solar System

Enter the insights of a mystic … what is CHIRAL and what is ACHIRAL?
Quite simply … ACHIRAL is symmetry and CHIRAL breaks symmetry.

But do not underestimate the importance of the CHIRAL anomaly.

Research into chiral symmetry breaking laws is a major endeavor in particle physics research at this time.

canevas and movement Jay Harman CHIRAL ACHIRAL

However as a mystic reborn at age 47 (today 64) and granted the gift of sight and a vision who sees an eventual unification between all religions and science in addition to past, present and future merging due to ever emergent properties the following AHA linking the apex of the Great Pyramid to the 5×5 Knights Templar Magic square only goes to solidfy my claims of possessing a mystic vision yet to be understood and appreciated by ‘we the sheeple’ in the year 2022.
Circle 2100 CE on your ascension calendars. 

New Jerusalem John Michell Great House N NuN and SeT

Simply the letters SaToRoTaSaToRoTa represents the perimeter of the apex of the Great Pyramid and the inner architecture is represented by the letters PeRePeRe …. what if?

Signet of Melchizedek PHOTON geometry RoTaS RTS and N and PER

LET THERE BE LIGHT!

Especially right/clockwise and left/anti-clockwise polarized light!

qijj6q6

9adhleiQ/ Can we show a geometric relationship between the Great Pyramid apex/summit, the Sator/Rotas Knights Templar magic square and the investigation of circular polarized light mapped onto grids?

A/ Well yes we can >>> The constructability of Cheops Pyramid

Plato said: ” … geometry will draw the soul toward the truth” therefore ‘what is consciousness’ is of course part of the vision being recovered by the ‘swastika sage of the social media age’. The following image was taken from I Am Therefore I Think lecture by Karl Friston found on YouTube.

Karl Friston I AM THEREFORE I THINK lecture MaRKoV blanket aligns 4 AGES ModEL aligns with RS square
As a mystic reconciling all beliefs I illustrate how the Markov blanket aligns with the RoTaS PeR N algorithm hinted at on the apex of the Great Pyramid.

Karl Friston I AM THEREFORE I THINK lecture MaRKoV blanket aligns 4 AGES ModEL aligns with RoTaS PeR N

AS ABOVE SO BELOW and the HANDS OF GOD 
The following image of the labyrinth found beneath the much older Pyramid of Djoser displaying the OFFSET CROSS aligns nicely with what we find on the apex of the Great Pyramid.

Pyramid of Doser ZoSeR aka MBG

Now be honest do you see a resemblance between the asymmetrical labyrinth found beneath the Djoser pyramid and the Slavic symmetrical Hands of God that evolved thousands of years later?
Placed next to the evolution of the name/letters HVHY of the Hebrew god YHVH (read right to left) seen on the bottom row in contrast to the Phoenician and Aramaic letters?

RECE BOGA aka the Hands of GodYHVH aramaic hebrew

left: HANDS OF GOD right: letters for the Hebrew God YHVH (read from right to left)

Reminder our left and right hands are CHIRAL … what if the Hands of God are ACHIRAL?
What would that imply?

Photon Knights Templar raise your right hand chiral vs achiral RED HAT cropped

Escher He's got the whole ACHIRAL world in his CHIRAL hands with text

Whew did you get all of that?
Well do not expect to digest 17+ years of mystic downloads from the perimeter and uploads from the inner self in one fell swoop.
Keep reading but do remember to keep your mind and heart open to all possibilities.

Clearly what the ‘swastika idea’ represents is the ‘twist at the end of humanity’s tale‘ ~ aMeN aMuN

Schwaller quote about swastika Temple of Man BLACK CADMUS

excerpt taken from Rene Schwaller de Lubicz magnum opus The Temple Of Man

UPDATE January 10, 2022

2100 CE Rene Schwaller Pisces Precession UNIT CIRCLE ACHIRAL vs CHIRAL

excerpt from Rene Schwaller de Lubicz’s The Temple Of Man
regarding the end of the influence of Pisces 

UPDATE November 13, 2020

Another theory regarding the Great Pyramid being constructed out of ‘concrete’ and that the ‘blocks were set in molds and poured’.

This theory/video by theorist/director Fehmi Krasniqi truly does offer some great info HOWEVER …

However it is clear that yet another ‘theorist’ has missed the mark by simply not acknowledging what is hidden in plain sight, as our blog always loves to point out.

Fehmi Krasniqi one issue we have is that your brain fART that which ‘poured’ itself out is lacking some vital heART work … i.e. how do you account for the spiral imagery that Jean-Pierre Houdin’s evidence suggests?

Jean Pierre Houdin Spiral World Mysteries blog

Jean Pierre Houdin Spiral YouTube2Jean Pierre Houdin Spiral YouTube3

UPDATE September 17, 2020

Earlier in this blog [scroll down] on March 12, 2018 the question is asked, ‘…was Concrete [geopolymer] or Stone used to build the Great Pyramid … ?

It seems that Prof. Davidovits of the Geopolymer Institute is today also illustrating that the megaliths in Tiwanaku / Pumapunku were built/cast using artificial geopolymers.
Good for him.

Prof. Davidovits geopolymers in Peru

UPDATE May 2nd, 2020

This blog is primarily about how the brain fARTs and heART work of the Photon Knights Templar aligns with the genius of Rene Schwaller de Lubicz.
We will get to his work later in the blog … the following three images are the work of RS with all additional addendum by the PKT.

All images are from The Temple of Man ~ Schwaller’s magnum opus. 

Canevas Droste middle step is the MBG or 2D CHIRAL binary representation of a spiral movement

Schwaller called the Droste effect the canevas.

Schwaller plate 64 Temple of Man2

PLATE 64 are the only two pages that comprise one plate.
Ask yourself why he would place the various cubits beside the swastika?

schwaller-plate-64-graham-hancock1

We got him to sign right below the swastika

We got the former journalist Graham Hancock who travels the world telling stories trying to rewrite HIS-story and history from his POV, handicapped by his own special brand of cognitive bias to sign Schwaller’s masterpiece The Temple of Man when he was in Toronto. Why did we have him sign somebody else’s book?

Yes it was a set up.

We got him to sign right below the swastika because to my knowledge you would have a hard time finding the word ‘swastika’ in any of his book’s indexes.

Graham Hancock publications SWASTIKA freeAnd that omission will turn out to be his Achilles heel when the TRUTH finally emerges.
We all know where Graham has been and if you can not see the evidence of the swastika in your journey … well you must be blind to what is hidden in plain sight.

lalibela St George church

Church of St. George Lalibela Ethiopia … one of 11 churches

In fact it was in the Church of Mary [Bet Maryam] in Lalibela that Graham and ME+me crossed paths.
He was there long before we arrived, many years, he was there several times, but hey how can you NOT see the swastikas in the Church of Mary or in some of the other churches?
HOW … especially when the arrangement of the east facing windows in Bet Maryam are a symbolic depiction of the crucifixion … how can you NOT see swastikas?????

chiral Lalibela PHOTON cross and swastika MBG

We also got Graham to sign his book The Sign And The Seal … right where he says he saw nothing in the Church of Mary including swastikas [not mentioned in the book]  … yes it was a set up.

Graham Hancock Bet Maryam SIGN and the SEAL signature LaBBieL LaLiBeLa

swastika migration map NORTH of with EQUATOR

How in the hell can you claim to be seeking a TRUTH if you ignore the evidence to be found of the 12,000+ year old swastika everywhere you go in the world.

The reason we have Santa Catalina Monastery highlighted is because we got officially activated by the swastika in Peru back in 2006.

Finally the planetary grid temple map aligns nicely with the swastika migration map.

planetary grid sacred temples migrations

The Temple In Man Luxor Schwaller 137 PER text

Rene Schwaller’s Temple of Man with addendum made
by our genie genius unleashed at age 47

UPDATE April 10, 2020 

Measuring the Circumference of the Earth

Without a doubt the following image/idea adds to the evidence of how important the right angle or 90° angle was to the birth of measurement and in essence the science of physics.

Physics IS the science of ‘measurement’.

And when you realize what the ‘shadow knows’ is simply stated that all shadows of objects are at a right angle or 90° angle.
At the equator, 0 degrees latitude, the sun angle at noon at the equinox is 90 — 0 = 90 degrees, or directly overhead.

3500 BCE Egyptians Created the earliest obelisk or gnomon based on what the shadow knows about the gunfight at high noon at the OK Corral or was it at Syene Egypt?

3500 BCE Egyptians Created the earliest obeliskgnomon (based on shadow)

how Eratosthenes measured the Earth SYENE

source of image: Measuring the Circumference of the Earth

Imagine how this IDEA would set the stage for everything else that would follow?
But the ignorant want to suggest the right angle has no relevance today.

That we have moved beyond what the right angle offers as a bridge is folly.
Without knowledge of the ‘right angle’ civilization would never have been able to build structures of any integrity or understanding.

Eric Dollard QUOTE Periodic Log Geometry and phi same as MEANDER or KEY FRET 25

sketch made by Eric Dollard illustrating the relationship between
the god EL-ectricity, the right angle and phi  … we added everything in BLUE 

Also to ignore that the ‘god’ EL-ectricity who wields thunderbolts tamed by Benjamin Franklin is in fact a ‘right angle’ phenomenon is kinda dumb.

UPDATE March 12, 2018

Was Concrete or Stone used to build the Great Pyramid … ?

2D chiral mould Joseph Davidovits

It is another rather amazing coincidence that the molds that may have been used are based on the Pythagorean right angle theorem specifically a ‘numberless’ proof.

Well what can Joseph Davidovits and Rene Schwaller de Lubicz and the 137 Photon Knights Templar say?

We told you so?

UPDATE November 4, 2017

One week short of one year since the last update.
This one is interesting ME+me came across this image in the book The Giza Prophecy by Scott Creighton and Gary Osborn and it did not take long for my inner child to diddle our favorite doodle over other ideas that all seem to be converging on a narrative involving ‘let there be light’ and ‘in hoc signo vinces’ … the book put one other idea onto ME+me radar map/compass rose … and that is BOTH the Great Pyramid and the much smaller Menkaure have concave sides!!!

So I will let the following images speak for themselves, because they shout across aeons a truth difficult to deny.

Giza Plateau Gary Osborn OFFCENTRE Khafre1

eaa18-analemmavitruviiDROSTE effect

Canevas Droste middle step is the MBG or 2D CHIRAL binary representation of a spiral movementDroste Effect World Trade Center

Mark Gray, Scott Creighton, Gary Osborn, Robert Bauvel, Graham Hancock and all other members of STInk … Story Tellers Ink need to upgrade their software to ’emerging 8-fold photon science’.

So where is all of this leading?
Clearly the Giza plateau, the overall design is hinting that we can merge the very small MASS-less photon with both the MASS-ive Great Pyramid and the precession of the equinox cycle … in other words wave/particle duality has been recorded for posterity on the Giza plateau as the ‘zodiac’.

UPDATE November 11, 2016

41wr0vcxd7l-_sx314_bo1204203200_

image on left
The Holographic Paradigm and Other Paradoxes … – Amazon.com
images on right
A single photon

I find it interesting that this book/cover was published in 1982 and in 2016 for the first time a hologram of a photon was published and it looks very similar to the cover of the book but with a twist, and Carl Jung would call it psychoid event of a coincidental nature that I can offer an explanation for that twist using the Great Pyramid and Stupa.

UPDATE October 27, 2016

IMHO this is probably the most important UPDATE made thus far to this blog since first opening a wordpress.com account back in 2007.
It ends an important chapter to a 13-step recovery program retrieved from the great unknown and it aligns itself with a recent AHA!

Physicists created a hologram of a single light particle (a photon), a feat previously thought impossible.

Q/
What shape are photons?

A/
Quantum holography sheds light.

Hologram of a single photon pdf.

shape of  photons ~ Physicists created a hologram of a single light particle

Hologram of a single photon reconstructed
from raw measurements (left)
and theoretically predicted (right)

Now the following images provided in this update about the photon help bring to a conclusion a journey that began back in 2006.
A quest was directed to a new level of introspection when I both photographed and responded (i.e. got drawn into its symbolism) to the image above left which was taken in a Catholic (Dominican) Monastery in the city of Arequipa Peru, which was on my way to the Inca ruins at Machu Picchu, having just departed the Pacific coast and Nazca and flying over the Nazca Lines and the aqua-ducts.

It would not be long before I would be introduced to the fine fine work (image above right) of the Freemason Frank Carlos Higgins who was also a journalist and whose hobbies included numismatics in addition to ‘Masonic archaeology’.
Mister Higgins being another curious human who was on a quest for a truth, a truth not quite defined by everybody’s ignorant interpretations nor great expectations had asked many of the same questions I found myself wanting answers to.


RESCUE ME and In hoc signo vinces

It also would not be long before I also recognized that the international symbol of the firefighter (image above left exploited by television) was intimately related to all of the above in addition to the Latin phrase ‘In hoc signo vinces’ meaning “In this sign you will conquer”, or “By this sign thou shalt conquer” or often also rendered in early modern English as “In this sign thou shalt conquer” … however further investigations also reveal more insights.

On the Grand Standard of a Commandery of Knights Templar these words are inscribed over “a blood-red Passion Cross,” and they constitute in part the motto of the American branch of the Order. Their meaning, “By this sign thou shalt conquer,” is a substantial, but not literal, translation of the original Greek. For the origin of the motto, we must go back to a well known legend of the Church, which has, however, found more doubters than believers among the learned. Eusebius, who wrote a life of Constantine says that while the emperor was in Gaul, in the year 312, preparing for war with his rival, Maxentius, about the middle hours of the day, as the sun began to verge toward its setting, he saw in the heavens with his own eyes, the sun surmounted with the trophy of the cross, which was composed of light, and a legend annexed, which said “by this conquer.” This account Eusebius affirms to be in the words of Constantine. Lactantius, who places the occurrence at a later date and on the eve of a battle with Maxentius, in which the latter was defeated, relates it not as an actual occurrence, but as a dream or vision; and this is now the generally received opinion of those who do not deem the whole legend a fabrication. On the next day Constantine had an image of this cross made into a banner, called the labarum, which he ever afterward used as the imperial standard. Eusebius describes it very fully. It was not a Passion Cross, such as is now used on the modern Templar standard, but the monogram of Christ. The shaft was a very long spear.

On the toll was a crown composed of Gold and precious stones, and containing the sacred symbol, namely, the Greek letter “rho” or P. intersected by the “chi” or X, which two letters are the first and second of the name “XPISTOS”, or Christ. If, then, the Templars retain the motto on their banner, they should, for the sake of historical accuracy, discard the Passion Cross, and replace it with the Constantinian Chronogram, or Cross of the Labarum.

But the truth is that the ancient Templars used neither the Passion Cross, nor that of Constantine, nor was the motto “In Hoc Signo Winces” on their standard.
Their only banner was the black and white Beauseant, and at the bottom of it was inscribed their motto, also in Latin, “Non nobis Domine, non nobis, sed nomini to da gloriam,” meaning “Not unto us, O Lord, not unto us, but unto Thee give the glory.” This was the song or shout of victory sung by the Templars when triumphant in battle.

Masonic Dictionary | In Hoc Signo Vinces | www.masonicdictionary.com

shape of  photons ~ Physicists created a hologram of a single light particle

The fact that the Templar Cross design could be linked to the Great Pyramid due to the concavity of its four sides resulting in an 8-sided pyramid which could become a flattened templar cross pattee would never ever leave my radar screen again.

Soon I would see this idea everywhere.
In the design of the particle accelerator at CERN I also saw evidence of a design, confirmed by what can only be termed cosmic-mimicry.

Cern with AEON Rotas Maltese Cross superimposed

left image ~ CERN vs the Photon Knights Templar on the right

Then one day while shopping in a clothing store called ENDS, I came across a Knights Templar hat (image above) complete with red/black tassels.
To this day it is one of my favorite winter hats.
In the image I am also holding up my chiral asymmetric right hand and I have drawn a chiral asymmetric swastika on the palm of my chiral asymmetric right hand to point out an obvious fact of life using three important ideas that overlap, and would be critical to a tool builder who likes to use his hands.

1/ All biological life is chiral and asymmetric.
2/ Our left and right hands are chiral and asymmetric.
3/ The left facing and right facing swastikas are indeed chiral and asymmetric.

This quest I found myself on after I retired in July 2007 would soon lead me to another idea being passed forward.
A magic square associated to the Knights Templar that was at least 1000 years older than this order of fighting monks.
It would not be long, only about 3-4 years, the clues offered, a series of AHA would lead me to the obvious conclusion that we could align this ancient magic square, source still unknown to modern ‘twistor string theory’.

It seemed to anticipate an idea being passed forward.
Below is the result of the AHA sent ME+me.

Then faKebook friend Gabriel Clarke shared a link on October 8th at 12:09 pm. that would eventually lead ME+me to the image of the photon we see below.

shape of  photons ~ Physicists created a hologram of a single light particle

And yes I immediately superimposed the SATOR and ROTAS magic squares over the image of the photon light particle.

What shape are photons? Quantum holography sheds light

And ALL of the above is also in support of the idea called the MBG or the Master Builder’s Grid as documented by the renegade Rene Schwaller de Lubicz, which by coincidence is found also as being significant in the Indian Stupa.

swastika stupa 250 BC

Are there vital links between the Great Pyramid, the Ander Stupa  and the model of light particle called a photon which can be scaled UP and DOWN?

To the reader, please realize that it appears that the 137 RS SSS Mezine Mystic (the author of this blog) seems to have a head start promoting an idea called the ‘celestial pole star alignment’ with accompanying ‘meditation’ slated for about 2100 C.E.

Time to plant one vital idea  i.e. start sowing those seeds for future generations to reap, how else to give back  to the future a knowledge intimate with wisdom.
A wisdom forgotten due to ignorance resulting in the future being mortgaged, debts and liens placed on the future is a future borrowed from our children.

Back to the Future was a good movie and translated it means it is time to work on a plan to give back the future to those still to come a future where their inner child can build on those eternal ideas.

UPDATE October 8, 2016

What follows is clearly from the POV of a mystic.
That will become clear as you digest the information recovered by the 137 RS SSS MeZiNe MyStic.

Enjoy the truth ride … fasten your seat belt … this POV makes some people flee in denial … some people can not handle the truth.

Experimental Phenomenology 

Phenomenology is the study of structures of consciousness as experienced from the first-person point of view. The central structure of an experience is its intentionality, its being directed toward something, as it is an experience of or about some object. An experience is directed toward an object by virtue of its content or meaning (which represents the object) together with appropriate enabling conditions.

Phenomenology as a discipline is distinct from but related to other key disciplines in philosophy, such as ontology, epistemology, logic, and ethics. Phenomenology has been practiced in various guises for centuries, but it came into its own in the early 20th century in the works of Husserl, Heidegger, Sartre, Merleau-Ponty and others. Phenomenological issues of intentionality, consciousness, qualia, and first-person perspective have been prominent in recent philosophy of mind.

page 70 Experimental Phenomenology by Don Ihde

There are other groups that  I would like to add, they are not in the above book.

Group M (science group) asserts: the figure is an early prototype for the casing stones found in the Great Pyramid
Group N (biblical group) asserts: the figure is YHVH rotated from a formerly flat 2D perspective into 3D
Group X (mystic ~ all groups) asserts: ALL of the above are possibilities that need to be placed into a framework of the beginning analysis …

Shall we try to determine what Group X found out about the above object?

UPDATE October 7, 2016

So what exactly does the SHADOW kNOW?

THE CUBE AND ITS SHADOW

In high school back in 1973 my nickname was WoNderhaNds Wedekind.
Let me present you with a hand, a wonderhand but it does not belong to me, it belongs to another student of the TEACHER.
The same TEACHER that wagged the ‘tale’ of the student Carl is apparently wagging mine too.
Carl and me are of the same design.
Clearly we are, we both like to get high.
What if we are destiny’s child?

I know Wedekind or Widukind (a child of the wood or forest by name) is.

THE CUBE AND ITS SHADOW

Today ME SHADOW was revealed to little ole me.
And there was no better TEACHER than a pot smoking dead man named Carl Sagan to deliver such insight about the S ‘word’ to the self anointed and appointed myrrh-ijuana mystic and please do recall that me dad’s name is Karl, and I AM a widow’s son, and the widow’s name is Mary.
And yes the hail Mary was received by ME+me and a TD won the game called name the name.

There are no coincidences and the cosmos is both trickster and magical and I do not question how the truth arrives, little ole me just soaks it in, I am after all nothing, thus I am a vacuum and the finite fools and infinite angels tend to rush in.

I want to thank ME+me faKebook friend Ion D Baptsmeerist for sharing a similar video with us provided by the pot-smoking mystic Carl Sagan discussing the SHADOW of a cube.
(as a side note I ponder if Sagan’s book COMET that I recently ordered will arrive today?)

Start watching at 5:37 and stop watching at 6:50 and ponder what Carl has shared with you.
Do not continue with the video at this time … continue reading please … the specific shape of the cube’s SHADOW is what we will be investigating in its relationship to the ‘casing stones’ used in the Great Pyramid.

I love the fact that this information/video by Carl Sagan was recognized by the mystic today.
The mystic who has recovered a story/theory about the numbers 1376 which can be easily linked to the 4 archangels and 4 zodiac signs and a brand new narrative linking gravitational waves, non-locality, and consciousness.

Today’s date is Oct. 7, 2016 or 10/7/2016 … which can be reduced to the numbers 1376.

Now let me introduce you to yet another student of the TEACHER, Bernard I. Pietsch and wow does he have a story/theory to share with the readers.

Bernard Pietsch CASING Stones _ 4 corners plus 1 quote

source of image and text:
https://www.scribd.com/document/13738188/New-Perspectives-On-The-Great-Pyramid-Pt-1-Ancient-Data-Base

Please pay special attention to the conclusion arrived at by Bernard Pietsch’s found in the last line …

… with just one single casing stone and the knowledge of the four corner positions, the outer geometry of the entire Pyramid could be reconstructed.

I added and ended that claim with a crOWN because ye NOW OWN a big chunk of the truth about the cosmological NWO that ye are co-CReator of.

CROWN =  CReator + OWN

OWN = NWO NOW and WON

How we collectively put the alphabet soup together determines the collective outcome?
What if both UNITY and KARMA are recipes?

I AM currently in the process of recovering a narrative that involves 4 corner positions demarcated by the two groups of two letters R and S.
Thus it seems that the ‘one’ casing stone in this puzzle being recovered is associated with the letters ATO.

It all adds up to RotaS or sATOr from this lofty POV.

UPDATE September 7, 2016

hyjinobJC panel published in 1734

I came across this information today thanks to author Richard Heath whose interpretation and website address follow;

yxd95vb

What can I say?
It fits the narrative being recovered by ME+me with the assistance of the TEACHER.

I meet so many wise guys along the way.

UPDATE March 14, 2016

What I find interesting is the fact that many bread molds were found in Egypt.
So how much of a leap of understanding is to consider that an unknown genius long ago came up with the idea to make molds to cast a ‘concrete’?

excerpt from THE PYRAMIDS An Enigma Solved by Joseph Davidovits

UPDATE Feb. 16, 2016

The underground complex beneath the Pyramid of Zoser or Djoser built during the 27th century BC. exhibits the offset cross indicated by the blue/red arrows. This offset cross idea was used as the basis for the Master Builder Grid [MBG] as demonstrated by Rene Schwaller de Lubicz in the following blog.

Djoser’s step pyramid was surrounded by a 10.5 metres high niched enclosure wall
building an inner courtyard of 37.06 acres (15 ha)

ZoSeR and iMHoTeP are two vital personages to keep in mind.
And by sheer coincidence the number ‘37‘ makes an appearance in defining the complex, an inner courtyard of 37.06 acres (15 ha).

37 = ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha

The first king of the Old Kingdom was Djoser (sometime between 2691 and 2625 BC) of the third dynasty, who ordered the construction of a pyramid (the Step Pyramid) in Memphis’ necropolis, Saqqara. An important person during the reign of Djoser was his vizier, Imhotep.

UPDATE Dec. 24, 2015

source: 373 a Proof Set in Stone – Page 123

UPDATE February 16, 2015

The following image was posted on faKebook by Will-Iam Garland

Four things need to be pointed out.

  1. the fact that my mother’s maiden name is Drost
  2. the fact that the above image is the central theme to the recovery underway found in this blog
  3. the Droste effect plus Widukind is a match made in heaven
  4. https://at37.wordpress.com/?s=widukind

~ end of UPDATE ~

He that hath ears to hear – let him hear – and he that hath eyes to see – let him look!

When he has both listened and looked, and understood the truth behind the 47th problem he will see a new meaning to the reception of a Fellowcraft, understand better that a square teaches morality and comprehend why the “angle of 90 degrees, or the fourth part of a circle” is dedicated to the Master!

Pythagoras and the MBG

schwaller-plate-64-graham-hancock1

The above image is 1/2 of two pages with annotations by ME+me and yes the signature of Graham Hancock obtained when I met him in Toronto on December 13, 2015.
A signature that might come back to haunt him one day when his ignorance is placed front and center for ALL the world to see.

Why did the genius Rene Schwaller place the idea called the swastika on a grid right next to the idea called the cubit?

PhDUH are we to assume there are associations between the swastika, the cubit, and a grid of nested squares?

To the reader it has become necessary to start a blog focusing on the work of Rene Schwaller de Lubicz. It will soon become clear why I have taken this approach. Please note I will often refer to Rene Schwaller de Lubicz in this comparative study as RS.

Ulam Spiral which focuses on prime numbers yields the above image 

Samarra Bowl 4000 BC

The Samarra bowl (ca. 4000 BC) is on exhibit at the Pergamon museum, Berlin. The bowl was excavated as Samarra by Ernst Herzfeld in the 1911-1914 campaign, and described in a 1930 publication. The design consists of a rim, a circle of eight fish, and four fish swimming towards the center being caught by four birds. As is typical of cultures from this region, the use of a base six numerical system can be seen in the lines surrounding the bowl, so that there are a total of 120 lines, or four quarters with 30 lines each. At the center is a swastika symbol. The bowl was broken, part of the rim is missing, and one crack ran right across the central symbol, so that the swastika symbol should be considered a reconstruction.

Yes the reconstruction in the center has been noted, but fear not for my theory to continue on all we really need in the center of the Samarra Bowl is the letter ‘N‘.

Friendship Knot

Akragas MBG circular altar at the sanctuary

General view of Circular Altar, Sanctuary of Chthonian Gods (Chthonic Deities, the gods of the underworld), 5th century BC, Agrigento, Sicily, Italy, pictured on September 12, 2009, in the morning. This round altar with a sacred well in the centre was probably the place where the rite of the Thesmophoria, a festival held in honour of Demeter, was celebrated by married women. The Valley of the Temples is a UNESCO World Heritage Site. Picture by Manuel Cohen.

source: http://manuelcohen.photoshelter.com/image/I0000txm3LG1k6tc

on the left is a Greek Omphalos
on the right
is an Egyptian Omphalos (according to Peter Tompkins and Robert K.G. Temple)
which is incorrect … see above

The OMphalos was associated with the navel, the sacred center the place where heaven and earth conjoin and intersect the most likely place to engage an oracle might be a place like Delphi

I have decided to start this blog by posting the editorial reviews given this book, illustrating the high degree of respect that many other researchers, seekers, and authors show this piece of scholarly out of the box thinking.

The reviews can be found here: http://www.amazon.com/The-Temple-Man-Schwaller-Lubicz/dp/0892815701

  • “This astonishing and monumental book helps us understand not only the greatness of Egypt, but the depths of the human soul as well. The work of Schwaller de Lubicz stands in our time as an unsurpassed blending of objective scholarship and philosophical vision.”
    (Jacob Needleman, author of Time and the Soul)
  • “Schwaller’s grand synthesis reveals, once and for all, the full extent and significance of the knowledge of Ancient Egypt.”
    (Parabola Magazine)
  • “Schwaller’s text demands that it not be just read, but that it be ‘thought along with.’ His scientific writings contain poetic and spiritual insights that touch the soul . . . because true science, as he conceives it, is capable of generating those insights–indeed, it demands that they be generated.”
    (Gnosis Magazine)
  • “An important addition to the library of any serious metaphysician.”
    (Pythia Peay, Common Boundary)
  • “An impressive, beautifully realized presentation that deserves consideration, discussion and debate. For those of you with interest in alternative approaches to ancient Egypt, The Temple of Man will be and important addition to your library.”
    (KMT, 1998)
  • “In The Temple of Man, renowned Egyptologist R.A. Schwaller De Lubicz offers an exhaustive study of the temple of Amun-Mut-Khonsu at Luxor. In over 1000 pages of text, illustrations and photographs, De Lubicz demonstrates the powerful spiritual and philosophical heritage of ancient Egyptian civilization.”
    (Publishers Weekly)
  • Le Temple de l’homme by Schwaller de Lubicz is an absolute must for all who are interested in the search for the truth about Ancient Egypt and its pivotal place in the unfolding of the cosmic drama and the human quest for immortality and spiritual perfection. For years we have all waited for an English translation. Here it is at last!”
    (Robert G. Bauval, author of The Orion Mystery: Unlocking the Secrets of the Pyramids and Message of the Sphinx)
  • “In my view, The Temple of Man is the most important work of scholarship of this century. R. A. Schwaller de Lubicz finally proves the existence of the legendary ‘sacred science’ of the Ancients and systematically demonstrates its modus operandi. It was this great science–based upon an intimate and exact knowledge of cosmic principles–that fused art, religion, science, and philosophy into one coherent whole and sustained Ancient Egypt for three thousand years.”
    (John Anthony West, author of Serpent in the Sky)
  • “Schwaller de Lubicz’s great work, grounded in a remarkable insight into the science and philosophy of the ancient world, opens the way to a complete reappraisal of Egyptian civilization, revolutionizing our view of history.”
    (John Michell, author of The New View Over Atlantis)
  • In the first Renaissance, the Florentines went back to the knowledge of the ancient Greeks. In this, our planetary Renaissance, we return to the esoteric knowledge of the Ancient Egyptians. The research and intuitions of Schwaller de Lubicz should be placed alongside Evans-Wentz’s recovery of the esoteric knowledge of Tibet.
    (William Irwin Thompson, author of At the Edge of History)
  • “Schwaller de Lubicz is one of the major thinkers of the twentieth century–his greatness, alas, still not fully recognized, although readers who know Sacred Science and Symbol and the Symbolic treasure them as masterpieces. But his greatest and most massive achievement is The Temple of Man, surely one of the seminal works of the last half century. The news that it is to be finally published in English will delight all admirers of this highly original philosopher.”
    (Colin Wilson, author of The Outsider and The Philosopher’s Stone)
  • The Temple of Man will live, like statues of Ramesses, long after we and those who follow us have joined the pharaohs. This is an eternal work, just as Egypt is eternal. To enter the minds of the Ancient Egyptians through this door will lead any reader into an enchanted realm where form and structure have life, where stone breathes and  perspires, and where the palpitating heart of traditional wisdom still throbs amongst the sands.”
    (Robert Temple, translator of The Complete Fables of Aesop and author of The Sirius Mystery)
  • The Temple of Man is a monumental product of intellect, scholarship, and exploration into the ‘pharaonic mentality’ of Ancient Egypt. There is no work more ambitious in seeking to render accessible the consciousness of a time and place remote from and extremely alien to our own. The sufficiently careful and aware reader can actually take on enough of the mindset being described as to arrive at states of consciousness unlike any experienced by contemporary people. It then becomes possible to glimpse that extraordinary ‘mentality’ which cast in Egypt a spell of luminous fascination still potent after thousands of years.”
    (Robert Masters, author of The Way to Awaken and The Goddess Sekhmet)
  • The Temple of Man is an accomplishment of truly Herculean proportions. Nothing written in the past two hundred years, with the exeption of only one book, even approaches it in enormity of purpose, scope, subject matter, majasty and profundity. . . . One needs to learn to read this book and then immerse oneself in it. Were on to do this, and assuming diligence, sincerity, determination and some ingenuity by the reader, the outcome toward which all human life is aimed, the evolution of consciousness is assured.”
    (Atlantis Rising)
  • “As complete an insight into the mind of pharaonic Egypt as will be found on paper. . . . Coming to the worldview from our mindset places serious damands on the reader. But, this book is both dizzying and transporting, offering the possibility of immersion in another world, cleansing the mind and clarifying the extent and the limitations of our own mental tools for grasping our world.”
    (MKS, Whole Earth, 1998)

A comparative study that dares to involve comparing the work of RS to RSMS.

RS left humanity a gift called The Temple Of Man and for those who dare follow him into the MiNd and heART of consciousness you will be rewarded, but not right away, it could take years. I have no choice but to play follow the leader from this point on.

But RSL is not the leader here, RSMS is.

Note the above 8 points in the Templar cross point to the A and the O.

A – Alpha  O – Omega 

Rotas Sator Magic Square has a lineage that can be traced back to 10,000 BC, which is about 7000 years before dynastic Egypt and clearly this is the tug on your heART string that your intuition starts to get a feel for, that can be the only reason that the genius of RSL and my stumbling and fumbling about in the light found the vital spARK in the dARKness, we both found the same ‘seed‘ which we see below. By coincidence instead of the letters A and O we now have 8 fish which appear to be swimming counter-clockwise, but keep in mind what Viktor Schauberger said, fish do not swim they are swum, like in the image below.

 “fish do not swim they are swum” -Viktor Schauberger

The following links show the associations gathered thus far, it is not difficult to see how by reverse engineering ‘signs and symbols’ I find myself rubbing shoulders and comparing notes with Rene Schwaller de Lubicz. Different approach, virtually the same result, what will a virtual world reveal?

Or perhaps you the reader has been misdirected to this blog from one of the above links or maybe you got lost and found your way here? Lucky you. I recently finally got around to having a peek at The Temple of Man (2 volumes -1010 pages), picking up a copy from the University of Toronto Robarts library.

The Temple Of Man

R.A. Schwaller de Lubicz’s masterwork, The Temple of Man, finally appears in English in an inspired two volume translation by Deborah Lawlor and an equally inspired production job by the publishers. This book is, in my opinion, the most important single work of scholarship of this, or any other century. It is a work of pure genius; the more you study it, the more it seems impossible for a single man to have accomplished.

Starting with a single revelatory observation in Egypt in 1937, Schwaller de Lubicz, over the course of some 20 years, was able to piece together the sacred science of the ancients and present it in rigorously documented fashion. – See more at John Anthony West: http://www.jawest.net/news2.htm#Temple

Lost Vision of the Universe Rediscovered by Rene Schwaller de Lubicz

The Temple Of Man was published in 1957, the culmination of a revelation that had taken place in 1937.

1957 happens to be the year I was born, and clearly the numbers 1379 have become part of my tale. Here I am in awe of this book, that I was meant to find, and even the events surrounding its acquisition were meant to make little ole’ me take notice. What else could it possibly mean?

WoW MoM what a day I had, full of 137 coincidences which continue to suggest Wolfgang Pauli and Carl Jung were correct in associating Pauli’s obsession over the number 137  to Jung’s concept the ‘collective unconscious’. Recall the coincidence that Wolfgang Pauli died in room 137 of a Red Cross Hospital.

Recall that I ended making profound associations between the Red Templar Cross found on the RSMS. Connect the dots between the letters A-E-O-N four times and you have a Red Templar Cross that can be used as a map, grid, matrix, ThE NET helping us to illustrate that this 5×5 magic square of Mars attributed to the Knights Templar ‘anticipates‘ Twistor String Theory.

I found this reference to 1957, again coincidental, I am innocent.

holocaust (n.)

mid-13c., “sacrifice by fire, burnt offering,” from Greek holokauston “a thing wholly burnt,” neuter of holokaustos “burned whole,” from holos “whole” (see holo-) + kaustos, verbal adjective of kaiein “to burn.” Originally a Bible word for “burnt offerings,” given wider sense of “massacre, destruction of a large number of persons” from 1833. The Holocaust “Nazi genocide of European Jews in World War II,” first recorded 1957, earlier known in Hebrew as Shoah “catastrophe.”

4 x AEON TEMPLAR cross  next to the TENET or ThE NET cross.

Wolfgang Pauli a Nobel prize winner is also famous for saying this;

“The concept and interpretation of FSC leads us out from the physics.”

The FSC known also as alpha0.00729 and 1/137 (which is the inverse of 137) leads us out from the physics and  into the metaphysical realms where science and religion must embrace each other and discuss ‘what is consciousness?’, clearly this is what is being implied. It is all good, because Nobel winners and a noble science will need to admit it cannot measure ‘consciousness’. Anyway as we can see from this picture I took I was starting to digest the  library copies of The Temple Of Man (note the sticky notes) when my early X-mas gift arrived and became time to transfer each of those sticky notes into the new treasures that should keep me busy for years to come.

sticky notes need to be transferred over to the new copies just arrived

While I had the camera out I also wanted to present some other evidence that will be referred to from time to time as we explore what appears to be a new ground. The books called 137 Deciphering the Cosmic Code by Arthur I. Miller and Serpent In The Sky by John Anthony West. Both books are valuable resources if we want to discuss Pharaonic consciousness meshed with modern scientific progress. They seem to compliment each other nicely.

137 does appear to be the KEY to unlocking the Jungian ‘collective unconscious.

Is the coincidence evidence of something beyond our comprehension? Is the coincidence measurable? Was the coincidence placed in plain sight to test science and what a scientist believes? The piece of paper below I found placed between pages 190-191 in the book 137, I had placed it there some time ago as I doodled using Thoth thoughts and recovered it today…but it clearly displays the SEED. And this is where RSL and the RSMS and the swastika and ME shall discuss what needs to be discussed.

It is a comforting place to be when your 9 year quest allows you to sneak in the back door and look over the shoulder of genius. Schwaller can be quoted only once in The Temple Of Man where he directly makes reference to the swastika. (at least the index indicates only one entry and I have only begun to digest its 1088 pages.

Above is the one quote by RSL regarding the swastika that I have found thus far. It is a profound quote considering my journey running the gauntlet these past 9 years. And what RSL says below about oscillating squares are Thoth thoughts that I also have shared in from time to time, time after time.

Schwaller’s work allows us, actually it compels us to have a closer look at this bowl we see below that can traced back to between 4500-5500 BCE.
Is it a rotation or an oscillation or a combination of both that drives the eternal infernal engine?
2 be continued because RSL and RSMS leaves ME no choice.
You do not need to follow if the TRUTH spooks you.

Nave Axes 13.97 – Amun Axes 13.907  –  Haty Axes 13.793  

Above I added the yellow and red highlights

 

My simpleton noble brain wants to use ThE NET to explain how to make a FRIENDSHIP KNOT!

[linked image]

In the above image INSERT 4 HANDS into the 4 SLOTS marked 1, 2, 3, 4 in order to clasp 4 WRISTS  thus forming the ‘Friendship Knot’ like we see in the image below.

[linked image]

Image
“The 8 to 9 Ratio, Temples and Musical Scales”

According to Schwaller de Lubicz (distinguished author of “The Temple Of Man”), the most significant chamber of the Temple of Luxor, the Holy of Holies, is a triple sanctuary based upon the precise and elegant sacred geometry ratios that incorporate the square root harmonics of Root 2, 3 and 5.

A section of this room is proportioned to be exactly in the critical ratio of 8 to 9 (or 8:9) which is the proportion of the first note of the musical scale, the ‘Do’ of the descending octave.
This suggests that the very stone chambers are acting like highly tuned stringed instruments or applies the advanced technologies of tuning forks!

The ratio 8:9 is what “Squares the Circle”, making the area of the circle equal to the area of the square, and is based on the Square Root of Phi (1.272…), meaning that the only way that we can mathematically make Heaven and Earth equal is to use a sub-harmonic of Phi (the Living Maths of Nature), that is really the approximated ratio of 8:9.

Jain 108

“Schwaller de Lubicz and the Symbolist Key to Egypt”

Droste Effect
selah V
Raphael a.k.a. Labbiel

this is my calling card
call me anytime 24/7/365/25920

1379 – Nikola Tesla – Eric P. Dollard – Dan Brown and Memes


EM MEME drEaM thEME pARKS

Image

EM = Electro-Magnetic

“Tesla & Sagan make CONTACT” > what the HOLY GRAIL looks like!

https://kachina2012.wordpress.com/2009/08/08/tesla-sagan-make-contact-what-the-holy-grail-looks-like/

FRACTALS – KEYHOLE – DNA – ANKH – LAPIS EXILLIS

https://at37.wordpress.com/2012/02/28/keyhole-dna-ankh-circle-truncated-pyramid/

source of article:
http://ericdollard.com/1920s-news-article-meme-by-arto/

In the above article I could not help notice that the dielectric polarization of charge has an average velocity 0f 

470913

Image

M E M E S

Eric P. Dollard (1952 – ) is an American electrical engineer and researcher, considered one of the few people to have successfully duplicated Nikola Tesla’s wireless power research.

http://catalog.borderlands.com/index.php?act=viewCat&authorId=17

20130206132812-ericdollard_poster_final

Notes on a Hollow Earth by Eric Dollard

February 23, 2013

Eric has studied the earth for many years and his Landers Lab was the most sensitive seismic detection system ever built. He has stated before during his Misconceptions of Electricity Video that his finds showed the earth was most certainly hollow, perhaps this is why the other three lectures have yet to be released.

Below is one of his posts from Lone Pine speaking about the Hollow Earth. Please note this is based on scientific findings not wild stories.

Among the various findings at this installation we will focus upon a few basic relations.

1) The mechanical waveforms and the electrical waveforms during significant events are directly inter-related with each other.

2) These electrical waveforms lead, in time, the co-responding mechanical waveforms. This time angle is from one half to two rotations of the Earth. The Giant Japan Quake was two rotations.

3) Lightning Impulses arrive at the Alexanderson underground antenna ahead in time of the lightning impulses at the beverage over ground antenna.

4) The telluric signals are in no way related to any so called “Earth-Ionosphere Waveguide”.

These signals definitely originate from the interior of the Earth.

5) Both mechanical and electrical waveforms often become sinusoidal, particularly before a Major Event. This is to say, both become alternating waves.

This is important.
Theory:

Because there exist “sine waves”, that is, circular functions, these waves thus represent natural harmonic frequencies of the Earth itself.

This observation indicates that the Earth is hollow.

The Earth, mechanically is hereby a huge “Helmholtz Resonator”, and electrically it is hereby a huge “Cavity Resonator”. Also, as explained by N. Tesla, the “Earth-Ionosphere Condenser” is far too thin to support any wave-guide modes. Only electro-magnetic waves parallel, of magneto-dielectric waves normal, to the surface of the Earth are possible.

continued here >> http://ericdollard.com/notes-on-a-hollow-earth-by-eric-dollard/

Symbolic Representation of Alternating Electric Waves

Free pdf.  57 pages

1/ http://rapidlibrary.com/files/symbolic-representation-of-alternating-electric-waves-by-eric-dollard-pdf_ul9z8tb8fti89on.html

2/ http://www.scribd.com/doc/78315099/Eric-Dollard-Symbolic-Representation-of-Alternating-Electric-Waves-FULL-BOOK-57p

One day Lockwood entered the galley of the Navy LSM I was working at the Richmond Yard. He had got wind of a “Certain Naval Electrical Engineer” that may be the one to “finish the dome”. Lockwood tells me that he has just come from Mt. Shasta where he had met with a lady who “walked out of the mountain”. She had given him a symbol, or diagram, and this would prove the identity of the engineer.

Before I could get pissed off he puts the diagram next to my open notebook on the “Symbolic Representation of A.C. Waves”, page six.

The diagram on page six and his were IDENTICAL!

73 DE N6KPH

Here is the illustration found on page 6 of Eric Dollard’s paper, which looks similar to symbol found on the cover of a Dan Brown’s novel discussing The Lost Symbol, but it has been cropped and inverted.
Yes Dan Brown is mostly fictional cloak and dagger, but his work strikes at the heart of how the language of archetype and memes can be used to structure a narrative.

Is this just more coincidence or is it in fact more evidence of a design that we are just starting to comprehend, the muted voices forever expressing themselves via the ‘archetype’, time and again…?

I must admit the above image of the ‘arch’, ‘semi-circle’, certainly reminds me how NE and NW are representations of summer solstice maximums rising – NE  and setting – NW of the sun.
BTW Stonehenge is oriented toward the NE, i.e. summer solstice sunrise and summer solstice sunset.
And there is some evidence that Stonehenge acknowledged the NW too.
We can associate all of the above to what Plato called The Great Work, a direct reference to the Precession of the Equinoxes.
Not to mention that we can also entertain the Riddle of the Sphinx when discussing precession and arches and the underworld.
Image
Karlsruhe – Freemasons – Washington DC
http://2012forum.com/forum/viewtopic.php?p=365163#p365163
This next link shows how Eric P. Dollard is at least aligned with archetypal form recognized since the time of Pythagoras.
Image
Dharmachakra or Wheel of Law
Symbolic Representation of the GENERALIZED Electric Wave by Eric P. Dollard
pdf. file

http://www.rgle.org.uk/Higgins_Beginning_of_Masonry.pdf

Figure 1

Did the Pyramid Builders of the Old Kingdom use the Pole of the Ecliptic?

By Robert G. Bauval

http://www.grahamhancock.com/forum/BauvalR2-p3.htm

to be continued…

Egyptian and Cretan Labyrinths ~ Labrys ~ DNA ~ String Theory ~ I Ching ~ Swastika

UPDATE September 27th, 2015

Update to most recent update … something caught my eye regarding the Hagia Triada sarcophagus as I dug deeper.

left – Hagia Triada sarcophagus
right – the Unfinished Obelisk

The Hagia Triada sarcophagus is a late Bronze Age 137 cm-long limestone sarcophagus.

We can place that beside the 137 meter Noah’s Ark and the NE corner of the Great Pyramid apex that is also just over 137 meters high alongside what would have been the world’s longest obelisk at 137 feet.

All of the above are all significant markers I would think?

UPDATE September 12, 2015

image found on Peter Aleff’s website
note the libations being poured into a ‘grail’ placed between two pillars
each pillar is crowned with what appears to be four blades to each double axe
perhaps the flat perspective does not reveal another axis?

Yesterday was the anniversary of 911 and I was wondering what coincidence I would tune into.

It was a good one, which requires me to introduce the work of Peter Aleff and his creation the Phaistos Game based on one of the best interpretations of the Phaistos disk.

His inner child saw something, and so does mine, as I have pointed out in the past, but but butt when Peter mentioned that the word labyrinth and double axe are essentially one and the same [something I had missed or forgotten] … the wheels started spinning.

  • The Lydian word for “ax” is “labrys”, as related by Plutarch. The word “labyrinth”, derived from the word “labrys”, was used by the ancient Greeks to describe the palaces in Crete, such as Knossos, and also referred to the “double-ax” symbol represented by the piece offered here.
  • The symbol of the “double-ax” also always accompanies goddesses, and it seems that it was also the Minoan symbol of the beginning of the creation.
  • This also explains why this piece is votive, and was offered in tombs and sacred places.
  • It is also believed that this type of power piece served as a standard in religious shrines and temples. See F. Schachermeyer in “Die Minoische Kultur des Alten Kreta”, 1990, pp. 161, 237, and 238.; and W.H.D. Rouse, “The Double Axe and the Labyrinth, The Journal of Hellenis Studies 21”, 1901.; and John Chadwick, “The Mycenaean World”, 1976.
  • zeus. a study in ancient religion. volume 2, part 1.

The Labyrinth and the Double Axe

~end of UPDATE~

UPDATE August 9th 2014

The recovery continues.
How do we link the double labrys or double ax to the calendar?

Dr. Jack Dempsey has accomplished this task.
Continue reading.

Labrys wheel Later Minoan vessel lid

Now, look at this example of Labrys in its most high-ceremonial “doubled” form.

Count the points from left to right including the central one, and we see five lunar phases with Full Moon at the center. Count the lower points and we see four of them (the solar years) that double into a Great Year with the turning of the 4-year calendar and Labyrs itself.

Other features you can see suggest aspects of all three Minoan sacred beasts (Snake, Bull and Lion) as well as the mystical fourth one, Gryphon, guardian and guide of The Dead beyond “The Door” to the universe—which is at once the sun, the moon and the Pole Star.

I find it amazing that scholars refuse to link the Snake Bull Lion plus the mystical Gryphon to the four archetypes found on display in the tarot on Card X the Wheel of Fortune or Card XXI the World. (the code I extracted  in around 2005, the numbers 11, 2, 5, 8  would be my guide for quite a few years until around 2010 I realized I could convert 11, 8, 2, 5, digit for digit for a new code 1, 3, 7, and 6.

To prove that an analogy is indeed viable … of the four evangelists which one would be considered the ‘mystical’ one?
That would be the St. John who wrote the gospel associated with the eagle traditionally.
And would the Man be then equated with the snake?
Thus we have a match between the four Minoan sacred beasts and the four gospels represented by the traditional associations.

11 Man = Snake
8 Eagle = Gryphon
5 Lion = Lion
2 Bull = Ox

But as the reader can see I have added other IDEAS that have been recovered to this template.
The series of numbers 11, 2, 3, 5, with the addition of the number 3 (a Freemason cipher) reveals another code.
A code that is known as a FIB which helps conceal the I37 LIEs.

Yes the Wheel of Fortune plus the Freemason cipher 3 (linked to the letter gimel) reveals the Fibonacci code 1, 1, 2, 3, 5, 8.
And as ‘we the sheeple’ waking up in the here and now know this is in fact a code that nature puts on display for all to see in plain sight … IF you stop long enough to smell the Rosicrucian rose or gaze into the patterns found in a sunflower which coincidentally seems to rotate with the sun as it passes overhead … (but there are no coincidences, of that I am now convinced)

But far more exciting for little ole me, under the guidance of big ME was what emerged one day as I was doodling with my new code which had evolved to 137-69.
You see I had already recovered the code 137-9 PRIOR to recovering the 137-6 code via the Man, the Eagle, the Lion, the Ox. (these are bIbLE approved)
But the 137-9 code was attributed to Mesoamerica and the 137-6 code had been given birth in Mesopotamia.

On Card XXI the World card we see the numbers 28, 21, 16, 24, beside the Man/1, the Eagle/3, the Lion/7, the Ox/6 respectively they were also attributed to the four evangelists St. Matthew, St. John, St. Mark, St. Luke.
The numbers were all reduced to a single digit under the instruction of Pythagoras who is assisting us in this recovery process, taking us back to simpler times.
i.e. 28 = 1 (2+8=10  >> 1+0=1)

The 6 and 9 appeared to be ‘polarized’ and sharing in a rotational symmetry so I merged the two codes in one 13769 or 13796.
As I mentioned I was doodling with the numbers converting them into letters and the word bIbLE and then 6I6LE or 379I9 if rotated 180 degrees.

Anyway that was years ago before I realized what I had in fact ‘recovered’ after these many years of placing the swastika into the ‘mind’s eye’.
Essentially I have been ‘meditating’ on the swastika since about 2004-5.
Full time 24/7/365 since I retired on July 31, 2007.
A date which I later realized anticipated why I was retiring.

I retired on July 31, 2007 or 731,9 (2+7) and a magical 7 years later using the 1379 code assisting me in my evolving hypothesis linking the 2 swastikas to the 2 b-mode gravity waves announced to the public on March 17th of this year.
Yes March 17 can be converted to 3/17 or 137.

In other words, the idea that the swastika along with the cross and circle are fundamental to an intelligence operating behind the scenes akin to an Intelligent Design requiring a consciousness that must be linked to a designer is where I AM is at today.

Specifically showing ideas anticipating the reunification of science with religion by ilustrating links between the birth of our asymmetrical brain, our asymmetrical hearts, asymmetrical matter and anti-matter, asymmetrical DNA helix, the spiral, the vortex, plus all other asymmetrical building blocks we use to build our homes, temples, and castles (using prime numbers yin and yang) in a place identified as space-time plus motion.

What else is there?

The Holy Grail …

The evolution of consciousness and along with it, recognizing that the beneficient swastika is a tool bequeathed us by our benefactor.
Billions have in fact been served since 10,000 BC by the gifts the blessed architecture that the swastika in fact can be shown to provide.

Simply by introducing into a discussion the questions which is more important to human survival the hand ax or the wheel, and can we show profound connections to the swastika and finally can we link the swastika to the inventions of the wheel and the first indication modern man had left his primate cousins by becoming a bona-fide tool maker?

Who invented the wheel and hand ax we will never ever know, but by following archetypal clues like the cross and the circle placed into motion, the path left by the wake of our ancestral consciousness becomes clear as night and day.

Notice also the pattern of our journey through the labyrinth of the Calendar.

When we learn to follow and “leap” at places in the fresco border, like the man leaping bull between female helpers, we must leap from one corner to another as a year turns.

When “Year 1” of a Great Year ends we find ourselves on the orange crescent at the bottom of the right vertical. There, we turn around, as in a labyrinth, and begin again having “doubled” or reversed our direction.

In two years, the leaps inscribe an X—a five-point form called quincunx common on Minoan pottery and seals, the shape of Labrys at the heart of The Calendar Fresco.

http://www.ancientlights.org/CalendarHouse/ch2.html

Calendar House – Ancient Lights

The Calender House ceiling tile, i.e. the rosette surrounded by four double labyrs is another fine example of the SEED pattern, or what science has identified as the blue b-mode gravity wave (below image on left), and Jain science has incorporated the same basic idea into their cosmology too (below image on right).

Rene Schwaller de Lubicz called this geometric necessity the Master Builder’s Grid.
I call it a necessity because of its connection to the 90 degree right triangle, gravity, and polarized light.

UPDATE September 10th 2013

These next two updates do not surprise me in the least bit.
They are fulfilling the prediction that I made years ago suggesting that science would one day catch up to what the swastika means on each and every level of a multi-dimensional universe.
Evidence of the swastika can be found on every level of ‘scaling’.

More evidence linking the evolution of the swastika to the birth of consciousness:

Language and Tool-Making Skills Evolved at the Same Time

Sep. 3, 2013 — Research by the University of Liverpool has found that the same brain activity is used for language production and making complex tools, supporting the theory that they evolved at the same time.

Researchers from the University tested the brain activity of 10 expert stone tool makers (flint knappers) as they undertook a stone tool-making task and a standard language test.

Brain blood flow activity measured

They measured the brain blood flow activity of the participants as they performed both tasks using functional Transcranial Doppler Ultrasound (fTCD), commonly used in clinical settings to test patients’ language functions after brain damage or before surgery.

The researchers found that brain patterns for both tasks correlated, suggesting that they both use the same area of the brain. Language and stone tool-making are considered to be unique features of humankind that evolved over millions of years.

http://www.sciencedaily.com/releases/2013/09/130903102003.htm

The Origins of Language and Right-handedness

Archaeologists have long been preoccupied with the theoretical linkage between two features of humanity: language and right-handedness. The current view is that they evolved together, but the exact nature of this relation is still unknown. In archaeological and human origins research, it remains hypothetical. Since the last 150 years many ideas about the links between language and laterality have been proposed from other disciplines. They have primarily focused on the brain, but other areas such as primatology, developmental psychology, and ethnography have recently contributed. Interestingly, hardly any of these proposals have been systematically tested with the archaeological or fossil records.

Despite directly referring to human evolution, the research is often disconnected from archaeology.

The Origins of Language and Right-handedness | Central TAG

And then there are freelance philosopher kings like myself trying to put together the pieces.

labrys, πέλεκυς, bipennis, double-headed axe

A labrys is a double-headed axe used for carpentry, military and religious (connected with bull sacrifices) purposes. There is speculation that the word labyrinth, the maze in which the mythological minotaur lived, is etymologically connected to labrys.
The different shapes of the Bronze Age Minoan labrys probably corresponded with its distinct functions. Unlike a modern, two-headed hammer, the shape of the labrys is symmetrical.
Sometimes the blade is curved; sometimes straight.

Source:
The Labrys: Why Was the Double Axe Double?
by A. Trevor Hodge 1985 Archaeological Institute of America

Interesting to note that the labrys is currently used as a symbol by lesbians.
http://people.wku.edu/darlene.applegate/oldworld/webnotes/4medaegean/civ.html

Here is yet another APPLICATION we can add to that growing list of ‘APPS’ for the swastika, an application that addresses ‘human origins’.

“For a million years the sound of making handaxes provided the percussion of everyday life. Anyone choosing a hundred objects to tell a history of the world would have to include a handaxe.”
-Neil MacGregor

Let me provide a few more quotes by Neil MacGregor who is director of the British Museum and his book A History of the World in 100 Objects was part of a BBC Radio 4 program.

The first quote is about the oldest tool attributed to human consciousness, the chopping tool and the remaining quotes are referring to the ‘handaxe.

The human brain then carries on evolving steadily over thousands of years. And what’s really interesting, is that our brain starts to become asymmetrical as it gets to grips with a whole range of different functions – logic, language, the co-ordinated movement needed for tool-making, imagination and creative thought – quite unlike the ape’s brain, which remains smaller and symmetrical. So what we’re looking at in this chopping tool is the moment at which we became distinctly smarter and with an impulse not just to make things, but to imagine how we could make things ‘better’.

And once they’d been invented, if you want to use that word, they just never changed the design … and I think that is the ultimate compliment to the design of a superb tool.’
It looks pretty straightforward, but in fact a handaxe is extremely tricky to make and,

for over a million years, it was literally the cutting edge of technology.

It accompanied our ancestors through half of their history, and was the main reason they spread first across Africa and then across the world.

For a million years the sound of making handaxes provided the percussion of everyday life. Anyone choosing a hundred objects to tell a history of the world would have to include a handaxe.
A handaxe like this was the Swiss Army knife of the Stone Age – an essential piece of technology with multiple uses.

But this handaxe may contain the evidence of something even more remarkable. Does this chipped stone tool hold the secret of speech? Was it in making things like this that we learned how to talk to one another?

Recently scientists have looked at what happens neurologically when a stone tool is being made. 

They have used modern hospital scanners to see which bits of the brain are activated as knappers work their stone. Surprisingly, the areas of the modern brain that you use when you are making a handaxe overlap considerably with those you use when you speak. It now seems very likely that if you can shape a stone you can shape a sentence.

So, 1.2 million years ago, where are we? We can make tools like our handaxe, that help us control our environment and in fact transform it – the handaxe gives us not just better food, but can also skin animals for clothing and strip branches for fire or shelter. Not only this; we can now talk to each other and we can imagine something that isn’t already in front of us. What next? The handaxe is about to accompany us on a huge journey; because with all these skills, we’re no longer tied to our immediate environment. If we need to – even if we just want to – we can move.
Travel is possible, maybe even desirable, and we can move beyond the warm savannahs of Africa and survive, perhaps even flourish, in a colder climate. The handaxe is our passport to the rest of the world, and in the study collections of the British Museum you can find handaxes from all over Africa – Nigeria, South Africa, Libya – but also from Israel and India, Spain and Korea – even from a gravel pit near Heathrow airport.

The stone handaxe was made essentially in the same way and in the same shape for over a million years, and it must be the most successful piece of human technology in human history. But is there one last secret in the stone?
Our handaxe is just a bit too large to use easily.
Why would you make it like that?

I showed it to an expert in ergonomic design, the inventor Sir James Dyson:

So what you say?

So it is easy to connect the swastika as the seal for the Buddha’s heART.
Did you know that the QaBaLaH associates the swastika with the sephiroth called Kether which is associated with the crown, the point, and the point in the circle?

Thus it is very easy to show how the swastika along its evolutionary path was connected to STELLAR (northern circumpolar stars), LUNAR (moon), and SOLAR (sun) CULTures too.

So all I need to do now is show the profound associations between the handaxe and the swastika to our evolving consciousness, plus lets not forget maybe the chiral and asymmetrical swastika had a chiral asymmetrical hidden hand in the development of speech and language!

Image

UPDATE JULY 18th 2013

Unraveling Roman mosaic meander patterns:

A simple algorithm for their generation

Chedworth swastika meander pattern

Abstract:

The analysis reveals that the intricate swastika meander pattern found on the Chedworth mosaic, consisting of four closed curves, could have been easily constructed using a very simple hypothesized algorithm.

The algorithm also explains the design of Roman and Greek swastika meanders found throughout the Roman Empire.

Connections are indicated between these meanders and the sona traditional art of Angola as well as the kolam traditional art of Tamil South India. Previously Gerdes [10] provided a comprehensive comparative analysis of sona drawings with designs from Ancient Egypt, Mesopotamia, the Vanuatu Islands and Celtic knots.

We may now add Greek and Roman mosaics to the meander family. The analysis and algorithm described in the following have applications to the classification of existing geometric mosaic patterns [19], [30] the design of new patterns [18], and the reconstruction of mosaics that have been partially destroyed by wars or earthquakes.

free pdf.

Life History of a Meander vs. String Theory

The analysis reveals that the intricate swastika meander pattern found on the Chedworth mosaic, consisting of four closed curves, could have been easily constructed using a very simple hypothesized algorithm.

Now let me introduce you to one of the 4 Rivers emanating out of Eden.

images in blue on the left is the depiction of a meandering river.
source: http://en.wikipedia.org/wiki/Meander

images on the right are Type I strings and these strings came in two forms — closed strings and open strings.
source: http://www.dummies.com/how-to/content/the-basic-elements-of-string-theory.html

I  do have a THOTH thought about the meandering MEANDER –  do meanders which are like strings create spherical offspring?

And should we find it surprising that the PRINCIPLES OF DESIGN and FIGURE CARVING seem to echo the above images???

source of image and more inPHO: https://at37.wordpress.com/2012/10/30/2-5-2-5-gate-of-the-sun-tiwanaku-bolivia/ 

GNoSiS found in GNoSSoS

The labyrinth, the mitos, and the Minotaur ceased to be fanciful myths early in the fifth century BC when the Athenians promoted Theseus from legendary hero to historical figure. We see him slaying the bull-headed man dragged from the world of meander patterns in late Archaic art, but by the fifth century BC, the intricate pattern became a building. The city of Knossos began to mint coins around this time, and the earliest shows the Minotaur on the obverse and a labyrinthine tetragramma/swastika with a star or sun motif in the center on the reverse. Over time, the tetragamma/swastika gave way to the maze pattern and a human or bovine head replaced the central star.

Science+and+Technology+in+Homeric+Epics

FIG. 32. CRETAN COIN. (Numismatic Chronicle, vol. xx., new series, pl. ii., fig. 7.) 

image on left Fig. 32. Cretan Coin.
(Numismatic Chronicle, vol. xx., new series, pl. ii., fig. 7.)

“Meander patterns dating back to 20,000 BC may have form the basis for the labyrinth”

“Development from meandering patterns and concentric circles to the labyrinth design”

Image

various Japanese Manji (swastika)

GNoSiS found in GNoSSoS

TRUTH
‘just is’
In the maze below do you see the numbers

2  5
__ 

5  2

Whoa am I suggesting that there could be a possible connection between Electro Magnetism and the swastika that the ancients were aware of, in fact they were conscious of the symbols they were using to convey certain ideas?
Yes clearly this has been documented as the evidence illustrates:

Neither the Cretan nor Egyptian labyrinth has been found as of this date – November 2012.
Various locations have been suggested for both, but conclusive evidence as obvious as the Great Pyramids, something we can see, touch, and feel is still forthcoming…if it ever does.
What if these labyrinths were metaphysical allegory?

I suspect like the missing apex of the Great Pyramid, or the missing corner of the Hopi Prophecy tablet, the mythical labyrinths attested to by only a handful of writers might have been more of a figment of the imagination than real.

To create a rELIgion you first need to create mystery. Without a mystery you have no rELIgion.

The following image we see above was found in Gnossos or Knossos.
source: http://www.sacred-texts.com/etc/ml/ml09.htm

What is GNOSIS?

wiki source:

Gnosis is the common Greek noun for knowledge (in the nominative case γνῶσις f.). In the context of the English language gnosis generally refers to the word’s meaning within the spheres of Christian mysticism, Mystery religions and Gnosticism where it signifies a ‘spiritual knowledge’ or religion of knowledge, in the sense of mystical enlightenment or ‘insight’. Gnosis taught a deliverance of man from the constraints of earthly existence though ‘insight’ into an essential relationship, as soul or spirit, with a supra mundane place of freedom.

I am only interested in the consonants in the word GNoSiS.
Because then we have an nice comparison for the word GeNeSiS.
And continuing with this line of thinking I was rather pleased to see a website where we can link a GeNeSiS, an idEA based on GNoSiS to a place called GNoSSoS which today is known as KNoSSoS.However is my thinking whacked or have I managed to hone in on an idEA whose time has come, yesterday?What did I find while researching GNoSSoS vs. KNoSSoS?
Here is the site I was lead to.
And here-ye here-ye is what I found.
In the course of their education Vergilius gave his apprentices Gnômai: which is Greek for proverbs or sentences (proverba, sententiae), which he said would help when they were are their own.
What he did not tell them was that by learning these sentences and repeating them, they were calling on spirits (daemones), the Gnomai, who would come to their aid, for each Gnômê is a female spirit of wisdom.
They are said to have come from Gnossos [=Knossos] in Crete, where the most famous was Ariadne, called Gnosis .
They were said to dwell in the labyrinthine passages of the earth, and so Paracelsus said (De Nymphis) their name means “Earth-dweller” (Gê-nomos).
(Even in English, the word Gnome means both an Earth Elemental and a Proverb.)
Vergilius taught the dictum (itself a powerful Gnômê):
Gnosce Gnosidem Gnômên Gnoscentem!
Know the Knowing Gnome of Knossos!
I gotta say I love it all.ME intuition is gang busters full on …. ME epiphany is kinda scary to so many folks. I GNow that now.Because in GNoSSoS we find 3 things in this ONE image, this image recall was found in KNoSSoS:
TAKE A REAL GOOD LOOK at its simplicity _ it reveals a big AHA to the trained eye.
  1. we see the numbers 25 and 5
    https://at37.wordpress.com/?s=25+52
  2. we see the SEED
    The SIRIUS MYSTERY – the SEED PATTERN – SWASTIKA – WINDMILLS of the MIND – SOUND is KEY
  3. we see the NANO Super Hero has returned from his quest and conquered both the labyrinth and the minotaur, returning with gifts, 21st century applications.
    NANO World APPLICATIONS for the SWASTIKA – the true blue AVATAR
How do we escape/get out of the labyrinth once our task is complete…?
The 21st century SS TheSeuS Firefighter followed his own hose line out of the maze.
AHA!
Yes yes this was a trick his inner Ariadne had taught him at the fire/pyre academy as a young lad who had joined the fire fighting service at the age of 26, which coincidentally is the gematria value of YHVH – the tetragrammaton – the swastika.
So do ‘we the sheeple’ know what ME next EM (electro-magnetic) move is as I continue to deconstruct the past with all that remains is now?
And now what?Connecting the SWASTIKA to the theft of FIRE from the gods might be easier than one realizes.  
It is not a hugh migratory leap from India to Persia into Greece.

Prometheus is just the westernized MEME version that which has been fed to ‘we the sheeple’.
PhDuh do you think in China or India they discuss Prometheus stealing fire from the gods…? hahahaha I really do encourage ya all to get a library card and go sit in sILEnce for a bit.
Geesh wake up and smell the Rosicrucian Red and White Roses.   🙂The two fire sticks of Agni along with the pre-Christian Buddhist Jaina Cross that shares its architecture with the 21st century NANO Light Mill are two clues that our western HIS-story is based on a big fucking LIE, on one big fat greek wedding.
Later made into a movie of course.


Clearly it is time I investigated the links between the SwaStika, the double AXE and the OX.

Vajra and a Viśvavajra or “double vajra”

AS ABOVESO BELOW

Labrys or Axe and the Double Doubleheaded Axe

 Labrys (λάβρυς in Greeklábrys) is the term for a symmetrical doubleheaded axe originally from Crete in Greece, one of the oldest symbols of Greek civilization; to the Romans, it was known as a bipennis.

The earlier ones, from the Acheulian (pre-neanderthal, Homo erectus) are also disc shaped, or heart shaped, and also a joy to behold. It is pretty much the Levallois technique which distinguishes Neandertal from Homo erectus, the Levallois being the Neandertal technique, it was a better version of the Homo erectus technique, in the sense that you could get many more handaxes from the same amount of raw material. The Acheulian took a tool blank and made a handaxe, the Neanderthals took a tool blank and made several handaxes from it.

When good raw material is hard to get, or is a long distance away, and therefore “expensive” in labour terms, this is a very, very important consideration.

source:
http://donsmaps.com/laquina.html

Image on left is a Roman axe in an ancient Roman relief in BresciaItaly
Image on right is a magnification with highlights in red by me showing the E and 3.

Image on the left  is the where we find the Washington Monument.
Image on the right I have highlighted the vescia piscis on the ax from Rome.

FOR those of you who know I love to rant about ASYMMETRY, ya gotta love how those Neanderthals put a good hand-axe together, the Romans too!

What is more important to the development of where we are today…the Neanderthal asymmetric hand-axe or the symmetrical wheel?
It seems the roaming Romans had both in fact!

THE SIGNS AND SYMBOLS OF PRIMORDIAL MAN

by Albert Churchward

Taking for granted then that the hieroglyphic ? represents the double axe, we are sure that it was used as a symbol of power and divinity by the pre-dynastic Egyptians long before the period when they were able to write; but we have no means of really knowing what they called the double axe at that period.

NETER ~ THE EGYPTIAN WORD FOR GOD

by E. A. Wallis Budge
Taking for granted then that the hieroglyphic ? represents the axe …
PILLAR AT KNOSSOS, INCISED WITH DOUBLE-AXE SYMBOLS

That this belief goes back to Palæolithic times is suggested by the evidence of Egypt. “The common word given by the Egyptians to God, and god, and spirits of every kind, and beings of all sorts, and kinds, and forms, which were supposed to possess any superhuman or supernatural power, was”, says Professor Budge, “‘Neter’.

The hieroglyph used as the determinative of this word, and also as an ideograph, is the axe with a handle. The common word for goddess is Netert.” Professor Budge shows that “from the texts wherein the hieroglyphics are coloured it is tolerably clear that the axe head was fastened to its handle by means of thongs of leather”.

As holes were bored in axes at an early period, Mr. Legge considers that the fastenings indicate that the symbolic use of the axe “goes back to the Neolithic and perhaps the Palæolithic Age”. He adds: “It is now, I think, generally accepted that the use of the stone axe precedes that of the flint arrow-head or flint knife; and it thoroughly agrees with the little we know of the workings of the mind of primitive man that this, the first weapon that came into his hands, should have been the first material object to which he offered worship”.

An axe is worshipped by a priest in Chaldæan garb on an Assyrian agate cylinder. The axe also appears as a symbol “in the prehistoric remains of the funereal caves of the Marne, of Scandinavia and America”.4 We have already alluded to its appearance on the standing-stones of Brittany, and to the theory that Labyrinth is derived from Labrys, “the axe”. Professor Maspero shows that in Egyptian “a town neterit is ‘a divine town’; an arm neteri is ‘a divine arm'”. He adds that “neteri is employed metaphorically in Egyptian as is ‘divine’ in French”.1

Votive axes, too small for use, have been found in Cretan graves and sanctuaries. The earliest form was the single flat axe: the double-headed axe was first made after copper came into use. Mosso gives interesting particulars regarding votive axes found on the Continent. Some of these are of a friable sandstone, and could have served no practical purpose.2 Small axes, which were pierced for suspension, were used as charms in Malta and elsewhere.

The sacred axe survives to the present day in the Congo.

Is matter and anti-matter symmetric or asymmetric?

How about DNA?
So clearly the ASYMMETRIC hand-axe and ALL of the ASYMMETRIC building blocks are a common thread that resolve themselves as clues to these riddles?

What would Stan Gooch or Carl Jung say about how important ARKetypal MEMEs used to build Neanderthal ARKs and Freemason ARCHes being carried forward are?

Can we find a link between KnoSSeS, GnoSSeS, GnoSiS, and the GeneSis of an idEA that gave the world its shape and form?

In both images above and the one below we can count ‘12 sections‘ … ‘6‘ in each column.
There were not many men in history who had a opinion about the Egyptian Labryinth.

William Matthew Flinders PetrieFRS[2] (3 June 1853 – 28 July 1942), commonly known as Flinders Petrie, was an EnglishEgyptologist and a pioneer of systematic methodology in archaeology and preservation of artifacts. He held the first chair of Egyptology in the United Kingdom, and excavated many of the most important archaeological sites in Egypt. Some consider his most famous discovery to be that of the Merneptah Stele,[3] an opinion with which Petrie himself concurred.[4]Petrie developed the system of dating layers based on pottery and ceramic findings.[5]

http://en.wikipedia.org/wiki/Flinders_Petrie

*************

Professor Petrie reviewed all that the classic writers had reported concerning the Labyrinth, and concluded that, in spite of their differences, each had contributed some item of value. The discrepancies between the descriptions of Herodotus and Strabo he attributes to the probable decay or destruction of the upper storey in the intervening centuries.

Many attempts have been made to visualise the Labyrinth as it existed in the time of Herodotus. Fig. 3 shows, in plan, one such reconstruction, according to the Italian archaeologist Canina. The actual plan of the Labyrinth would appear to have differed from this in many respects, judging by the indications found by Professor Petrie. The latter drew up a tentative restoration based upon the descriptions of Herodotus and Strabo so far as these tallied with the remains discovered by him.

http://www.sacred-texts.com/etc/ml/ml06.htm

FIG. 3.—Egyptian Labyrinth. Restored Plan by Canina
Mazes and Labyriths, by W. H. Matthews, [1922]
http://www.sacred-texts.com/etc/ml/ml06.htm

Luigi Canina (Casale Monferrato, 1795 – Florence, 1856) was an Italianarchaeologist and architect.
Luigi Canina, Italian architect and archeologist, was born in Casale Monferrato in 1795 and died in Florence in 1856.

http://en.wikipedia.org/wiki/Luigi_Canina

Clearly looking at Luigi Canina‘s biography it is NOT surprising to find Roman Swastika’s in his above ‘restoration’.
Was Luigi privy to swastika technology too being coveted by those in the know?

Can the reader see embedded within the fret border the repeating numbers 52525_25252 … etc. etc.?

Can the reader see the same pattern in the image below highlighted in yellow?
GHREES was an idea that was hatched in 1947.

And my intuitive journey has lead me to them?
Interesting is all I can say…

Herodotus’ Egyptian labyrinth

from wikipedia:

Even more generally, labyrinth might be applied to any extremely complicated maze-like structure. Herodotus, in Book II of his Histories, describes as a “labyrinth” a building complex in Egypt, “near the place called the City of Crocodiles,” that he considered to surpass the pyramids in its astonishing ambition:

It has twelve covered courts — six in a row facing north, six south — the gates of the one range exactly fronting the gates of the other. Inside, the building is of two storeys and contains three thousand rooms, of which half are underground, and the other half directly above them. I was taken through the rooms in the upper storey, so what I shall say of them is from my own observation, but the underground ones I can speak of only from report, because the Egyptians in charge refused to let me see them, as they contain the tombs of the kings who built the labyrinth, and also the tombs of the sacred crocodiles. The upper rooms, on the contrary, I did actually see, and it is hard to believe that they are the work of men; the baffling and intricate passages from room to room and from court to court were an endless wonder to me, as we passed from a courtyard into rooms, from rooms into galleries, from galleries into more rooms and thence into yet more courtyards. The roof of every chamber, courtyard, and gallery is, like the walls, of stone. The walls are covered with carved figures, and each court is exquisitely built of white marble and surrounded by a colonnade.[21]

During the 19th century, the remains of the Labyrinth were discovered “11½ miles from the pyramid of Hawara, in the province of Faioum.”[22] The Labyrinth was likely modified and added upon “at various times. The names of more than one king have been found there, the oldest” name being that of Amenemhat III.[22] “It is unnecessary to imagine more than that it was monumental, and a monument of more than one king of Egypt.”[22]

In 1898, the Harpers Dictionary of Classical Antiquities described the structure as “the largest of all the temples of Egypt, the so-called Labyrinth, of which, however, only the foundation stones have been preserved.”[23]

Herodotus’ description of the Egyptian Labyrinth, in Book II of The Histories, inspired some central scenes in Bolesław Prus‘ 1895 historical novelPharaoh.

other sources:
http://www.catchpenny.org/labyrin.html


Strabo’s Geography

42. Then follows Ptolemais, the largest city in the Thebais, not inferior to Memphis, with a form of government after the Grecian mode. Above this city is Abydos, where is the palace of Memnon, constructed in a singular manner, entirely of stone, and after the plan of the Labyrinth, which we have described, but not composed of many parts. It has a fountain situated at a great depth. There is a descent to it through an arched passage built with single stones, of remarkable size and workmanship.

There is a canal which leads to this place from the great river. About the canal is a grove of Egyptian acanthus, dedicated to Apollo. Abydos seems once to have been a large city, second to Thebes. At present it is a small town. But if, as they say, Memnon is called Ismandes by the Egyptians, the Labyrinth might be a Memnonium, and the work of the same person who constructed those at Abydos and at Thebes; for in those places, it is said, are some Memnonia.

source: http://rbedrosian.com/Classic/strabo17c.htm

My INTUITION suggests that what follows is what the Egyptian Labyrinth may have been modeled on.

The same basic idEA is what MUST link North East West South, all of us must have a common denominator that unifies us…what if?
All the NEWS fit to print comes from the four directions NEWS.

K’UN 

The Receptive

What is the significance of K’UN in the I Ching?

What they all agree on is the keyphrase ‘The Receptive’

Here is one interpretation found on the internet, most interpretations will present the same archetypal meme messages once reduced.

I Ching Hexagram: 2

Name: K’un.

Keyphrase: The Receptive

Formed By The Trigrams: Earth over Earth

General: Be receptive to words of advice or influence from those who are worthy of respect. This is a sign of strength, not weakness

Love: Listen to the advice of family and friends

Business: Listen to the advice of experts in your field and take stock of your business

Personal: Take advice from a counselor you trust

Overview: K’un is pure yin energy. K’un indicates a time that you will benefit from listening to the advice of others whom you respect and trust. Listening to their advice is the only way you will make progress at this time. If you make the mistake of disregarding the advice or not even bothering to listen in the first place then your plans will come to nothing. There will be no progress.

source: http://www.psychic-revelation.com/reference/i_l/i_ching/hexagram02.html



But here is another source that I would prefer to quote from, the origin of the species in fact….

Introduction

This hexagram is made up of broken lines only. The broken lines represents the dark, yielding, receptive primal power of yin. The attribute of the hexagram is devotion; its image is the earth. It is the perfect complement of The Creative the complement, not the opposite, for the Receptive does not combat the Creative but completes it . It represents nature in contrast to spirit, earth in contrast to heaven, space as against time, the female-maternal as against the male-paternal. However, as applied to human affairs, the principle of this complementary relationship is found not only in the relation between man and woman, but also in that between prince and minister and between father and son. Indeed, even in the individual this duality appears in the coexistence of the spiritual world and the world of the senses. But strictly speaking there is no real dualism here, because there is a clearly defined hierarchic relationship between the two principles. In itself of course the Receptive is just as important as the Creative, but the attribute of devotion defines the place occupied by this primal power in relation to the Creative. For the Receptive must be activated and led by the Creative; then it is productive of good. Only when it abandons this position and tries to stand as an equal side by side with the Creative, does it become evil. The result then is opposition to and struggle against the Creative, which is productive of evil to both.

http://www.ichingfortune.com/hexagrams/2.php

home page: 
http://www.ichingfortune.com/hexagrams.php

Keeping in MiNd that the Egyptian Labyrinth had two levels, I feel further investigation into this ancient archetype still preserved be looked at in a new light.

Update of June 30, 2006:

The sixteen figures in the lower right quadrant of the von-Franz-style 8×8 array above also appear in a discussion of the work of Charles Sanders Peirce, a logician of the late nineteenth and early twentieth century. See “New Light on Peirce’s Iconic Notation for the Sixteen Binary Connectives,” by Glenn Clark, in Studies in the Logic of Charles Sanders Peirce, Indiana University Press, 1997.

http://finitegeometry.org/sc/64/iching.html

DNAiChing-1.jpg

online copy:
http://elearning.zaou.ac.zm:8060/Beliefs/Devination,%20I%20Ching,
%20Runes,%20etc/I%20CHING,%20THE%20BOOK%20OF%20CHANGES
/The%20I%20Ching%20&%20the%20Genetic%20Code%20-%20Schonberger,
%20Martin/DNAiChing.htm

2B continued without a doubt….the door has been swung wide open between East and West.

It appears the common denominator thus far between the Cretan and Egyptian Labyrinths is the SWASTIKA.

ME inspired work continues to prove the swastika is a main player in the narrative called the ‘human condition‘ed.

Image

more information to be worked into the DNA narrative:

re: (A + T)/(G + C) ratio

…the ratio of the sum of the adenine plus thymine bases to the sum of the guanine plus cytosine bases in a DNA molecule or preparation. The ratio is to some extent a characteristic of an individual type of DNA molecule. 
(A + T)/(G + C) ratio

Can we apply Chargaff rules to these images?

ImageImage

i.e. Adjacent Pairings?

I think we can.
And should.

May I remind you of ancient Chinese wisdom based on the I Ching when thinking of Chargaff Rules and the relationships between different pairs, that may not always be apparent when discussing the Man, Bull, Lion, and the Eagle or A, T, C, G, or perhaps even how we can pair up the 4 forces of physics too!

….a set of quantitative rules describing the base composition of duplex DNA: (1) [A] = [T] and (2) [G] = [C], where the square brackets denote the concentrations of the bases in moles per cent; minor bases, if present, are included with the appropriate major base. Three corollaries follow: (1) [A]/[T] = [G]/[C]; (2) total purines = total pyrimidines, i.e. [A] + [G] = [C] + [T]; and (3) total 6‐aminobases = total 6‐ketobases, [A] + [C] = [G] + [T]. A further consequence of these relationships is that the [A + T]/[G + C] ratio is a characteristic property of individual DNAs. [After Erwin Chargaff (1905–2002), US biochemist.]
Read more: Chargaff’s rules – Total, Bases, and Base
http://science.jrank.org/pages/26849/Ch … z1BTn2TMwg
ImageImage

Note the 13th century Monastic symbol for the Virgin Mary is similar to the 2 x 2 grid presented by the I Ching.
The Monastic Symbol uses ‘dots’ and the Chinese symbol places ‘dashes’ in the 4 quadrants.

As we can see, we are presented with the same idea of 4 that can be combined as adjacent / opposite pairs.

But why are there 4?
ONE became TWO
TWO are comprised of a binary YANG + YIN or YES and NO, ON and OFF, (turn lights on/off) makes the room WHITE or BLACK, maybe even HOT and COLD.

And HOT and COLD are really extremes and neither is GOOD or BAD on its own.

So?

The need for greater differentiation between just HOT and COLD, YES and NO, was needed at an early date in the development of the oracular I Ching.
Thus between YES and NO is a MAYBE that is a GREY zone between BLACK and WHITE, which apparently has ‘shades’ in between.
But to maintain the balance between the extremes (polarity) it is necessary to create two maybes (think about it :wink: )

By combining the YIN and YANG, using ADJACENT or OPPOSITE pairings, 4 PAIRS were created.
And to each of those 4 PAIRS, a 3rd line was added.
(so goes the story.)

:idea: We should try to follow and RESPECT the process from the ground up, of how it came to be, what are its roots?

From the TREE of Life, grows the FLOWER which yields the FRUIT containing another SEED of Life, with which to grow another TREE.
(trees with their branches and roots are fractals … forever more … IF nature plays along … yielding more of the same)

ImageImageImage

THE SEED PATTERN

In the image above we can see that the Slavic pagan Hands of God, the I Ching, and the symbol for the Virgin Mary share a similar basic archetypal architecture.

i.e. A square cross that creates 4 quadrants, all of which are occupied NOT empty.

the film Inception inspired this blog:
“…INCEPTION’ the SEED PATTERN and the SWASTIKA”

:arrow: http://kachina2012.wordpress.com/2010/0 … -swastika/

Does a LABYRINTH given birth by the SEED PATTERN look like the profile of a BRAIN?

Image

What is Jesus holding up in his LEFT HAND?
Can anybody translate S C D S S ?
Are the fingers of Jesus VEILing another letter?

Image

It is easy to see which images above were cropped from this CREATION TAPESTRY that shows Jesus in the middle of a Circle or Wheel of Life.
One scene is Adam ‘naming the animals’ in Eden.
Please note that Adam has a swastika on each of his knees.
Did he get those from getting down on his hands and knees and praying?

Image

55 = SS = Holy Spirit = Spiritus Sanctus

namaste

RaphaEL

ox

Eureka! Archimedes ~ Biomimicry & Cosmomimicry ~ Attractive & Repulsive Magnetic Swastika ~ Initiation ~ the Great Pyramid ~ Jean-Pierre Houdin ~ phi and the Droste Effect

UPDATE October 18, 2022

Mathologer released another insightful video on October 15th, that this blog started in 2012 seems to have anticipated!

UPDATE April 19, 2022

Exactly two years later another update.

Item ID: 1013752268

Moving through abstract fractal point matrix lattice.
Moving infinite square twisted tunnel of shining flares.
Fly into geometric point structure.
Infinite space dynamic background.
Glowing points

source: https://www.shutterstock.com/video/clip-1013752268-moving-through-abstract-fractal-point-matrix-lattice

MBG from pdf Experimental demonstration of square Fresnel zone plate with chiral side lobes crop

MBG from pdf Experimental demonstration of square Fresnel zone plate with chiral side lobes

source: Experimental demonstration of square Fresnel zone plate with chiral side lobes

UPDATE April 19, 2020

‘The G of the G’ … Golly Gee WiZ … ‘The God of the Gaps’
“God of the Gaps” is a theological perspective in which gaps in scientific knowledge are
taken to be evidence or proof of God’s existence …
CHIRAL SPIRAL god of the gaps ACHIRAL
Click on above link watch this video Monique Anne  shared … she shared it because she is familiar with our evolving AHA … she is a longtime faKebook friend.
The AHA remains the same providing for plenty of SHOCK and AWE because the AHA keeps evolving or should ME+me suggests the AHA keeps emitting more and more insights [inPHOmation] to those who ponder the wonder long enough will absorb the light … 
Little quips like this are evoked and invoked.
ME+me watched the video and left we left this comment providing a link to this page.
Dear reader take note the pattern in the center is innate to who/what we are …
i.e. ‘the god of the gap/s’ IMHO represents that space between CHIRAL and ACHIRAL geometry as this page shall illustrate … keep reading.
chiral spiral
You could say ACHIRAL perfect symmetry ends where CHIRAL broken symmetry begins or vice versa … CHIRAL broken symmetry ends where perfect symmetry or an ACHIRAL state is attained/found … ?

UPDATE November 24, 2018

I am going to share one video about the Droste effect followed by a few images.
A narrative is unfolding based on ‘coincidences’.

I am the observer.

3D chiral spiral Great Pyramid Houdin2

Clearly the above posting on Facebook by Jean-Pierre Houdin who is the author of the inner spiral ramp theory meshes with Kepler’s Two Treasures.

2D 3D kepler triangle mass of gold precious jewel

DROSTE effectcjgcxa2

On the left we see the Droste effect and on the right is the oldest ‘swastika’ on record, found in Mezin Ukraine and the dating varies between 10,000-23000 BC.

The next two images are based on the work of Rene Schwaller.
I have merely added the text and the highlights to illustrate how our ideas merge.

Canevas Droste middle step is the MBG or 2D CHIRAL binary representation of a spiral movement

Cheery Chiral Wonderhands Widukind Ma and Pa Drost

The above image implies that my mother and father share a similar geometry, the achiral upright cross + and the achiral tilted cross x … and the chiral journey is positioned between them.
It also implies that the ‘droste effect’ can only be understood if you award the right triangle theorem its primacy in how the cosmic algorithm plays itself out.

Above I illustrated how the Great Pyramid via Kepler’s Two Treasures is also associated with both 2D chiral/swastika and 3D chiral/spiral.
Now we take the same ideas but scale them down when discussing cell division, how to go from 4-cell to 8-cell.
Again in the image below, I have added highlights and text to illustrate a convergence or shall I dare say reconciliation between religion and science using the 25,000 year old 2D chiral World TEACHER as guru and guide … ?

achiral vs chiral How a single gene twists a snail_ 3of3 SHaNKHa or CHaNK or CoNCH

I do love the coincidences between the 8-cell and the 8-fold Buddha.
Two of the eight auspicious symbols attributed to the Buddha are the swastika [chiral] and the conch.

What follows are images associated to the Mezin swastika dated to 23,000 BC?

Below the first two rows are ‘chiral metamaterials’ or ‘gammadions’ both terms used in science in lieu of ‘swastika’.
The first two images in the first row are taken from the Mezin swastika.
The next two images are 21st century chiral metamaterials.

Mezine Chiral Metamaterial Swastika 12,000 years old

Nano Mezine

Mezine Chiral Metamaterial Swastika 23,000 BC Slavik Jablan

There is certainly a brand new old narrative re-emerging apparently.

What follows is more evidence of such a narrative.

UPDATE June 28, 2015

Left facing swastika is x4 – y4 = xy
Right facing swastika is y4 – x4 = yx

UPDATE February 16, 2015

The following image was posted on faKebook by Will-Iam Garland and it got me thinking about my mother ‘Mary’ and ‘Ave Maria’.

Four things need to be pointed out in addition to the above insights provided.

  1. the fact that my mother’s maiden name is Drost
  2. the fact that the above image and the letter E is the central theme to the recovery underway found in this blog
  3. the Droste effect plus Widukind is a match made in heaven
  4. https://at37.wordpress.com/?s=widukind

UPDATE March 19, 2014

So there is another fellow who has a viable Great Pyramid inner spiral ramp theory nearly identical to the one that Jean-Pierre Houdin has proposed.
(later in the blog Houdin’s superior theory will be discussed)

For years, Scientists and Explorers have debated over the question: How did the Egyptians build the great pyramids? Now a new solution has been found by Italian researcher Elio Diomedi that may provide answers in this controversial documentary.

~end of UPDATE~

Something I just noted today for the first time.
Interesting how enter is an anagram of neter.
And en is how you spell ‘n’

“…the Egyptians did not call their deities ‘Gods’ but Neters (ntrw). This word is usually translated as ‘god(s)’, but from the Egyptian point of view, this is an unsatisfactory rendering.”

Now you can ENter or Nter the ‘N’ 

E  N  T  E  R

Archimedean Spirals

What exactly did Archimedes recover using his ‘spiral’ insights?

For a mathematical introduction to the Archimedean spiral watch the video.

Viewing the sky from the bottom of the initiation well at Quinta da Regaleira

The initiation Wells (or initiatic wells or inverted towers) are two wells, a larger one and a smaller one, that descend into the ground like underground towers lined with stairs. These wells do not serve as water sources, but were purely recreational, serving in Tarot initiation rites. The tunnels described above connect these wells to each other and to various caves or monuments around the park. Of the two wells, the larger one contains a 27 meter spiral staircase spaced by small landings. The spacing of these landings, combined with the number of steps in the stairs are linked to Tarot mysticism. The smaller well has straight stairs that connect ring-shaped floors levels with one another. This well is also called the ‘unfinished well.’ A structure similar to these wells is the Pozzo di S. Patrizio in Italy.


left: looking down the Initiation well
right: Bottom of the Initiation well

Well well what can I say except the Great Pyramid had an initiation well too!
The Lo Shu magic square which helps lay the foundation for the I-Ching speaks of an ‘Ancient Well’

The swastika divided into rectangles in Phi proportions.
Theodore A.  Cook
The Curves of Life ~ 1914

In Chapter XX of The Curves of Life Sir Theodore Andrea Cook presents his final results, and part of this process reveals the links between infinity, the phi spiral, methods of science and the swastika.

Image

Migration of Symbols

by Donald A MacKenzie

This publication links the spiral, the swastika, and the ear and the tree.
It has only 4 chapters.

  1. The Swastika
  2. The Spiral
  3. Ear Symbols
  4. Tree Symbols

It was in the book the Migration Of Symbols that I first came across the connection between Democritus and an atomic vortex theory.
Each of those four chapters can be shown to have associations to the idea of a vortex.

Leucippus and Democritus: atomist philosophers

The complex world is created by a whirling motion of atoms separated from the void.  This motion is like an Anaxagorean or Empedoclean vortex – spinning in a centripetal and centrifugal process.  Democritus took this accepted theory of the vortex and superimposed his atomic theory onto it so that the vortex would work in terms of atoms. The atomist theory creates a new mechanistic method at ground level.  However, these theories of scientific processes (so close to modern atomic theory) were, for these philosophers, pure speculation without experiment.  Amazingly, they were searching and postulating in the darkness of speculation.

A student then asked the question:

How does Democritus explain the weight of things if atoms themselves have no weight? 

Professor Hutchinson then said that Democritus answered that question in terms of centripetal and centrifugal forces.

 

@14:03 Janine Benyus discusses briefly the MIT radio chip which is based on an algorithm that pays respect to the spiral cochlea of our ear.

MIT – Copying the cochlea

Drawing inspiration from nature to build a better radio

New radio chip mimics human ear, could enable universal radio

The RF cochlea mimics the structure and function of the biological cochlea, which uses fluid mechanics, piezoelectrics and neural signal processing to convert sound waves into electrical signals that are sent to the brain.

As sound waves enter the cochlea, they create mechanical waves in the cochlear membrane and the fluid of the inner ear, activating hair cells (cells that cause electrical signals to be sent to the brain). The cochlea can perceive a 100-fold range of frequencies — in humans, from 100 to 10,000 Hz. Sarpeshkar used the same design principles in the RF cochlea to create a device that can perceive signals at million-fold higher frequencies, which includes radio signals for most commercial wireless applications.

The device demonstrates what can happen when researchers take inspiration from fields outside their own, says Sarpeshkar.

So do you mind if I ponder this Thoth thought >>

Is the Great Pyramid a cosmic hearing aid, maybe both a receiver/transmitter…?

… designed to receive and transmit subtle energies?
Yes I know I AM not the first to propose such an idea, but my approach is unique.

Follow the ‘yellow brick road’?

Two videos discussing the role of the ear.

Matthew 13:43
….my own journey also registers 13:7 (4+3)

“Then the righteous will shine as the sun in the Kingdom of their Father.
Whoever has an ear that will hear, let him hear.”

The web has countless webpages devoted to PHI, the Golden Proportion (sometimes called the Golden Mean).
All these concepts are related to the simple series 1, 1, 2, 3, 5, 8, 13, 21, … i.e. the infamous Fibonacci Series.

The series in itself is not such a wonderful thing; in fact, it stands out in its simplicity. However, the mathematics it produces is very interesting.

The amazing thing about Φ is that it can be explored using many different lines of thought, connecting seemingly unrelated ideas. My contribution to this subject is in revealing some lesser known aspects about Φ.

The golden mean as clock cycle of brain waves;

Gary Meisner – “The Phi Guy”

interference 4

Interference Theory of Music Perception by Richard Merrick

Recently I am came across this issue of Parabola.
In this issue the authors/contributors  focus on the labyrinth.
Issue 17-2 published in the summer of 1992. (the year I went to India, the year I got married, and the year Rachel my first child was conceived)

It contains a great article showing correlations between the structures of our inner and outer ear and the labyrinth.

The specific article that I AM referring to is called Poetry, Madness, and the Inner Ear.
Douglas Thorpe the author illustrates the correlations between the idea of a labyrinth, the structure of our hearing system, and how the spiral is a fine analogy for life’s journey.

It also got ME thinking about how lousy a listener I AM has been.

The exterior angle of Silbury of Silbury Hill (30°), is the same as the latitude of the Great pyramid, whose exterior angle (51° 51′), is the same as the latitude of Silbury Hill.

The flattened top has the same diameter as the Stonehenge sarsens.

That is a fascinating coincidence between Silbury Hill and the Great Pyramid once we realize that the Great Pyramid might have an interior spiral ramp too.

How do we connect the above image of a SPIRAL (note this is not a phi spiral) to a spiral, Silbury Hill in England, the AZTEC Calendar Stone, the Aztec Calender Wheel, Time, the body as a temple, and possibly even to how the Great Pyramid was constructed using phi?

52 – Aztec Calender Stone and Calendar Wheel – OLLIN – PhaiStoS disc – OMphalos – the SwaStika as KEY

The following images are taken from the above documentary highlighting the INNER SPIRAL RAMP theory of Jean-Pierre Houdin.
(in the images below ignore the title The Great Pyramid of Egypt *New Evidence* that copy of the video The Khufu Pyramid Revealed was deleted)


Why do the King and Queen shafts BEND?
We must remember it was part of the design … 

During my recent conversations with researcher Jean-Pierre Houdin he has brought it to my attention that the Pyramid Rover, sent up the north QC shaft during the National Geographic-sponsored investigations, found that after the first kink in the shaft it then travelled for approximately 8 metres in a north-westerly direction before bending once again back towards due north. It’s final total length was found to be very similar to that of the QC south shaft, with another ‘door’ at the end. Anyone who wants to verify this should obtain a copy of the 2002 documentary ‘Into the Great Pyramid’ from National Geographic. The relevant animation is at the end.
Jean-Pierre also has some interesting ideas about the shafts which he will reveal in due course. They are related to his views about the construction of the GP (see here). In the meantime he explains the bend in the north QC shaft as being necessitated by the wide trench that would have been above the Grand Gallery during construction when it was being used as part of the counterweight system for bringing up the largest granite blocks.
Jean-Pierre further pointed out that the east-west line shown in Figure 27 of G:TT was in the incorrect place, being too far to the south.
As a result I have redrafted this figure as below.
Ian Lawton
April 2004

source Ian Lawton

http://www.ianlawton.com/ss2.htm
above link is dead … image and text retrieved from
WayBack Machine

What interests me in the above image are the N/S zig zag paths that each of the King and Queen’s shafts take.
Something worth remembering and worth investigating.

Hemienu to Houdin: The Inner Workings

How does the work of Jean Pierre Houdin and Christopher Dunn match up?

Prior to coming across the work of Jean Pierre Houdin or Christopher Dunn I had already surmised that that Great Pyramid was designed to transmit or receive subtle energies that define the invisible/unseen world…associated with SOUND.
Om, err AUM do not bother to ask me why I had that THOTH thought.

 

  • A > The “King’s Chamber”: Hydrogen, sound energy, and solar/lunar energy was collected here and amplified by crystals.
  • A1 & A2 > Solar energy & lunar energy (reflected solar, microwave and other types of energy from space) collected through these shafts. The northern and southern faces were originally shaped like satellite dishes, with collectors to collect and transmit the energy into the King’s Chamber via the shafts. 
  • B > The “Queen’s Chamber”: Hydrogen produced here by mixing zinc chloride and hydrochloric acid 
  • B1 > Hydrated zinc chloride is piped in from the outside through the shaft into the Queen’s Chamber 
  • B2 >  Hydrochloric acid is piped in from the outside through the shaft into the Queen’s Chamber 
  • B3 & B4 > It is possible that the zinc chloride and hydrochloric acid was piped in from the outside, but no external opening has been found. A subterranean chamber in or beneath the pyramid may eventually be found that supplied these or other chemicals for the reaction. 
  • C > The “Subterranean Chamber”: A lesser resonating chamber that produces the bass and sub-bass notes 
  • D > The “Grand Gallery”: The primary resonating chamber, produces the midrange and high notes that, along with the bass from the Subterranean Chamber, creates an F-Sharp chord that is channeled into the King’s Chamber 
  • E >  The “Ascending Passage”: Contains granite “plugs” (E1) that serve as sonic dampers to prevent runaway vibration 
  • F > The “Well Shaft”: Bass notes from Subterranean Chamber travel through here to Grand Gallery 
  • G >  The “Descending Passage”: Access tunnel to the mechanism

The Great Transmitting/Receiving Machine – The Giza Power Plant

2B continued…

Law of Attraction vs. Law of Repulsion 

i.e. Laws pertaining to clockwise vs. anti-clockwise 

https://i0.wp.com/i98.photobucket.com/albums/l280/kachina2012/Images%20in%20MOTION/global_12823439.gif

I came across this very brief video, it clearly shows the relationship between the following:

  1. structure of the swastika
  2. the palindromic Rotas and Sator Square
  3. magnetic lines of force
  4. the Great Pyramid
  5. the Maltese cross

Do you have about 4 minutes to spare?

The following four sets of arrows pertain to the 5×5 Rotas/Sator Magic Square.
It can be read starting from any corner as this graph illustrates.

I am now going to show a series of still images captured from the video plus other images showing a direct correspondence.
Note the times in the bottom left hand corner if you want to review the video.

Clearly if I was going to try to express or convey what magnetism is it would benefit the discussion IF I pointed out the obvious to you.

The white line we see running from the bottom left to top right is a flow of electricity forming a magnetic field, shown by the direction of the arrows.

St. Brigid’s Cross  (above) is clearly a bullseye match for the depiction of a magnetic field in the video ‘Physics Animations’.
a.k.a. St. Brigit’s Cross can be placed inside the image below re: the handcrafted bowl from Samarra Iraq known as Halaf pottery circa 5000 BCE 

Is this an idEA being ‘passed forward’ similar to how genes help carry data/information into the future?

Do you see how the  four sheaves of wheat bundled together in St. Brigid’s Cross are a match for the tail feathers of the birds in the image below?

The square portion of St. Brigits’ Cross fits in the center of the clay bowl surrounded by four 3s and notably we see depictions of fish and birds swirling.

Gospel of Thomas saying #3

Jesus said;

“If those who lead you say to you, ‘See, the kingdom is in the sky,’ then the birds of the sky will precede you.

If they say to you, ‘It is in the sea,’ then the fish will precede you.

Rather, the kingdom is inside of you, and it is outside of you. When you come to know yourselves, then you will become known, and you will realize that it is you who are the sons of the living father. But if you will not know yourselves, you dwell in poverty and it is you who are that poverty.”

In the image below on the left do you see fish and birds in this clay bowl dated to 4500-5000 BC?

Image

Samarra Iraq pottery circa 5000 BCE and St. Brigid’s Cross

Now is it a coincidence or more evidence that we can match up the center of St. Brigit’s Cross with the proposed solution of how the Great Pyramid was constructed using an inner ramp?

It also matches up with the view of the corbelled roof over the chamber inside the mound at Newgrange, the final roof slab is 12 ft (3.6m) above the floor.

LICMIT CRYSTALS


SLAVIC SYMBOL CALLED THE HANDS OF GOD

137KEYtoGravityRodinCoiland4E.jpg

RODIN COIL aka TORUS

Can we match up concentric circles with a model smaller than the Milky Way?
What about how the atom was at one time envisioned?

below we see the Bohr Model with energy levels next to a Feynman diagram trying to convey similar information about photons.


The above image was taken from this book:

Magnetic Shape-shifting!

magnetic shapeshifting

When magnetic fields are present within clouds of charged plasma it is possible for a magnetic field to change its shape. This process is called magnetic Reconnection, and it is one of the most important ways in which the energy stored in a magnetic field can be released.

It cannot happen in a perfect vacuum because charged particles 9 ions, electrons, protons, nuclei) are required in order to create the currents that serve as the mid-wives of the changing process.

Image and explanation of the above LICMIT crystals is found on page 53

Are these two images above and below, suggesting the same IDEA?
i.e. Volume of a sphere?

This link is self-explanatory;

FINALLY I WONDER WHAT the COLOR of a MIRROR has to do with all of the above?

Pay attention around 2:17 and try to find an image that matches the spiral image that we see below re: the Great Pyramid solution.

AHA!

AHA!

AHA!

AHA!

thanks for the image Dan Winter;
http://www.goldenmean.info/dnaring/

CIRCUMNABULATING WIDDERSHINS
INSIDE THE PYRAMID BOTTOM TO TOP

I COUNT  (22 or is it 21)  RAMPS

Here is a THOTH thought worth investigating.

Can we compare the Great Pyramid’s inner ramp as evidence of a listening device?
Was there another intent to installing a spiral on the perimeter?

“While our brains provide us with a tremendous amount of information about the sounds we hear and what they mean to us, at the most basic level our auditory system answers two major questions about any sound.

First, what is the sound? The auditory system must identify what tones or frequencies we are hearing.

And second, where is the sound?

We must be able to locate the origin of the sound in space.

Once we know what sounds we are hearing and where the sounds are coming from, our brains can begin the complex task of assigning meaning to the sounds we hear.”

The spiral below highlighted in green represents higher frequencies felt closer to the base.
Lower frequencies would be felt closer to the apex or top.
This is part of our ear.
Could the Great Pyramid have been utilized for a similar purpose…as a receiver?

Auditory Transduction 

Harun Yahya – The Miracle of the Auditory System

Jesus Christ and the NUMBER 3

slide 34 – UPDATED MICROSOFT POWER POINT PRESENTATION 26.5 MB – wait to load please
KHUFU’S INTERNAL RAMP THEORY – JEAN-PIERRE HOUDIN


IF you place a 3 in the center of the WHEEL of FORTUNE >>> the sequence of numbers 11, 2, 3, 5, 8 forming a W can be broken down further.

11, 2, 3, 5, 8 reveals itself as the FIBONACCI 1, 1, 2, 3, 5, 8

In certain tarot decks designed by Freemason/Rosicrucian/Golden Dawn members, the only two cards where we find the Man, the Bull, the Lion, and the Eagle represented are on Card X – the WHEEL of FORTUNE (image above) and Card XXI – the WORLD CARD (image below)

In the World Card XXI the number3 becomes more apparent.

XXI = 21 = 2+1 = 3

1, 1, 2, 3, 5, 8

But what is the connection to the bigger picture, I mean how do we end up ‘mirroring’ what ‘just is’ is?
Well the ancients did understand and the 1% behind the scenes I suspect do too, but ‘we the mainstream sheeple’ do not look in the mirror ya see, and thus see anything at all.

…thE nuMb3r 3 is part of an EM MEME drEaM thEME pARK?

https://i0.wp.com/i98.photobucket.com/albums/l280/kachina2012/Images%20in%20MOTION/spirasvasava.gif

Studying the SWASTIKA on the NANO level taught me that by using HIGHER light frequencies directed at the outer arm NOT the inner elbow can cause the swastika to REVERSE its rotation as we see above.

Image of the nano light mill motor based on the blessed architecture of the swastika
which allows it to bend or polarize light travelling at the speed of light.
http://myoshka.jp/author/myoshka/

2B continued as the information regarding the swastika continues to be recovered.

namaste

Raphael

OX

do not forget to E X I T  stage left …

37 – An Introduction to the Nv Freemasonry and the Sator Square

At this link you will find somebody who has awoken to the MEme DrEaM:

http://issuu.com/search?q=Wizardiaoan%20

Article #1
The author arrives on page 37 the Collective Unconscious by the time we start reading page 3 of this document:

http://issuu.com/wizardiaoan/docs/introduction_to_the_nv_freemasonry

Article #2
Interesting contributions from David Hulse about the Sator Square
http://issuu.com/wizardiaoan/docs/276_sator_solution


David Hulse Liber CCCXXX Abrahadabra was mentioned as an unpublished source.
His AHA work was the best in that paper.

namaste

Raphael

 

 

I37 aLIEns ~ EM MEME drEaMs ~ UFOs ~ Stan Romanek Equations ~ SRE “the ONE-who-is-to-come”

UPDATE June 11, 2015

Some commentators upon Thom’s megalithic yard (John Ivimy and then Euan Mackie[24]) have noted how such a measure could relate to geometrical ideas found historically in two Egyptian metrological units; the remen of about 1.2 feet and royal cubit of about 1.72 feet. The remen and royal cubit were used to define land areas in Egypt: “On documentary and other evidence Griffith came to the conclusion that the square on the royal cubit was intended to be twice that on the remen; and Petri identified the remen as a length of 20 digits”.[25]

A square with side length equal to the diagonal of a square with side length equal to one remen has an area of one square royal cubit, ten thousand (a myriad) of which defined an Egyptian land measure, the setat. [cite mackie] John Ivimy noted that “The ratio MY : Rc is SQRT(5) : SQRT(2) to the nearest millimeter, which makes the MY equal to SQRT(5) remens, or the length of a 2 x 1 remen rectangle.”,[26] see figure below.

Explains how some have derived Thom’s Megalithic Yard unit of measure from metrological land measure relationships established historically in Egypt’s Dynastic periods

The main weakness in this argument is probably that, in order to derive their yard, the builders of the megalithic monuments would have needed the remen and royal cubit, upon which this geometrical relationship relies

~ end of UPDATE ~

Stan Romanek HYPERCUBE

image on left: Stan Romanek’s hypercube
next to an animated unfolding hypercube a.k.a. tesseract
below is another of Stan’s received messages
known as the Stan Romanek Equations, SRE
Stan Romanek ZP propulsionSRE
Are these equations coming from ERiS?

The above ‘equation‘ also reminds me of a riddle found in some churches said to be found on the two tablets.
A reference in fact to the Ten Commandments.

PRSVR Y PRFCT MN VR KP THS PRCPTS TN

The vowel E supplies the key.

PR_PULS(H)_N

The strange writing at the bottom of this new equation (above image) was at first, unrecognizable. A researcher and a Professor of ancient languages at a large university discovered that it was the word, “propulsion” written in an ancient form of Aramaic.

The bottom of the equation reads, “Zero Point Propulsion.”

How do we bring it ALL together?
Is it possible to unite the concept of the alien with the ancient Egyptian reference to the Great Initiate, the MeSSianic ideal, or ONE-who-is-to-come?

Have you ever heard of Stan the man Romanek and his claims of UFO abduction and channeled quantum equations…?
I admit I am NOT familiar with this tale.

So why do my claims of being struck with an IDEA back in 2004, (and I never left my big comfy red chair mostly), have the possibility to MERGE and bring his lofty claims DOWN to earth…and place his abductions where they belong…in his MEME sensitive MiNd….?

Task to be accomplished.
How do I Raphael, (who claims to have bouts of temporary insanity daily), MERGE ME archetypal journey with Stan the Man who claims to have been abducted by aliens…?
How close are our stories?
Not close at all really.
But the evidence we both retrieved from the dark side while on our archetypal journeys matches in uncanny ways?

So then why does Stan and ME both have pieces to the same puzzle?

Does RENSE make sense to you?

Stan Romanek’s Site:

Despite the fact that all of these equation were given to Stan during his abduction experiences, this information did not start coming forward until Stan was undergoing his first hypnotic regression. Included in Stan’s first equation (see image below), is a formula depicting a helium atom bombarding element 115., Element 115 at the time did not exist. It was years later when element 115 would be created. Also included in the equation is a depiction of our solar system represented by ten dots and a circle representing the Sun. It wouldn’t be until years later that scientists would discover a tenth planet in our solar system and name it, “Xenia” At that time it was relevant, but sadly things have recently changed and not even Pluto is considered planet anymore. Towards the end of Stan’s writing is Drake’s Equation, first devised by Dr. Frank Drake (now Professor Emeritus of Astronomy and Astrophysics at the University of California, Santa Cruz) in 1960, in an attempt to estimate the number of extraterrestrial civilizations in our galaxy with which humanity could potentially have contact. Somehow, with no prior knowledge of Drake’s equation, Stan drew it and added, X 100, while under hypnosis!

In my archetypal recovery I can see how 115 or 1+1+5=7 might have some significance.
But how many magnificent sevens can we find?

UPDATE Nov. 2, 2014

Valence electrons of ununpentium fall into three subshells:

  1. 7s (two electrons)
  2. 7p1/2 (two electrons)
  3. 7p3/2 (one electron)

… 3 sevens?

37

Shall we move on?
What else was it about the Stan Romanek Equations that caught my eye?
We could reduce the EM MEME formula or idea to SRE?

~ end of UPDATE ~

How did your day begin today?
Was it eventful?

These are some of the google entries from my computer search engine.
The last 5 from yesterday and the first 5 from today*.
*Mon Mar 14, 2011 7:14 pm

note the original posting of this on the 2012Forum can be found here:

Was it going to be another 55 = SS = Holy Spirit kind of day?

I woke up this morning, and within four clicks, I found myself staring at ONE of the Romanek Equations.

Of course what I saw had me digging deeper into who is Stan the man Romanek?
Note the times of my entries yesterday…5:28 (the time of my birth appears)…in the last 5 entries yesterday.
This morning I resumed my earnest search for ME truth.
And at 8:25 (reverse of 5:28) I clicked on the Black Sun.

And then the next step in Mi 528 solfeggio journey I chose to go toward Stan Romanek from the Black Sun…

This gets real good….
It suggests the Sator Square/Maltese Cross/Swastika/Theory of Everything rants/insights have been full on.

ImageImage

It suggests I can take Stan’s channeled info and place it onto the Sator Square.

Because as I have already illustrated in that link above regarding ‘the Egyptian prophecy  ‘the ONE-who-is-to-come’  is associated with the numbers 

  • 25

  • 5×5

  • 5^2

A mnemonical/harmonical right brain might just rEMEMber the numbers 25, 55, 52?

Now for those of you who know and prefer empirical science to metaphysical insights, please read these three articles.

It becomes apparent that my earlier claims that the Sator Square was an algorithm is correct and I AM appears to be on track.

My E-fforts to get ALL archetypal beliefs onto the same ONE arch-E-typal page will be rewarded.

ONE-who-is-to-come…has been found and it hints at picking a new direction or vector together using our collective consciousness.

Let ME+me PRSNT to you the ONE-who-is-to-come, a gift from the great beyond, the 5×5 Sator Square archives:

Image

It comes complete with a formula for gravity to be found in ThE TENET cross, the ramifications of what is claimed here plays a huge role in the paradigm shift, but of course this generation will not ‘see it’.

ImageImage

In the above images, on the left is a Celtic brooch and on the right we have the SS, the Sator Square.
Do you see a circle in both images?
Do you see what looks like 4xE surrounding the ‘center’?
If you can please confirm that there are ‘55 notches’ in the outermost ring.

rEMEMbering there are 55 atoms of hydrogen, oxygen, nitrogen, and carbon that make up the amino acids (ACGT) that comprise 64 codons or codes of  our DNA.

Now let us take this inquiry to the next level.

Upper left corner is a “Matrix” with 2 external (Seed Key)inputs.

ImageImage

Stan Romanek’s PEN idea placed next to the P ENE

Whoever wrote this was responding to the image I have placed beside the Sator Square.

Important Response To Romanek’s Equation
From The Library
Editor@IPNcomm.org
IPN Communications
12-29-3
EQUATION 1:Upper left corner is a “Matrix” with 2 external (Seed Key)inputs. :wink:
It is used to derive the next solution set. The equation for the solution set is “Mathematically Meaningless” but … it reflects a geometric progression “Code” for selecting a desired condition from a random “Scatter Plot” indicated by the dots with one dot circled.This is a “Similar” code set found in the Viterbi Algorithms used in modern cryptography. On each side of the vertical dashed line we see a “Mirrored Convergence” of two sets of parabola indicating an “Asymptopic” condition (In phase by the direction of the arrows)the left condition being a frequency base of 2 while the right is a multiple of 2 (Frequency of 4 – which indicates “HarmonicCoupling.
MEANING
Using the code set to select the desired item from the scatter plot – possibly an astral time demarcation (planet, star positions etc…), a coupling (Lenz effect) can occur a***** the date sensitive barrier represented by the vertical dashed line. The shortest distance between two points is a straight line = the circle with 2 points. This “Equivalency” reflects the curvature of Time and Space “Relative” to the distance between 2 known points (locations). The variance in baseline frequency on each side of the vertical dashed line indicates the “Asymptopic” concept of the barrier between 2 universes…Asymptopic being that “2 universes can approach but never “Converge”.
Passage from one to the other is through the “Lentz like” Coupling (similar to that found in an ordinary transformer).

SUMMARY

This could be indicating a point of “Natural” convergence between our universe and another “Similar” universe. I believe the date and location are embedded in the “Code”. It may be possible for a “Knowledgeable” intelligence to “Couple through” to our Time sphere at the specified location and date … (in this concept, “Coupling Effect” is the heart and soul of “Worm Hole” theory).

Courtesy “The Library” in care of IPNcomm.org

…and biNgo was his name. :wink:

I highlighted the above Harmonic Coupling, any idea why?

Along with the last paragraph highlighted?

Along with the recent findings re: graphene and the nano sciences!

Hey WHAT IF Raphael is in possession of what has been VEILeD?

Image

ABCs of the Sator Square

The SS and the SwaStika lead me to the Maltese Cross and the Sator Square and a host of other profound coincidences that convinced ME in no time at all, that there are NO coincidences, all the coincidences are in fact just evidence of the design we fail to comprehend using our piddly senses.

6660 inches = 555 feet or maybe SSS

S anctus!
S anctus!
S anctus!

S hakti!
S hakti!
S hakti!

Thrice or a trinity are both THOTH meme thoughts that had been taught?
I thoth I taw a purdy kat … a sense of humor helps.

555 or SSS = SenSeS is an apt reminder of what we have forgotten since we learned how to read and write using primarily our left brains.

North East West South = NEWS

The Washington Monument is the world’s tallest obELIsk at 555 feet 5 1/8 inches.

How long before the rest of you arrive on Page ONE where all the NEWS that is fit to print, arriving from the four directions ‘NEWS‘ suggesting we are ALL sharing in the same GENE-MEME Dream that we recover in bits, bytes, and pieces from the EM field…

Don’t forget the rooster crows thrice too.

137 brings us to an exploration of the Second Page

September 3, 2002
Upon waking, Stan’s wife Lisa noticed that the alarm clock was upside down. Later they both noticed that there were pens, pencils and paper in and around the bed. It was then that Stan found this equation in his own handwriting lying next to him. Stan has no idea how he was able to draw the equation in total darkness and while asleep.

Stan Romanek SS Shleep Sketching

The Second Page, Written During the Night

The second and third lines of this page are explanations and approximations of the terms used in the first line, so let’s start with them.

α = e2/ ħc ~ 1/137

This is the fine structure constant used in quantum electrodynamics.The funny symbol used here by Stan has to be the Greek letter alpha, since e2/ ħc is the fine structure constant, and alpha is the symbol used for it; c has been defined above;  ħ is Plank’s constant h divided by 2π; where h is 6.62×10-27 erg-seconds;  e is the charge on the electron, which is 4.8×10-10 in esu units and (1.6×10-19 coulombs in mks units).

Stan Romanek HYPERCUBE

Stan Romanek’s 4D hypercube or tesseract

October 10, 2003
Stan drew this after a vivid dream.
He drew it freehand in under a minute and has no idea how he drew it so straight and so quickly. Stan later tried to duplicate this and was unable to.

What if the 5x5x5 cube can be associated to the 5×5 magic square AND the hypercube?

Stan Romanek arch

Do you see the NN or ZZ or SS wave
what about the L and 7
and the ‘8’ for infinity
along with a 5 and 2 embracing each other?
… I AM sees all of that.

April 28, 2009
Stan allowed ABC to film him when under regression for a Prime Time Special. Stan remembered some strange symbols arranged in an arch on a doorway from one of his experiences. When asked to write them down he did so in less then twenty seconds, with his eyes closed and his head turned to the left…

Okay okay Stan the Man I see many archEtypes in your arch ‘recovery’.
This is what the archEtypal archangLE RaphaEL recovered about the sacred ‘arch’ and ARKs.

note in Raphael Sanzio’s School of Athens on the underside of the arch we see swastikas!

Now can it be that RaphaEL SaNZio who just happened to die at the age …

37

… just happened to leave as EVIDENCE or a gift, a PRSNT in fact for me (Ralph who was born on 3/7) to RECOVER and SHARE with you the reader?

There is so much more, how deep do you want to go?

to be continued

namaste

RaphaEL a.k.a. LabbIEL

SS/55

Tesla Magician Poet – SatoR Magic Square – St. Peter’s Prime Number Cross

nikola_tesla_book_by_rugjer_boskovic TESLA and the PHOTON model

UPDATE April 5, 2016

Edison, Tesla, Westinghouse and Einstein were all influenced or aware of Madame HP Blavatsky.

Why is that important?

UPDATE September 6, 2014

Tesla and Russell

Walter Russell apparently entered into a heightened state of awareness after being struck by lightning.

Wow I did not know that.
I do find that very interesting, because lightning is key.
Ask Zeus and Thor.

WR and me have the same initials RW.
Our initials suggest we are both focusing on the same central idea but using a different approach.

In fact I also claim that I was struck by lightning, though metaphorically.
Clearly the genius that has filled me began with a spARK.

I do not believe it makes a difference whether real lighting strikes you down, or whether your name is Ben Franklin and while out flying a kite you get an idea that helps sow the seeds for future generations to harness lightning and convert it into the idea called electricity, or maybe your inner spARK results in the kundalini serpent beginning its ascent.

Russell began several weeks of drawing and writing about the basic nature and make up of the physical universe. Russells’ family finally called the family doctor to determine if Russell should be committed to an mental institution. The doctor, upon seeing the results of Russells weeks of work, said that he did not know what Russell was doing, but that he definitely was not mad.

Now this quote found in the above link by the genius Nikola Tesla in describing the SR (Schumann Resonance) speaks volumes about what the archangel Raphael is offering as a solution to the human condition and the evolution of consciousness and what gravity is.

 “So astounding are the facts in this connection, that it would seem as though the Creator, himself had electrically designed this planet….”

Nikola Tesla describing what is now known as Schumann Resonance (7.8 Hz) in “The Transmission of Electrical Energy Without Wires As A Means Of Furthering World Peace”, Electrical World And Engineer, January 7, 1905, PP 21-24.

The SR eh?

~ end of UPDATE ~

This engine combines advanced technology start of the twentieth century and demonic magic of the Third Reich.

http://www.youtube.com/watch?feature=player_detailpage&v=O2LejlETuFc#t=25

GOD’S SECRET FORMULA

make sure you read the fine print in the secret formula

i.e.

DECIPHERING THE RIDDLE OF THE UNIVERSE

AND

THE PRIME NUMBER CODE

Sator Square Tesla notes and the enigmatic 528

I wonder if Tesla ever had these Thoth thoughts I AM about to share with you about PRIME NUMBERS.
In fact there exists evidence that he would have come across this information that I have too.

Now IF prime numbers are the ‘building blocks’ of math, what does it mean if there exists a prime number cross that is in plain sight and has been for at least 2000 years?

(note the coincidence above … I was born at 5:28 a.m. and viola in this video @5:28 I was given a clue to follow … that was years ago btw)

two versions the Sator and Rotas; note that the S and N have been reversed in the Sator Square on the left

The following 5×5 magic square has been associated with both the planet Mars and the Knights Templar. Its first appearance is in Pompeii, 1000 years before the enigmatic Knights Templar were formed.

And the best part of the mystery is that the mystery surrounding the source and meaning of this enigmatic square being carried forward mnemonically has been lost to time.

Dr. Peter Plichtas ‘PNC’ Prime Number Cross

All of this is significant in light of the fact Dr. Peter Plichta has also ‘recovered’ a prime number cross that looks just like the Knights Templar Cross/Maltese Cross. And because I have also ‘recovered’ a prime number cross that plainly matches up with with the planet Mars that was associated with the God of Wars.

So where and when does St. Peter enter this discussion?
Dr. Peter Plichta who has a twin brother Paul in fact actually sees himself as being on a mission here on earth with a divine purpose to fulfill.

left image: Prime Number Cross PNC
right image: swastika mystic cross connects all of the prime numbers between 1-25

Thus clearly there are two prime number crosses easily depicted.
One is the Maltese Cross and the other one is the swastika.

 image on left: Maltese/Templar Cross formed by joining the letters AEON (letter N is in the center) four times
image on right: the author displaying the two of the three symbols the two Pahana helpers were to bring according to prophecy.

All of the above seems to fore-shadow or fulfill a particular interpretation of the Hopi prophecy;

And before we continue exploring Tesla there is another ‘genius’ who has crossed over but he did leave us some clues to his genius.  

Nikola Tesla – Columbus Egg – 1893 Chicago

“All of my investigations seem to point to the conclusion that they are small particles, each carrying so small a charge that we are justified in calling them neutrons. They move with great velocity, exceeding that of light.”

-Nikola Tesla, July 10, 1932

http://www.forbes.com/sites/alexknapp/2011/09/26/no-tesla-did-not-predict-faster-than-light-neutrinos/

Below we have two bowls separated by about 6000 years.
The first image has a spinning egg in it and was part of a demonstration by Tesla.
(watch the video above)
The second image is a hand made clay bowl (no potter’s wheel was used) dated to 4000+ BCE and it has a symbol positioned at the center which implies a swirling twirling motion.
Actually it has been associated as a symbol for MOVEMENT.

And in fact the ‘solar’ swastika that we see in the center has been associated with the cosmic egg and creation itself!

What is the connection between Tesla’s Egg demonstration, the bowl from Samarra Iraq, the Rotas/Sator Square (see below) found in the ruins of Pompeii, and modern string theory and quantum non-locality?

These questions will be answered.
Actually they have been, the answers can be found on this website.

source of above image page 113: Magic Squares and Cubes (W. S. Andrews)

Please note that I added the mellow yellow swastika highlighting the fact all prime numbers in this cross are embraced by the swastika

Sator Square Tesla notes handwriting and the enigmatic 528

Is this piece of paper in Tesla’s own handwriting?

go to  5:28

Sator Square Tesla notes and the enigmatic 528

5:28 another coincidence noted in orginal video.

However that video was removed and I found it elsewhere in the original PBS video ‘Master of Lightning’

Sator Square Tesla notes handwriting PBS Master of Lightning

I found this on the PBS website:

… December 14, 2000 Postings …

Question
Your excellent program included pictures of some of Tesla’s mystical writings. One showed some kind of anagram or other “word play” that began with SATOR. What did Tesla believe these words meant?

Response
by Robert Uth

Tesla’s interest in mysticism is intriguing. Some people regard him as a virtual seer.

My opinion is that Tesla was interested in anything that inspired him to have an idea. Like other Victorian scientists, Tesla did believe that there was probably a scientific explanation for phenomenon that could not be explained, such as ghosts and telepathy.

The “word play” document you refer to in the program is a mathematical puzzle. Tesla loved to play with complicated math problems.

What is unusual about this particular puzzle is that it is known in mystic circles as, “the Key of Solomon,” a secret form of energy.

You can read some of Tesla’s mystic musings in an article contained in the resources section of this Web site called, How Cosmic Forces Shape our Destiny.

http://www.pbs.org/tesla/dis/responses.htm

The Sator Square is not just a mathematical puzzle, and it is connected to “the Key of Solomon”, recall the Knights Templar took up residence in the Temple Mount a.k.a. Solomon’s Temple, also recall it is rumored that they found a treasure buried there…

Magic Squares are old world algorithms.
Magic Squares were assigned to each and every planet visible to the naked eye, plus the Moon and the Sun.
And the Sator Square on a 5×5 grid is attributed to the planet of war, Mars and it is also associated to the Knights Templar, but why the Knights Templar?
The Order of the Knights Templar became a reality about 1000 years after the destruction of Pompeii in 79 A.D.  where we find the earliest evidence of this enigmatic 5×5 square.

And the 5×5, or 5^2, and 25 are numbers in fact that have been identified with ‘the One to Come‘ in this book by Peter Lemesurier The Great Pyramid Decoded.

Image

All of the following references to ‘25‘ can be found** in the book The Great Pyramid Decoded

  • 25 (primitive inches)
  • 5^2
  • 5×5
  • points 5 sides – the missing capstone

** It is important to note that though these associations are the work of Peter Lemesurier, they just happen to match up well with my evidence too.
And as listed in the book, the references to 25 are also associated with all of the following:

  • the-ONE-who-is-to-come
  •  Great Initiate
  •  the birth of enlightenment
  •  the Messianic Ideal

source: 25 – 5^2 – 5×5 – Lost Cubit – Birth of Enlightenment – Messianic Ideal – Free Energy?

How Cosmic Forces Shape Our Destinies

Third grade students at war with the Smithsonian Institution concerning Nikola Tesla’s role in ELectrical Science.

And the plot thickens when you realize that Thomas Wilson who worked for the Smithsonian wrote one of the best books ever on the swastika…

Note in the 5×5 Magic Square of Mars that all of the prime numbers have been accounted for and highlighted in yellow.
Prime numbers are the building blocks of mathematics, the graphic below on the left seems appropriate?

Image

The spinning ‘L’ or is it a number ‘7’ maybe a Greek gamma, or a Hebrew dalet/khaf/resh?

Btw that plate from 4000+ BC appears to haveanticipated the evolution of String Theory.

source: Sketchbook of Villard de Honnecourt

more images:

https://www.google.ca/search?q=Villard+de+Honnecourt&rlz=1C1GGGE _enCA412CA4
12&um=1&ie=UTF8&hl=en&tbm=isch&source=og&sa=N&tab=
wi&ei=ANcrUsPfNs70qwG75oAQ&biw=1241&bih=619&sei=I9crUoi3K9KFyQGE74HIBg

And  what did I mean by this statement?

Btw that plate from 4000+ BC appears to have ‘anticipated the evolution of String Theory.

Tesla also wrote a poem according to Zora Belaic.

Zora Belaic

Here is just a poem that Nikola Tesla wrote….You have a chance to study Croatian-Serbian..

FRAGMENTS OF OLYMPIAN GOSSIP / OGOVARANJA NA OLIMPU

While listening on my cosmic phone / Dok telefonom prisluškujem Etar
I caught words from the Olympus blown. / s Olimpa reči nanosi mi vetar.
A newcomer was shown around; / Shvatih po zvuku iz toga sveta,
That much I could guess, aided by sound. / neki nov čovek tamo se šeta.
„There’s Archimedes with his lever / „Polugu svoju to Arhimed vuče,
Still busy on problems as ever. / Naučne muke mnogo ga muče.
Says: matter and force are transmutable / Sila i tvar izmenjuju se glatko,
And wrong the laws you thought immutable.“ / I sve se slaže, Njutnov zakon laže.“

„Below, on Earth, they work at full blast / „Dole na Zemlji nauku ljušte,
And news are coming in thick and fast. / pristižu vesti, samo pljušte.
The latest tells of a cosmic gun, / I top kosmički već se tamo sprema,
To be pelted is very poor fun. / Pućiće hitac, problema nema.
We are wary with so much at stake, / Sve je u igri, stvari su teške,
Those beggars are a pest—no mistake. / „oružje prose – strašne li greške.“

„Too bad, Sir Isaac, they dimmed your renown / „Užas je Njutne, slavu ti blate,
And turned your great science upside down. / Krutim ti štapom nauku mlate.
Now a long haired crank, Einstein by name, / Kudravi čudak, Ajnštajnčik, zveči
Puts on your high teaching all the blame. / Za sve on krivi sve tvoje reči.
Says: matter and force are transmutable / Kaže da sila u masu pretvara se lako,
And wrong the laws you thought immutable.“ / Pogrešan ti Zakon, Njutne, itekako.”

„I am much too ignorant, my son, / „Ne znam ti ništa, detence slatko,
For grasping schemes so finely spun. / Prefine su sheme, a mislim kratko.
My followers are of stronger mind / Djaci moji mnogo su bolji,
And I am content to stay behind, / Za njima kaskam po svojoj volji,
Perhaps I failed, but I did my best, / Možda omanuh, uprkos truda,
These masters of mine may do the rest. / Arheji moćni, dovršite mi čuda.

Come, Kelvin, I have finished my cup. / Kelvine, hajde, valja nam poći.
When is your friend Tesla coming up?“ / Drug tvoj, Tesla, zar neće doći?“
„Oh, quoth Kelvin, he is always late, / „Ah, ko zna kada„ Kelvin će na to,
It would be useless to remonstrate.“ / „on uvek kasni, naučnik strasni.“

Then silence—shuffle of soft slippered feet / Umekšan korak, papuče meke – nestade zvuka,
I knock and—the bedlam of the street. / Tad kucnuh lako – odjednom vreva, ulična, puka

-N. Tesla

namaste

RaphaEL

RS 5×5 RoTaS SaTor Magic Square

UPDATE September 12, 2016

I have several blogs that discuss the RS 5×5 magic square.
The Egyptian word for magic was hekau and the god of magic was Heka or Hike.
Don’t be offended if ME+me tells you to take a Hike.
More on this later.

Today’s update is profound and I could not decide which RS blog to post it.
This one will do.

All of the following images come out of a 1887 publication.
All highlights and annotations belong to ME+me.

7n9aoep

Note the location of the swastika and compare this image with the ones shown here
scroll down the page:
‘E’ AT DELPHI AND 1_4_7_10
Which cross is the true and correct representation?

I came across these images/text in a 1887 publication called Hidden Way Across The Threshold or The Mystery Which Hath Been Hidden For Ages And From Generations

enzyuhw

There were another series of images in this 1887 publication that also spoke to ME+me and the recovery that I AM experiencing since about 2004.
The letters RST and Z or is it an N have been noted as important by author J.C. Street.
Whoa how can this be … only an embedded consciousness could possibly account for such a ‘coincidence’ beyond all probabilities … herein we have more evidence of a ‘rec0very’ underway keeping pace with a hidden script its signature often left by the TEACHER.
tkd9men
It is uncanny how I could find these ideas/images in an 1887 publication that anticipates much of what I would piece together from my own POV using the clues fed me by who/what exactly?

And yes a hard copy of this 1887 book by J.C. Street is on its way as I type this … it could arrive today in fact.

There is a free pdf. copy online:

Shall we continue, ME+me can hardly wait to see how this quest ends.

~ end of UPDATE ~

Mars as greatest warrior….

@46:18 Dave Talbot does a great job explaining some of the esoteric symbolism behind Mars or Ares.
Mars of course is the god of war and it is associated with the Sator/Rotas Square too.

http://www.mazzaroth.com/ChapterOne/TranslateDenderah.htm

‘Circle of 8’ – POOR SARA 

I have added the number sequence from 1 to 36 to the image above to show a precise count of the 36 decans.  The 36 characters proceed in a counter-clockwise orientation on the outer edge of the Denderah circle.  These are called decans because in a circle of 360 degrees divided by 36 it equals 10, therefore deca, ten.  As you can see this allows three decans per zodiac sign (every 30 degrees).  E. C. Krupp states that the images around the perimeter are definitely decan stars only nobody knows which ones are which stars.

Notice that the large disk with the eight symbols inside, has been left out of the decan count, as it is very plain that this symbol is not like any of the other 36 characters (figures, animals, statues, etc.).  Some claim it to be Decan stars and therefore it is one of the 36 characters around the circle of the Denderah zodiac, which every ten degrees the stars identified by the glyph is reactive.

In the book by Denon “Descriptions de l’Egypte, it states that the symbol and line drawing show that in the circle are eight men on their knees, with their heads chopped off, and their arms tied behind their backs, possibly representing the world of the enemies (as the classic image of foreign enemies) to the Egyptians.
The image to the right is found on the temple north of Esneh (see Trevisan, Figure 2 – file “Den_2.htm”) Descriptions de l’Egypte,” vol. I, pl. 87.  It appears to be different from the eight characters in the large disk of the Zodiac of Denderah.

Circle of 8

Image

The eight captives inside the square (on the left) represent eight (actually 9 but traditionally seen as being 8) that could form the left-hand half of Capricornus.

These figures do stand for the glyph symbol of enemies or wickedness.

These are Decan stars and the glyphs say Sa-r-a or a-r-sa.
Above the figure to the right is also named sa-r-a.

A possible indicator of epithet, title or a piece of time.
http://www.mazzaroth.com/ChapterOne/TranslateDenderah.htm

POOR SARA and the Sator Square

Image

At this time I want to point out that the TENET cross divides the square into four equal quadrants.
The 16 letters used spell out SARA POOR POOR SARA

VIRGIN MARY 13th Century Monastic Symbols

The 4 black dots in the monastic symbol might equate to 2xP and 2xR or maybe to a placement of the extra two A and two O in the Pater Noster cross?

Around the central Latin letter Ν (en,) a Greek cross can be made that reads both vertically and horizontally the first two words of the ‘Pater Noster‘ (Pater Noster translates as “Our Father”, the first words of the Lord’s Prayer), each line is surrounded with A and O which represents the Alpha and Omega. The associations indicate the square may have been a safe, hidden way for early Christians to signal their presence to each other in a city without exposing themselves to persecution.

The ‘Prayer of the Virgin in Bartos’ claimed that Christ was crucified with five nails, which were named Sator, Arepo, Tenet, Opera and Rotas.

Other authorities believe the Sator Square was Mithraic or Jewish in origin because it is not likely that Pompeii had a large Christian population in 79 A.D and the symbolism inferred as Christian and the use of Latin in Christianity is not attested to until later.
http://en.wikipedia.org/wiki/Sator_Square

65 = 6 + 5 = 11

The Seal of Solomon is associated with both the 6-pointed hexagram and the 5-pointed pentagram.

55 atoms are connected to the 55 white and black dots found in the Ho Tu and to the 55 atoms that apparently comprise the two Seals of Solomon, the ACGT that comprises our DNA!
i.e.   pentagons and hexagons forming molecular chains.

Alpha and the Omega

Can we match up the EIGHT A + O to the EIGHT fish found in the outer ring on this bowl dated to 5000 BCE?

Image

Note the other four fish we see attached to the necks of the birds are associated to the 2P and 2R, because the four E found on the Sator Square are equivalent to the necks of the birds.  i.e. the M-E-W-3

Remembering that both concepts, the Alpha and Omega (denoting beginning and end) and ‘fish’ are associated with Jesus.

Alpha = 52 + Omega = 52

4A= 52
4O= 52
4T= 52
4E= 52
4R= 52

4 corners (2R+2S) = 52

2P = 26
2S = 26

2P+2S = 52 

1N = 13

note below in the Pyramid Cipher and Order 5 Magic Square that ALL of the centers – N 13

Do you see the ‘52‘ in this depiction of  Viracocha? 

Viracocha was one of the most important deities in the Inca pantheon and seen as the creator of all things, or the substance from which all things are created, and intimately associated with the sea.Viracocha created the universe, sun, moon and stars, time (by commanding the sun to move over the sky)and civilization itself. Viracocha was worshipped as god of the sun and of storms. He was represented as wearing the sun for a crown, with thunderbolts in his hands, and tears descending from his eyes as rain.

Northeast and Northwest

In another legend, Viracocha had two sons, Imahmana Viracocha and Tocapo Virachocha. After the Great Flood and the Creation, Viracocha sent his sons to visit the tribes to the Northeast and Northwest to determine if they still obeyed his commandments.

Viracocha himself traveled North.

During their journey, Imaymana and Tocapo gave names to all the trees, flowers, fruits and herbs. They also taught the tribes which of these were edible, which had medicinal properties, and which were poisonous. Eventually, Viracocha, Tocapo and Imahmana arrived at Cuzco (in modern day Peru) and the Pacific seacoast where they walked across the water until they disappeared. The word “Viracocha” literally means “Sea Foam.”

http://en.wikipedia.org/wiki/Viracocha

I highlighted Northeast and Northwest because many temples are oriented in those directions too, with North playing a significant role.

The simplest reason for this orientation is that during the summer solstice, on the longest day of the year, the sun rises in the NE and sets in the NW.

The Language of Pattern: An Enquiry Inspired by Islamic Decoration

Marko Rodin probably has this book in his library. A book I should have a look at.
A book I ordered on 13/03/2014.

Sator Square – An Early Christian Cryptogram?

Duncan FISHWICK, M.A.
University of St. Michael’s College, Toronto

Serious investigation of the origin and nature of the Rotas-Sator square began in 1881 with the publication of Köhler’s historical survey in Zeitschrift für Ethnologie. A vigorous and protracted debate has been illuminated from time to time by the brilliant researches of modem archaeology; but despite almost eighty years of academic controversy no conclusive solution has yet been found to the mystery of the ‘magic square’.

The discovery at Pompeii, however, of specimens reasonably conjectured to be earlier than A.D. 79, together with the implied presence of Christians before the eruption of Vesuvius, presented grave difficulties. These were formulated by Jerphanion at a meeting of the Académie des Inscriptions in 1937.

A rebus which is typical of this magic genre may well have been inscribed by Latin-speaking Jews, familiar with Hebrew and the Hebraic method of writing. Such a solution would also provide a convincing answer to the difficulties inherent in a Christian origin. Although the A/0 sign may not have been in Christian use before its appearance in the Apocalypse, the idea occurs much earlier in such passages as Ex. 3.14; Is. 41.4, and 44.6. The letters aleph and thau are also used in the Talmud to symbolize completeness and totality. 

The appearance of this symbolism in a Jewish rebus would therefore be quite plausible, particularly in conjunction with the T’s of TENET. 

These may best be explained not as Christian crosses, but as a Latin form of the Jewish thau sign, the symbol of salvation which, in the vision of Ezekiel, saved the Just from the avenging angel. This mark in its archaic form (+) appears regularly on ossuaries of the Hellenistic and early Roman periods, particularly at Jerusalem. 

The central position of the N or ‘en’ may also be significant.

The Jews attached a peculiar power to the mere pronouncement of the ‘Name’, in particular of the Divine Name. 

As the initial letter of the word nomen, N might also serve here as the Latin equivalent of the Hebraic םש, the unique Divine Name, fount of Divine Power and centre and origin of all things.

The remaining question is the proper interpretation of ROTAS OPERA TENET AREPO SATOR. Despite efforts to trace its imagery to the Ezekiel passage or to the concept of logos as charioteer, no explanation has ever convincingly elucidated its Delphic meaning.

http://www.umanitoba.ca/colleges/st_pauls/ccha/Back%20Issues/CCHA1959/Fishwick.htm

Lattices – Unit Cells and the letter – N

A general formula can be derived from the arguments just presented for counting N, the number of atoms or ions in a unit cell. It is

http://chempaths.chemeddl.org/services/chempaths/?q=book%2FGeneral+Chemistry+Textbook%2FSolids%2C+Liquids+and+Solutions%2F1399%2Flattices-and-unit-cells

RULES OF LOGARITHMS and EXPONENTS

Since logarithms are nothing more than exponents, these rules come from the rules of exponents. Let a be greater than 0 and not equal to 1, and let n and m be real numbers.

Exponential Rule 1:  

tex2html_wrap_inline100 

http://www.sosmath.com/algebra/logs/log4/log44/log44.html

Can we apply modern math formulas to ciphers, codes, and magic squares?

Why not?

Has the IDEA of what the letter ‘N’ means been carried forward?

Image

N = 13

Using the Pyramid Cipher, “KNIGHTS TEMPLAR” can be encoded as “BNOHVSE SPZTGCM.” By using one or more filler letters, the cipher might look like “BNOHVSEOSPZTGCMY” with ‘J’ and ‘Q’ as encoded fillers (‘O’ and ‘Y’). Remember that ‘I’ can also be encoded as ‘O.’
The letters can be substituted with numbers to create a number cipher: “2-13-14-8-21-18-5 18-15-25-19-7-3-12.” After adding the ‘J’ and ‘Q’ fillers, the cipher would look like “2-13-14-8-21-18-5-14-18-15-25-19-7-3-12-24.” Knowing that numbers 1-25 represent the letters, a cipher message could mix in additional numbers up to 50 or 100. The person doing the decoding would remove all numbers above 25, leaving the real cipher numbers: “33-2-13-49-28-14-41-8-26-21-37-29-18-28-48-5” = “2-13-14-8-21-18-5” = “KNIGHTS.”
http://activstudios.spaces.live.com/

The Key of Solomon

(Clavicula Salomonis)
For obtaining grace and influence write down the following words:

SATOR, AREPO, TENET, OPERA, ROTASIAH, IAH, IAH, ENAM, IAH, IAH, IAH, KETHER, CHOKMAH, BINAH, GEDULAH, GEBURAH, TIPHERETH, NETZACH, HOD, YESOD, MALKUTH, ABRAHAM, ISAAC, JACOB, SHADRACH, MESHACH, ABEDNEGO, be ye all present in my aid and for whatsoever I shall desire to obtain.

:arrow: http://www.esotericarchives.com/solomon/ksol.htm#chap14

note to self:  This incantation is also given in 1307 Sloane MSS., page 76. -SLMFriday October 13, 1307 King Phillip IV ‘the fair’ of France had every single Templar simultaneously arrested, and he had Pope Clement V excommunicate the leader and dissolve the whole organization. They were forced into false confessions and charged with heresy and witchcraft. 

7 years later in 1314 the Grandmaster Jacques deMolay was put to death.
Coincidentally I just happen to see pi in the year 1314.

1314 – 3.141  

Grandmaster Jacques deMolay
note the Windmill-SEED pattern (parquet floor) in the background

 photo DonationofConstantinePatternandAcou.jpg

Bell Sound Studio is a match for the SEED pattern

The Donation of Constantine is also a match for the SEED pattern

10/13/1307 

There is no question that they picked that date for a reason.

Luo Shu expanded to 5×5

http://the-magic-square.blogspot.ca/

The last hidden message that can be gleaned from the sator square comes from the “spokes” within the inner square.

The letters PNP, translating as “stalk related stalk”, can be seen to be a reference to the cross.

The letters RNR, translating as “movement related movement”, can be seen as a reference to repeating prior movements or to teaching.

The letters ENE, translating as “out of related out of”, can be seen as a reference to the assembly or meeting of members of the same community.

http://www.olinrevelation.org/NewWebsite/SatorSquareSolution.htm

The above clues I feel we can apply to understanding how the Sator Square can be used as an algorithm, which I try to illustrate in this blog here:

Sator Square – Twistor String Theory – Penrose & Witten & Wedekind

Now, the title song of this epigraph is precisely MCSIII and also contains the letters in the slab of SATOR in the same parish. “Unlike interpreted is the date set at the beginning, the reading of which changes depending on how you intend the letter ‘S’. If it was short of the number 6, the date of construction would be 1109, as claimed prof. P. Bacci in 1910 , while more recent studies suggest the date of 1173 given the ‘ S ‘stands for septuaginta. “ 

http://www.duepassinelmistero.com/Il%20Magico%20quadrato,%20SATOR….htm

We can see that the iconic code of magic square gives us the representation of the triple enclosure (see fig.9), the esoteric symbol teleological linked to the Great Mother, the symbol that expresses the path of initiation that must take the man to climb gradually to the First Cause, in order to achieve unity with the Divine:

  • Black
  • then White
  • finally Red or the Great Work

http://www.ilmessaggioritrovato.it/newsite/QuadratoMagicoSator.asp

Could N be comprised of a smaller 3×3 grid that we see below in the Bush Barrow Lozenge?

Bush Barrow Lozenge or BBL 

note: the Bush Barrow Lozenge could be placed over the 7×7 Magic Square of Venus or the 9×9 Magic Square of the Moon.

Both Venus and the lozenge/diamond shapes are associated with feminine aspects.
The diamond is a square rotated 45 degrees.
And the square is associated with the male.

http://kachina2012.wordpress.com/2008/06/24/bush-barrow-lozenge-is-a-key-to-unlocking-st-peters-square/

THE LORD WATCH OVER THEE …

Focus only on the 5×5 in the center.

Image

HER = 888 = Jesus + D = HERD 

H – 8 – 4A 4O

E – 8 – 4E 2R 2S

R – 8 – 4T 2R 2P

D – 1 – N

The Lord Watches Over Thee HERD?

Letters in RED correspond to the appropriate Sator Square letters.

source for above text: The Chaldean Oracles of Zoroaster 
by William Wynn Wescott
http://books.google.ca/books?id=NaoHOIlJyuYC&pg=
PR9&source=gbs_selected_pages&cad=3#v=onepage&q&f=false

more more more: http://breakfornews.com/forum/viewtopic.php?p=73121#73121

Freemason George Washington laying the New World cornerstone – go to @ 3:13 

Why C + OWS protestations = COWS moovement

Arrow There is an invocation that is performed at the consecration of every Freemason Lodge or temple. 

It involves the traditional offerings of corn, oil, wine, salt

These 4 offerings are also associated with the 4 ELements, the 4E or the 4EvangELIsts, the 4 Sons of Horus,  the 4 Devarajas, 4 Mayan Bacabs, or the 4 cardinal directions.

The 4 offerings are;

  1.  EARTH the scatttering of Corn from the NORTH/YELLOW 
  2.  FIRE the pouring of the Oil from the WEST/RED 
  3.  WATER the pouring of the Wine from the SOUTH/BLUE 
  4.  AIR the flashes (lightning/gamma rays?) of the Salt in the EAST/WHITE 

And look how the Four offerings spell COWS if we induce precession/precess or rotate CCW starting in the North scattering the seeds of Corn.

  1. C orn scattered in the North 
  2. O il poured in the West 
  3. W ine poured in the South 
  4. S alt flashes in the East 

Obviously we are being lead?

You are not sure?
Continue reading below, I have attached an in depth meaning for each of those 4 sacraments listed above.

HERE is the main dilemma … how do you tell the herds of sheeple that they are in fact a HERD of COWS that is being watched over by either a ‘Big Brother’ or ‘Gott’ acting as HERDer?

Moove along NOW, the NWO has WON? Shocked
(the ancients loved anagrams btw, so do modern corporations…)

 

ALL of the above associations are found on page 23 of this book Freemasonry and its Ancient Mystic Rites.

Starting on page 39 the author C.W. Leadbeater discusses the 3 degrees that exist beyond the 3 degrees, he refers to them as colors.

i.e. REDBLACK, and the highest conferred is WHITE Masonry

137-9 Mesoamerica Code

And with everything else I have discussed about the number 137 being associated with the letters LEI (just rotate 180 degrees 137 =LEI) do you think it was coincidence or a deSIGN of the TIMEs that Adolf HItLEr has a LEI in his name?

AHA !

Another name for the swastika in China is the LEI WEN which means ‘THUNDER SCROLL

http://books.google.ca/books?id=gLhUGOwShTwC&pg=PA333&lpg=PA333&dq=lei+wen+swastika&source=bl&ots=i1vnzhNbtm&sig=
CY38LGPiUUZZzlOGtJgz92T19rs&hl=en&sa=X&ei=dVNeT7CFJcfv0gHVztykDw&ved=0CCgQ6AEwAA#v=
onepage&q=lei%20wen%20swastika&f=false

And also this little coincidence the universe has served up:
LEI Wen is a municipality in the Trier-Saarburg district, in Rhineland-PalatinateGermany.

ENCYCLOPEDIA OF FREEMASONRY AND ITS KINDRED SCIENCES

by Albert MacKey

CORN – WINE  OIL 

Corn, wine, and oil are the Masonic elements of consecration. The adoption of these symbols is supported by the highest antiquity. Corn, wine, and oil were the most important productions of Eastern countries; they constituted the wealth of the people, and were esteemed as the supports of life and the means of refreshment David enumerates them among the greatest blessings that we enjoy, and speaks of them as “wine that maketh glad the heart of man, and oil to make his face to shine, and bread which strengtheneth man’s heart” (Psalm civ., 15). In devoting anything to religious purposes, the anointing with oil was considered as a necessary part of the ceremony, a rite which has descended to Christian nations. The tabernacle in the wilderness, and all its holy vessels, were, by God’s express command, anointed with oil; Aaron and his two sons were set apart for the priesthood with the same ceremony ; and the prophets and kings of Israel were consecrated to their offices by the same rite. 

Hence, Freemasons’ Lodges, which are but temples to the Most High, are consecrated to the sacred purposes for which they were built by strewing corn , wine, and oil upon the Lodge, the emblem of the Holy Ark.

Thus does this mystic ceremony instruct us to be nourished with the hidden manna of righteousness, to be refreshed with the Word of the Lord, and to rejoice with joy unspeakable in the riches of divine grace. “Wherefore, my brethren,” says the venerable Harris (Discourse iv, 81), “wherefore do you carry corn, wine, and oil in your processions, but to remind you that in the pilgrimage of human life you are to impart a portion of your bread to feed the hungry, to send a cup of your wine to cheer the sorrowful, and to pour the healing oil of your consolation into the wounds which sickness hath made in the bodies, or afflictions rent in the heart, of your fellow-travelers?” 

In processions, the corn alone is carried in a golden pitcher, the wine and oil are placed in silver vessels, and this is to remind us that the first, as a necessity and the “staff of life,” is of more importance and more worthy of honor than the others, which are but comforts. 

SALT 

In the Helvetian or Swiss instructions, salt is added to corn, wine, and oil as one of the elements of consecrations because it is a symbol of the wisdom and learning which should characterize a Freemason’s Lodge.

When the foundation-stone of a Lodge is laid, the Helvetian ceremonial directs that it shall be sprinkled with salt, and this formula be used: “May this undertaking, contrived by wisdom, be executed in strength and adorned with beauty, so that it may be a house where peace, harmony, and brotherly love shall perpetually reign.” This is but carrying out the ancient instructions of Leviticus (ii, 13).” And every oblation of thy meat offering shalt thou season with salt; neither shalt thou suffer the salt of the covenant of thy God to be lacking from thy meat offering with all thine offerings thou shalt offer salt.” Significant as are the references in the Bible to salt, as the rubbing of salt on the new-born child (Ezekiel xvi, 4); the allusions in Mark (ix, 49, 50).” 

For every one shall be salted with fire and every sacrifice shall be salted with salt. Salt is good: but if the salt have lost his saltiness, wherewith will ye season it? Have salt in yourselves, and have peace one with another;” the burnt offerings of Ezekiel (xliii, 24) were sprinkled with salt, “And thou shalt offer them before the Lord, and the priests shall east salt upon them, and they shall offer them up for a burnt offering unto the Lord;” the “covenant of salt for ever before the Lord unto thee and to thy seed with thee” of Numbers (xvii, 19) and again in Second Chronieles (xii, 5), these are all reminders of the ancient importance of salt, the symbol of pledged affiliation, as in the weighty and warning utterance of Jesus in Matthew (v, 13).” 

Ye are the salt of the earth: but if the salt have lost his savor, wherewith shall it be salted? It ins thenceforth good for nothing, but to be east out, and to be trodden under foot of men.” Salt to the ancient world was pronounced a substance dear to the gods (Plato, Timaeus) and to break bread and eat salt at a meal with others were symbols of lighted faith and loyalty. 

Arrow http://www.phoenixmasonry.org/mackeys_encyclopedia/s.htm

ELoHIM

ELoHIM = Aleph, Lamed, He, Yod, Mem

In his 5×5 square, starting from the Hebrew letter ALEPH (in the center), work your way out in the 4 directions spelling ELOHIM, this results in 4 bents arms = swastika = tetragrammton = YHWH

What is also to be noted is that the center square (i.e. Aleph, D or N) in ALL three 5×5 grids appears only once.

YHWH

Of the names of God in the Old Testament, that which occurs most frequently (6,823 times) is the so-called Tetragrammaton, Yhwh, the distinctive personal name of the God of Israel.

This name is commonly represented in modern translations by the form “Jehovah,” which, however, is a philological impossibility (see Jehovah). This form has arisen through attempting to pronounce the consonants of the name with the vowels of Adonai ( = “Lord”), which the Masorites have inserted in the text, indicating thereby that Adonai was to be read (as a “ḳeri perpetuum”) instead of Yhwh.

When the name Adonai itself precedes, to avoid repetition of this name, Yhwh is written by the Masorites with the vowels of Elohim, in which case Elohim is read instead of Yhwh. In consequence of this Masoretic reading the authorized and revised English versions (though not the American edition of the revised version) render Yhwh by the word “Lord” in the great majority of cases.

http://jewishencyclopedia.com/articles/11305-names-of-god

Yahweh

The diagram above shows the Tetragrammaton written in;

Phoenician (blue script)
Aramaic (red script)
modern Hebrew (black script).

YHVH Tetragrammaton

H – 8
E – 8
R – 8
D – 1

These numbers especially the 888 have been associated with Jesus.
By coincidence the year 1888 has showed up so often along my journey, which has involved science, mysticism, and religion.

It all adds up now!

1+8+8+8= 25

According to Egyptian lore, the number 25 is associated with the-ONE-to-come.

25 – 5^2 – 5×5 – the Birth of Enlightenment – the Messianic Ideal – Free Energy?

I suspect they represent numbers using straight lines in electronics for similar reasons that Norse RUNES used straight lines and not curves?


55 ~ 64 ~ 73 ~ The Mithraic Origins and Meanings of the Rotas Sator Square ~ the Hypercube and the Amplituhedron tu?

Temple of Luxor – Rene Schwaller de Lubicz found 3 axis defined the complex

Detail from Etruscan vase

Please note the grids on the vase i.e. 2×2, 3×4, 3×5, and the 5×5 grid along with the swastika, chevrons and the ‘wavy’ images that look like ‘bats’.

weathervane-rooster-germany
http://www.weatherworks.com.au/weathervane-rooster-weatherworks-weather-store/

Introducing Za Rooster crows thrice

zoROASTer contains the words ROTAS plus zero … and we can compose Za Rooster too.

The four directions provides the NEWS.

N E W S

If you join the letters A + E + O + N found in each of the four fixed directions, as in NEWS.

All the NEWS that is fit to print in the 4 AGES or 4 AEONS.

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4 AEON Knights Templar Cross

Using numerology (mystical or esoteric relationship between numbers), one can assign the value 1 to the letter A, 2 to the letter B, and so on, up to 26 for the letter Z. Then, adding the values assigned to the letters in the rows and columns of the Sator square yields the following:

S A T O R ⇒ S + A + T + O + R = 19 + 1 + 20 + 15 + 18 = 73   ⇒   7 + 3 = 10   ⇒   1

A R E P O ⇒ A + R + E + P + O = 1 + 18 + 5 + 16 + 15 = 55   ⇒   5 + 5 = 10   ⇒   1

T E N E T ⇒  T + E + N + E + T =  20 + 5 + 14 + 5 + 20 = 64   ⇒   6 + 4 = 10   ⇒   1

O P E R A ⇒ O + P + E + R + A = 15 + 16 + 5 + 18 + 1 = 55   ⇒   5 + 5 = 10   ⇒   1

R O T A S ⇒ R + O + T + A + S = 18 + 15 + 20 + 1 + 19 = 73   ⇒   7 + 3 = 10   ⇒   1

Temple of Luxor – The Temple of Man by Rene Schwaller de Lubicz
Oppede, France

note the two reversed S and one reversed N in the center

This is just ONE of many interpretations regarding the meaning of this palindrome magic square found in the ruins of Pompeii.

Due to the word ROTAS which encircles the square and refers to the word rotation, it is thought that the square also refers to the Vision of Ezekiel wherein there were wheels within wheels that rotated but did not turn.

In any case, if AREPO really meant plough, one might justifiably ask what on earth the sower is doing with the plough?

There are, consequently, several possible translations of the words in this square:

  1. Arepo, the sower, holds the wheels with effort.
  2. The sower, Arepo, leads with his hand (work) the plough (wheels).

The last hidden message that can be gleaned from the sator square comes from the “spokes” within the inner square.

The letters PNP, translating as “stalk related stalk”, can be seen to be a reference to the cross.

The letters RNR, translating as “movement related movement”, can be seen as a reference to repeating prior movements or to teaching.

The letters ENE, translating as “out of related out of”, can be seen as a reference to the assembly or meeting of members of the same community.

Jules Quicherat suggested that the lines should be read boustrophedon, i.e., as the plough turns – left to right, right to left. This results in a reduplication of the same verse – SATOR OPERA TENET – TENET OPERA SATOR – which might conceivably be translated “As ye sow, so shall ye reap.” The main objection to this solution is that it entails the double use of TENET.

Again, though the Sator square can be successfully read boustrophedon, there is a further difficulty with the Rotas square, whose first line must be read right to left, a procedure contrary to the rules of writing boustrophedon.

  http://www.umanitoba.ca/colleges/st_pauls/ccha/Back%20Issues/CCHA1959/Fishwick.htm

THE SATOR MAGIC SQUARE – THE THEORY OF EVERYTHING – SOLVED?

 

More and more claims will be made regarding this puzzling puzzle as our collective unconscious continues to ‘recover’ its memory.

   http://www.rumormillnews.com/cgi-bin/archive.cgi?read=170038

Cirencester, England

ca. 165-256 A.D

At least three other examples of this word puzzle were discovered at Dura-Europos, and others have been found around the ancient world. The earliest dated example is from Pompeii, destroyed in 79 CE. There have been many attempts to translate and interpret this puzzle, which often attribute a Christian meaning to it. Other scholars believe it has a Mithraic or other magical significance.

64

note the cross  T E N E T ⇒ T + E + N + E + T = 20 + 5 + 14 + 5 + 20 = 64

 

2D Sator Square vs. 4D Hypercube w/crucifixion

The central area in all mandala is the Brahmasthana.

Mandala “circle-circumference” or “completion”, is a concentric diagram having spiritual and ritual significance in both Buddhism and Hinduism. The space occupied by it varies in different mandala – in Pitha (9) andUpapitha (25) it occupies one square module, in Mahaapitha (16), Ugrapitha (36) and Manduka (64), four square modules and in Sthandila(49) and Paramasaayika (81), nine square modules. The Pitha is an amplified Prithvimandala in which, according to some texts, the central space is occupied by earth. The Sthandila mandala is used in a concentric manner.

The most important mandalaare the Paramasaayika Mandala of 81squares and especially the Manduka/ Chandita Mandala of 64 squares.

The normal position of the Vastu Purusha (head in the northeast, legs in the southwest) is as depicted in the Paramasaayika Mandala. However, in the Manduka Mandala the Vastu Purusha is depicted with the head facing east and the feet facing west.

An important aspect of the mandala is that when divided into an odd number of squares, or ayugma, its center is constituted by one module or pada and when divided into an even number of squares or yugma, its center is constituted by a point formed by the intersection of the two perpendicular central lines. In spatial terms, the former is sakala or manifest/ morphic and the latter is nishkala or unmanifest/ amorphous.

 http://en.wikipedia.org/wiki/Vastu_shastra

What are the geometric shapes behind Nima Arkani-Hamed similar to?

“Mathematische Basteleien” … the unfolding of the 4D hypercube?

   http://www.mathematische-basteleien.de/hypercube.htm

note the Patterns that the padas reveal for each square.

8×8 results in 4-3-2-1 sequence

4 = 4 padas

3= 12 padas (1+2=3)

2 = 20 padas

1 = 28 padas (2+8=10=1)

 

9×9 results in a 9-7-6-5

9 = 9

7 = 16

6 = 24

5 = 32

note to self: the ISBN of the book contains the 13759

The Mithraic Origin and Meanings of the Rotas-Sator Square

ACGT vs ACGU

ACGT stands for the four nucleic acid bases that make up DNA. The “A” stands for Adenine and pairs with the “T”, which stands for Thymine. The “C” stands for Cytosine and pairs with the “G”, Guanine. These four nucleic acids make up a creature’s genetic code, or DNA.

ACGU stands for the four amino acids that make up RNA. RNA pairs up the same as DNA, except that Thymine is replaced with Uracil.

http://en.wikipedia.org/wiki/ACGT

Then why does this book on page 5 (reproduced here) in discussing the Sator Square discuss  the transposition of the ‘T‘ and the ‘U‘ and an intrusion of an ‘A?

 http://books.google.ca/books?id=O9YUAAAAIAAJ&printsec=frontcover&source=gbs_ge_summary_r&redir_esc=y#v=onepage&q&f=false

In the passages below we find the numbers 137 and 307 or 37 make an appearance in an effort to revive or pay homage to Mithraism.

Also note that the hierarchy of the traditional 5 planets plus the sun and moon has been altered in the seven grades.

The time period in which Mithraism flourished is better known, thanks to the archaeological evidence. The cult of Mithras appears suddenly in the 2nd century AD – hundreds of inscriptions begin appearing after 136 AD. It then died out with the rest of Greco-Roman paganism after the conversion of Constantine in the 4th century. Its sudden emergence in the Roman world has not been explained. According to theEncyclopaedia Britannica,

  • The most plausible hypothesis seems to be that Roman Mithraism was practically a new creation, wrought by a religious genius who may have lived as late as c. AD 100 and who gave the old traditional Persian ceremonies a new Platonic interpretation that enabled Mithraism to become acceptable to the Roman world.3

As in its Persian form, Roman Mithraism was a religion of loyalty, contracts and friendship between men, especially between officials and rulers. There are no known women followers of Mithraism. The cult was supported by several emperors, including Commodus (180-92), Septimius Severus (193–211), and Caracalla (211–17). As part of an effort at renewing the Roman empire, Diocletian dedicated an altar to Mithra in Carnuntum (on the Danube near Vienna) in 307, designating the god patron of their empire (fautori imperii sui).

Mithraic initiates were ranked in a series of seven grades, each named and each under the protection of one of the planets:

  1. Raven (Mercury)
  2. Nymphus (Venus)
  3. Soldier (Mars)
  4. Lion (Jupiter)
  5. Persian (Moon)
  6. Heliodromus (Sun)
  7. Father (Saturn)

These initiatory grades are known from frescoes in the Santa Prisca Mithraeum in Rome and the mosaic pavement of the Felicissimus Mithraeum in Ostia. But “Nymphus” (which translates to “male bride” or “bridgegroom”) and “Heliodromus” are words of unclear meaning, and all the grades remain full of mystery.

The Christian author Tertullian sheds some light on intitiation to the third level, “Soldier,” in a treatise about Christians refusing crowns in military service. He notes that a Soldier of Mithras, during his initiation in some gloomy cave, is presented with a crown at sword-point.

He refuses it, saying that Mithras is his crown, and he never wears a crown after that.4

 

Rotas Sator Square Muses and Musings

The following correspondence I received from Bryan M. Berman on my youtube account.

Both were received on Sept. 5/2012

bryanmberman

E-mail  #1

Re: Sator Square

This would become a very long an involved message. I can try to sum it up, and if you would like an in-depth explanation I could send it to your email.I would like to start by saying that the Sator Square is “not” a magic square, and it is “not” a word puzzle. It is “not to be figured out with numerology, and or the words tho intriguing are not the message that people are believing.I am an artist and a musician “not” a scientist or mathematician. I found the meaning through my own understanding of the way things work, as well as a few deciphering techniques that I have come to understand as “standard”.The square is not made by the people that spoke the language of the letters, but by something that had a much greater understanding of language in general.The 1st thing I did was replace the letters of the square with the next letter in our alphabet. so for an S I would use a T, for an A I would use a B, and so forth. The end result was the exact same pattern. Then I changed the letters to numbers, corresponding to our own alphabet. So the letter A becomes a #1, and so forth. The pattern remained the same. Then, and this is where it gets interesting… I changed the letters to shapes. When I did that, the message started to become clear to me. I began to obsess over the pattern of the shapes. There was something familiar to me as an artist, as to what was being described. I began to notice that there was a continual folding over and pulling towards the center, or the letter “N”. The letter “N” in hebrew is the letter noon, and it has always been used to represent the devil. So I drew a diagram of what the letters seemed to be doing in relation to the center letter, the only letter that does not repeat the letter “N”, and an amazing thing happened. The square became 3 things. 1. The Sator Square is a depiction of “gods Eye’ or 2. what I fear now is a black hole. The Square is also a diagram on how to build a pyramid. By taking the letter “N” and doing what’s called “amplifying” the letter you get a 3 diminutional pyramid. When You amplify the number 14 “N”‘s corresponding # you get a church steeple. So I came to notice that the “Square” does not have squares around each letter, because the letters float in three dimensions. By applying this to the “Square” you can actually use the letters to plot on a piece of paper, and you can see how they can be positioned like plotting a course. All the letters cave into the center and when you draw it out as a diagram the letters appear to be crushing into the center with an unstoppable force. The final conclusion is a “black hole”! When I look at the diagram, that is all I can see. Now when I look at the “Square” it’s all I can see. I don’t speak “Latin” so the words mean anything to me. The words are designed to throw everyone off.It does tell a small story, but the story tho cute is really not the actual message. It’s not even a message in latin. It’s an amazing use of language… so good that we have not seen a more powerful display of language before of since. This square is the basis for all magic squares, and all word puzzles that ever have been. I will tell you right now, you will never see another like it, because there can’t be another like it. We as a race, can’t make one of these. It can’t be done now, never mind when it was made. So just the word structure alone is all the proof you need to prove that it wasn’t made by us. The “square” is it’s own proof of this. Also if the real truth about it’s mystery was solved, then why is everyone so dissatisfied with the answer? Because no one has figured out what I have figured out. The “Hidden Message”.Every explanation falls short, and leaves everyone thinking “there must be more to this”. I have drawn the “Square” So many times, and gone over this method of figuring it out, so many times that I feel like I could do a lecture on it. The diagrams I have created fully explain how this conclusion works. The words are a nice way for something much smarter to communicate a message about the impending doom of a black hole. When you amplify the “N” in the center, you get a pyramid. That’s as plain as I can explain it, without using pictures. If you would like to see my research, I would be happy to get it to you.

E-mail  #2

Just so you know, I also understand the meaning and the message behind seeing a cross, but the cross is an “axis” not a “cross” like we think of the cross. Also the pentagram, which can bee seen however incorrect. Actually the pentagram is now used for rituals because of this. So the “square” actually has spawned all of the worship of these images. We have created “magic Squares” and “Puzzles” and all kinds of imagery from this “square”. Lots of good ideas. But know one has gone as far into it as me. I understand now, that when this was made it was a clear message of our planets impending doom. A black hole is the most devastating thing a solar system can be faced with. So also if the sun is light, anti sun is a black hole, if “christ is the “sun” “Lucifer” is anti light, and anti light is a black hole. A black hole destroys light. So the letter “N” representing the devil, or the black hole impending doom, the destroyer!!! The “N” is the only letter that does this, I have amplified them all, and the “N” is actually two triangles side by side. To amplify a letter or number, you write it on top of itself from all four angles. The letter “N” is the only letter that forms a 3d pyramid. This square was found on the walls of underground churches, that were made in caves, and if ther was no cave a cave was made… This is no puzzle, it’s a warning!!! Like a “beware of dog” sign. Only this sign reads “beware of god”. I am not a religious man, and I don’t believe in the devil… but I tend to have more faith in what I can see. Unfortunately for me, I can read this… and I wish that I couldn’t. I have looked int this theory, and it apears that all the worlds governments are prevy to info pertaining to black holes… how to harness the energy, and how destructive they really are. Right now planet Earth is headed into the “dark rift” in space. If we are near enough to a black hole, there isn’t anything we will be able to do.

Again, the letters on the square are there for a reason, just not the reason we think. The designs they make, have been interpreted wrong, and not very creatively. A mathematician will over think it, and if you try to decode it with standard means, you get a standard answer. I got lucky, I am not smart enough, and not stupid enough, I was just smart enough. Now I feel I am cursed with this vision of knowledge.

wink wink nudge nudge know what I mean?

2B continued till the end of time or if I run out of space…

selah V

Tesla – Sator Square – R & S – Sefer RazIEL

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Help naME the thread >> Tesla and the Sefer Raziel